My target person set collapsed [entertainment circle]
Chapter 35 Gossip
"Okay." Xue Yanchao tearfully accepted the arrangement order silently.
Ji Zizheng felt that the two of them made a pretty good sandcastle, so he took a few photos with his mobile phone and sent them to his circle of friends, which had been empty for thousands of years, and immediately attracted many diving friends.
Fang Yuqin: Director Ji, you are not alone on vacation, are you? ?
Sun Jin: Boss, which goblin did you get hooked by! ! ! !The company needs you, boss! ! ! !
Su Ting: Such a childlike innocence is not like your style, is it?Are you abducting a minor?
Lu Peng: Director Ji, you have time to build sand castles and sniff honey, why don't you have time to go on the show!It's been a long time since the variety show group invited us to the crew!
Ji Zizheng added a reply: Ollie's.
The masses, who smelled a hint of gossip, were silent for this earth-shattering uncle-nephew relationship.
Xue Yanchao was speechless after reading the circle of friends, and roared in his heart: "It's me! It's me! The legendary little fairy is me! Don't rabbits deserve names!"
Little friend Ollie knew nothing about Xue Yanchao's entanglements, so he dragged him to have fun by the seaside as usual.
It's a pity that the summer storm came just as it said.Before Oli had enough fun, he had to move his position due to the sudden rainstorm, and returned to the villa to stay aggrieved.
Standing in front of the floor-to-ceiling windows, Ollie sighed at least a hundred or eighty times looking at the dark rain.
Ji Zizheng rubbed his hair: "Why are you sighing, like a little old man."
Ollie: "When will it rain?"
"It's hard to say," Ji Zizheng said, "at least a day or two."
Ollie froze immediately, and tugged at Ji Zizheng's sleeve and walked away unhappily.
Ji Zizheng asked: "What did you bring in the box? The model car?"
"Take it," Ollie said, "but I don't want to play that."
Ji Zizheng: "Then show you a movie, okay?"
Ollie nodded.
Ji Zizheng brought him a VR glasses and asked him to play by himself.
"Don't look at it for too long," Ji Zizheng said, "I'm going upstairs first."
Ji Zizheng went upstairs and was surprised to find that Xue Yanchao was actually staying in the studio.
All his residences habitually leave a room as a studio. This villa is particularly large, but it is quite messy inside, carving knives, grinding discs, saw blades, canvases, bottles and cans of paint, unused Stones and other messy things piled up all over the floor.The part-time cleaners did not dare to enter the studio and move their things casually, so the place still maintains the old messy look.
On the north wall leaned against a large half-finished stone mural, which Ji Zizheng played with on a whim last time.
Xue Yanchao is watching seriously.
Although it is a semi-finished product, there are still many details that have not been carved, but the content is very clear, there are many animal images, the most majestic is a huge ark, sinking and floating in the turbulent waves, very dynamic.
"This is... Noah's Ark?" Xue Yanchao asked.
"This is indeed a flood story, but it's not from "Genesis." Ji Zizheng smiled and walked to his side. "The Mesopotamian mythology was written more than 1000 years earlier than the "Bible."
Xue Yanchao didn't know the story, so he asked Ji Zizheng to explain it to him.
"This is mentioned in "Gilgamesh": the gods impulsively released a flood to destroy the world, but in the end they felt pain and hunger because there was no one to worship them," Ji Zizheng said. It was arranged for believers Utnabisiddin to take his relatives and various animals to hide in the ark, and when the flood receded, they reappeared. It is indeed very similar to the story of Noah’s Ark.”
Xue Yanchao: "Perhaps...there was such a flood in human history?"
"Maybe, it's up to historians to worry about it," Ji Zizheng said with a smile, "I didn't think about it when I was collecting materials."
Xue Yanchao gently stroked the edge along the carved lines: "Then what were you thinking at that time?"
Ji Zizheng: "I'm thinking about agricultural transactions, and I'm thinking about the natural class/layer structure."
