[Comprehensive + Onmyoji] Quiet Window Lamp Moon Bright

Qingming looked at the luthier who was in a state of distress in the heavy rain, the thin and thin male ghost whose snow-white clothes were soaked by the rain.

"More than ten years later, that lady's daughter has grown up. She is beautiful and talented. But you killed her again, didn't you?"

Yes, Qingming still has no way to confirm that this luthier is the prisoner in this skinning case.All she could be sure of was that the prisoner more than ten years ago was the luthier.

The luthier stared blankly at Qingming, and suddenly smiled, "It turns out that Lord Onmyoji hasn't decided yet!"

He played the shamisen again, "Have you seen the sea of ​​Suma, my lord? The shore is surrounded by green hills, and the blue sea is boundless on a sunny day. When the wind blows, the water is shining. Ryoko said, she wants to see such a scene." Hai, I took her back. Ryoko wanted to go back before we reached Suma."

A young woman similar to the wife in the concubine emerged from the water, with her sweet smile and the fear and pain of being killed.

Ryoko is talking about the female corpse found in the suburbs, which is also the daughter of the heroine in Seimei's story.

Qingming wanted to take off his mask, and take a good look at what a ghost who has been separated from other people's mothers and daughters after more than ten years looks like.

"What about the six daughters?" Qingming asked.

"I just want to kill them. When I touch their delicate skin, I feel jealous and want it." Killing is addictive. "But I can't kill them. Lord Yijin gave me to Lord Seimei as a present."

Seimei pinches the spell, raises and lowers his hands, scalding his life.

The water in a bottle technique shows the thoughts of the heart into illusions, which cannot be faked.

So Seimei and Otengu were forced to watch the luthier's indescribable story.

The seawater of Suma is so bright under the clear sky.The young girl who is fresh and tender like a spring peach is slim, and she is holding a boy who looks like her, and she is boating on the sea.

Seimei looked at the girl, and felt that she seemed to be Ryoko, and the lively look in her eyes didn't seem like the aristocratic girl of Heianjing.

But as the plot progressed, Seimei knew that the girl was not called Ryoko, but Setsuko, and that the sea was the Suma Sea.

Qingming turned his head and asked Ootengu, "Is this Ryoko's mother?" If so, the timing is amazing.

The concubine lady Seimei saw was in a fantasy in the water.The lady's face was covered with a layer of resentment and hostility.

The knot in Heya's memory is kind and generous.He Ya is the luthier, Setsuko's younger brother.

In spring, the ancient cherry blossoms are intertwined with pink and white, layer upon layer.Ten-year-old Setsuko was wearing a five-layered sakura-colored dress, and the girl whose facial features had not yet developed could only be described as pink and cute, her cheeks were healthy pink, and she was a head shorter than Ya.

Setsuko bent down and held his younger brother's hand, not knowing what to write.

"Give the letter to father!" Setsuko said to Heya.

He Ya gave the letter to her father as her sister said, and was beaten up by the angry father.

For some reason, Setsuko hated Heya very much, and wished to kill him so much.

But He Ya likes Setsuko very much, and he has a special sense of intimacy with Setsuko.

Later, Setsuko married to Kyoto, and not long after, Heya also went to Kyoto to join her sister.

The next development is simply inexplicable. On the night He Ya just arrived in Kyoto, Setsuko threw herself into her arms... for He Ya.

This statement is more euphemistic.

Before Seimei could react, Daitengu covered Seimei's sight with a round fan.Qingming turned her head to look at the particularly good-looking face of her Tengu, and asked, "Did I miss something?"

"Is it necessary to see this kind of thing?" Big Tengu felt that it would be unfavorable to travel tonight.

"Respect the dead."

Seimei couldn't figure out why Setsuko did this, but if the story went on like this, Fujiwara Ryoko wouldn't be Kazuya's daughter.

Seimei felt that this story opened the door to a new world for her.

Setsuko's pregnancy was expected, and it was not clear who the father of the child was.But when Setsuko was pregnant, she sent Heya to her husband's arms.

Seimei didn't know what she thought of, pushed away the fan that Ootengu was blocking her eyes, and stared straight at Heya.

She felt that something was wrong with Ya, so she couldn't tell.

But Datengu was very annoyed by Seimei's actions, and laughed angrily, "Abe Seimei, do you understand that you shouldn't see evil."

"I'm thinking about something, don't make trouble." Qingming, who was thinking, coaxed casually.

The birth of Ryoko made Setsuko very disappointed. It seems that because of Setsuko's disappointment, Heya was also disappointed.

Seimei doesn't know why, He Ya is so toward Setsuko, how can there be things in this world that the perpetrator thinks and the victim thinks.

Such a gentle person, why did he kill Setsuko?

Seimei runs into the rain and tries to take off Heya's mask, but the mask seems to stick to his face.

The phantom in the water has reached the scene where Kazuya killed Setsuko.

Kyoko was buried in the soil, only one head was exposed, a cross was drawn on top of the head, mercury was poured in, Kyoko screamed in pain, the whole illusion was filled with this pain.

Seimei finally took off the mask and tore off the skin.

The big tengu reached out from behind Seimei to cover her eyes, and the black crow feathers shielded her from the wind and rain.

"Heya, did you die in the fire?" Seimei asked Big Tengu.

"Ah."

Heya set a fire and burned him and Kyoko's body together.

Seimei closed her eyes, stringing everything together.There are still many doubts.But Qingming thinks there is nothing wrong with the fact that the luthier kills people, but he is not Heya.

Why does he think he is He Ya, and who is he?Why did that boy tell her that story in the afternoon?Why did Ukiyoya let her go so easily?

"She's Setsuko." Daitengu's cold voice rang in her ears.

Seimei turned to look at Ootengu, they were very close, close enough for Ootengu to see the coldness in her disguise.Daitengu let Seimei go, took two steps back, and distanced himself.

There is a difference in the movement characteristics of men and women. Ootengu can see that Heya does not look like a man in the memory developed by the water in a bottle technique.

Heya's memory revolved around Jiezi from the very beginning, and every scene in Heya's memory was seen by Jiezi.

"So, Setsuko regards herself as gentle." Seimei stood in the rain, her voice was quiet, her wide sleeves were filled with wind and rain.

In this way, the sense of violation in the memory makes sense.

Setsuko turned into a ghost after death, but for some reason she regarded herself as Heya.

But Jiezi is not Heya, and Jiezi will not know what Heya really thinks.This caused He Ya in the phantom memory to become a puppet attached to Setsuko.

The luthier said that she was jealous of those women with delicate skin, and she wanted that beautiful skin.

Because Setsuko was skinned before death, and was burned after death.

Seimei frowned at Ootengu, "We'll go home when the rain stops."

The author has something to say:

The story of the leather jacket is over.

What you see may feel inexplicable, there are about three points.

1) Setsuko regards herself as gentle and elegant, resulting in the loss of a complete memory chain.

2) There are too many hidden lines, resulting in the story of the human leather jacket being cut into pieces.

3) My writing is too weak, I can't write tension, and the plot is not arranged well.