"Well," Xue Yanchao said, "Yahweh thinks that human beings are sinful, but it is a matter of course to kill all birds and beasts. It seems that the meaning of their birth is to be a vassal of human beings. Because human beings are sinful, they don't need to exist anymore."
Ji Zizheng: "The power of the universe gives human rights and allows them to dominate. Humans are responsible to gods, but not to animals. This is not the natural order, but the thoughts we have shaped."
"Your interpretation is not in line with the tradition," Xue Yanchao laughed. "Noah's Ark can obviously be adapted into a modern environmental protection story, telling everyone to treat the ecosystem well and not bring it into trouble."
"This also just reflects that we still think that we have the sovereignty of the entire ecosystem and even the universe in our hearts," Ji Zizheng said. "Sometimes we kill and kill, and sometimes we regard ourselves as protectors. People think that agriculture is already the pinnacle right given to them by the creator, but they don't know science. After appearing, the gods have already fallen, and Homo sapiens at this time has implicitly become a wise god.”
Xue Yanchao laughed: "That's too sharp, are you planning to change careers to become an animal ethicist?"
"I don't have that idea at the moment," Ji Zizheng also smiled, "I'm curious about the relationship between humans and animals, and my starting point is still to study the essence of human beings. In the final analysis, it's because of work considerations. After all, literature is the study of human beings. "
Xue Yanchao has also heard him talk about the creative bottleneck in the past few days: "Have you found a breakthrough?"
"It can only be said that I have some ideas," Ji Zizheng said, "My original mentor actually reminded me, but I never paid attention to it."
Xue Yanchao was very interested: "How does he evaluate you?"
"He said my shots can't move people," Ji Zizheng said, "It's not about the story, it's not about the skills, it's because I didn't integrate emotions into the creation."
Xue Yanchao didn't understand: "Why, I think your works are very attractive?"
"It's different. People are likely to be attracted because of novelty, novelty hunting, and rich experience." Ji Zizheng smiled. "Simply showing off skills can certainly shock the visual effect, but this kind of emotion and stimulation is very important. Shallow."
"Well," Xue Yanchao said, "he wants you to return to the basics, don't pay too much attention to skills, but return to the thoughts and feelings themselves."
Ji Zizheng: "This is probably what I understand."
Xue Yanchao said with emotion: "I always thought that the mainstream view of American emperors was to constantly pursue the integration of movies and various cool industrial technologies."
"Well, maybe everyone is a bit brainwashed by Hollywood blockbusters," Ji Zizheng said, "American filmmakers themselves say that, except for a small amount of fine art, Hollywood is producing garbage."
Ji Zizheng smiled: "In fact, the general environment is the same. Garbage can make money, and no one buys high-quality goods."
Xue Yanchao: "Oh, artists, stop criticizing us ordinary people. Life is already so cruel. We just want to enjoy some vulgar fun."
"Well, I also think that everyone watching movies is for entertainment, and there is no need to elevate him to a high artistic level," Ji Zizheng said. "Of course it is possible to concoct clichés, and someone needs to do it. But I Now I don’t really want to just repeat it mechanically.”
Xue Yanchao: "Oh, then do you want to explore the artistry? To increase the profound connotation and thought of the film?"
"I have this idea. I think I should describe people well, focusing on the inner and eternal characteristics of people, instead of blindly pursuing sensory stimulation." Ji Zizheng smiled, "But I soon I found that I don’t know enough about human traits, how can I show it to everyone. So I think it’s time to stop and stop building cars, but to go out and study hard.”
Xue Yanchao was stunned: "You want to?"
"I want to leave Chang'an. I will transfer all my shares in Chang'an after one year of Chang'an's listing," Ji Zizheng said, "Then I will go back to work with a documentary film crew and stay in the wild for a few years."
Ji Zizheng said: "Understanding the relationship between us and other animals, it is easier to understand the nature and future of human beings. We are becoming more and more interested in so-called low-intelligence animals, probably because, in the face of powerful algorithms and programs, We are almost as insignificant as low-intelligence animals."
Ji Zizheng felt that the two of them made a pretty good sandcastle, so he took a few photos with his mobile phone and sent them to his circle of friends, which had been empty for thousands of years, and immediately attracted many diving friends.
Fang Yuqin: Director Ji, you are not alone on vacation, are you? ?
Sun Jin: Boss, which goblin did you get hooked by! ! ! !The company needs you, boss! ! ! !
Su Ting: Such a childlike innocence is not like your style, is it?Are you abducting a minor?
Lu Peng: Director Ji, you have time to build sand castles and sniff honey, why don't you have time to go on the show!It's been a long time since the variety show group invited us to the crew!
Ji Zizheng added a reply: Ollie's.
The masses, who smelled a hint of gossip, were silent for this earth-shattering uncle-nephew relationship.
Xue Yanchao was speechless after reading the circle of friends, and roared in his heart: "It's me! It's me! The legendary little fairy is me! Don't rabbits deserve names!"
Little friend Ollie knew nothing about Xue Yanchao's entanglements, so he dragged him to have fun by the seaside as usual.
It's a pity that the summer storm came just as it said.Before Oli had enough fun, he had to move his position due to the sudden rainstorm, and returned to the villa to stay aggrieved.
Standing in front of the floor-to-ceiling windows, Ollie sighed at least a hundred or eighty times looking at the dark rain.
Ji Zizheng rubbed his hair: "Why are you sighing, like a little old man."
Ollie: "When will it rain?"
"It's hard to say," Ji Zizheng said, "at least a day or two."
Ollie froze immediately, and tugged at Ji Zizheng's sleeve and walked away unhappily.
Ji Zizheng asked: "What did you bring in the box? The model car?"
"Take it," Ollie said, "but I don't want to play that."
Ji Zizheng: "Then show you a movie, okay?"
Ollie nodded.
Ji Zizheng brought him a VR glasses and asked him to play by himself.
"Don't look at it for too long," Ji Zizheng said, "I'm going upstairs first."
Ji Zizheng went upstairs and was surprised to find that Xue Yanchao was actually staying in the studio.
All his residences habitually leave a room as a studio. This villa is particularly large, but it is quite messy inside, carving knives, grinding discs, saw blades, canvases, bottles and cans of paint, unused Stones and other messy things piled up all over the floor.The part-time cleaners did not dare to enter the studio and move their things casually, so the place still maintains the old messy look.
On the north wall leaned against a large half-finished stone mural, which Ji Zizheng played with on a whim last time.
Xue Yanchao is watching seriously.
Although it is a semi-finished product, there are still many details that have not been carved, but the content is very clear, there are many animal images, the most majestic is a huge ark, sinking and floating in the turbulent waves, very dynamic.
"This is... Noah's Ark?" Xue Yanchao asked.
"This is indeed a flood story, but it's not from "Genesis." Ji Zizheng smiled and walked to his side. "The Mesopotamian mythology was written more than 1000 years earlier than the "Bible."
Xue Yanchao didn't know the story, so he asked Ji Zizheng to explain it to him.
"This is mentioned in "Gilgamesh": the gods impulsively released a flood to destroy the world, but in the end they felt pain and hunger because there was no one to worship them," Ji Zizheng said. It was arranged for believers Utnabisiddin to take his relatives and various animals to hide in the ark, and when the flood receded, they reappeared. It is indeed very similar to the story of Noah’s Ark.”
Xue Yanchao: "Perhaps...there was such a flood in human history?"
"Maybe, it's up to historians to worry about it," Ji Zizheng said with a smile, "I didn't think about it when I was collecting materials."
Xue Yanchao gently stroked the edge along the carved lines: "Then what were you thinking at that time?"
Ji Zizheng: "I'm thinking about agricultural transactions, and I'm thinking about the natural class/layer structure."
"Well," Xue Yanchao said, "Yahweh thinks that human beings are sinful, but it is a matter of course to kill all birds and beasts. It seems that the meaning of their birth is to be a vassal of human beings. Because human beings are sinful, they don't need to exist anymore."
Ji Zizheng: "The power of the universe gives human rights and allows them to dominate. Humans are responsible to gods, but not to animals. This is not the natural order, but the thoughts we have shaped."
"Your interpretation is not in line with the tradition," Xue Yanchao laughed. "Noah's Ark can obviously be adapted into a modern environmental protection story, telling everyone to treat the ecosystem well and not bring it into trouble."
"This also just reflects that we still think that we have the sovereignty of the entire ecosystem and even the universe in our hearts," Ji Zizheng said. "Sometimes we kill and kill, and sometimes we regard ourselves as protectors. People think that agriculture is already the pinnacle right given to them by the creator, but they don't know science. After appearing, the gods have already fallen, and Homo sapiens at this time has implicitly become a wise god.”
Xue Yanchao laughed: "That's too sharp, are you planning to change careers to become an animal ethicist?"
"I don't have that idea at the moment," Ji Zizheng also smiled, "I'm curious about the relationship between humans and animals, and my starting point is still to study the essence of human beings. In the final analysis, it's because of work considerations. After all, literature is the study of human beings. "
Xue Yanchao has also heard him talk about the creative bottleneck in the past few days: "Have you found a breakthrough?"
"It can only be said that I have some ideas," Ji Zizheng said, "My original mentor actually reminded me, but I never paid attention to it."
Xue Yanchao was very interested: "How does he evaluate you?"
"He said my shots can't move people," Ji Zizheng said, "It's not about the story, it's not about the skills, it's because I didn't integrate emotions into the creation."
Xue Yanchao didn't understand: "Why, I think your works are very attractive?"
"It's different. People are likely to be attracted because of novelty, novelty hunting, and rich experience." Ji Zizheng smiled. "Simply showing off skills can certainly shock the visual effect, but this kind of emotion and stimulation is very important. Shallow."
"Well," Xue Yanchao said, "he wants you to return to the basics, don't pay too much attention to skills, but return to the thoughts and feelings themselves."
Ji Zizheng: "This is probably what I understand."
Xue Yanchao said with emotion: "I always thought that the mainstream view of American emperors was to constantly pursue the integration of movies and various cool industrial technologies."
"Well, maybe everyone is a bit brainwashed by Hollywood blockbusters," Ji Zizheng said, "American filmmakers themselves say that, except for a small amount of fine art, Hollywood is producing garbage."
Ji Zizheng smiled: "In fact, the general environment is the same. Garbage can make money, and no one buys high-quality goods."
Xue Yanchao: "Oh, artists, stop criticizing us ordinary people. Life is already so cruel. We just want to enjoy some vulgar fun."
"Well, I also think that everyone watching movies is for entertainment, and there is no need to elevate him to a high artistic level," Ji Zizheng said. "Of course it is possible to concoct clichés, and someone needs to do it. But I Now I don’t really want to just repeat it mechanically.”
Xue Yanchao: "Oh, then do you want to explore the artistry? To increase the profound connotation and thought of the film?"
"I have this idea. I think I should describe people well, focusing on the inner and eternal characteristics of people, instead of blindly pursuing sensory stimulation." Ji Zizheng smiled, "But I soon I found that I don’t know enough about human traits, how can I show it to everyone. So I think it’s time to stop and stop building cars, but to go out and study hard.”
Xue Yanchao was stunned: "You want to?"
"I want to leave Chang'an. I will transfer all my shares in Chang'an after one year of Chang'an's listing," Ji Zizheng said, "Then I will go back to work with a documentary film crew and stay in the wild for a few years."
Ji Zizheng said: "Understanding the relationship between us and other animals, it is easier to understand the nature and future of human beings. We are becoming more and more interested in so-called low-intelligence animals, probably because, in the face of powerful algorithms and programs, We are almost as insignificant as low-intelligence animals."
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