In late June, "The Matrix 2" has entered the late stage of filming, and the thrilling highway racing scene that is expected to appear in the movie for more than ten minutes has also reached the final stage.

The highway that appeared in this car chase scene is not the existing highway in Australia, but the film crew spent millions of dollars to pave it to avoid the pressure of shooting time.

Early in the morning, Margot entered the airstrip at the Amanda Naval Base, a newly paved mile and a half highway with two flyovers and a nineteen-foot concrete wall.

Warner Bros. Pictures not only spent a lot of money to shoot this set of scenes, but also had extremely high requirements on the actors. All scenes were shot in real life, and a slight mistake may cause casualties.

As one of the most important actors in this car chase scene, Margot is filming with amazing perseverance. This segment, which Warner Bros. Pictures has placed high hopes on, claims to end all car chase scenes. It was obviously hell for a stunt double.

From heavy locomotives, Cadillac cars to large trucks, the uninterrupted shooting, flying and explosions, the chasing and confrontation between multiple parties, plus sci-fi elements, it is really unimaginably crazy.

And Trinity first ran wildly in a car, and then took the "lock picker" to drive a heavy locomotive to avoid the chase of fast-moving cars on the expressway. It is even more thrilling and adrenaline soared point.

With sufficient funds, the filming cost of "The Matrix 2" was as high as 15 billion, and it is estimated that a considerable part of it was spent on this scene.

And Margo's 20.00% of the box office dividend in this movie is obviously not easy at all. At least when she finished filming this movie, she not only lost a whole circle of weight, but also had a lot of bruises and bruises caused by fighting scenes. It is also inevitable.

When Margaret returned to Los Angeles on a private jet, Brian Lord looked at his own entertainer who had obviously lost a lot of weight and began to think about how to make her gain weight back to her previous state.

In fact, Adjani's weight loss during the filming of "The Matrix 2" was intentional by the directors, the Wachowski brothers.

When Margo was not too thin, she had a full classical oval face with extremely smooth and soft facial lines. The whole face was in perfect golden ratio. Her forehead was full and her hair was like a cloud. With her blue eyes and red lips, she looked like a peerless beauty. beautiful woman.

And when she is thinner than the normal state, she will highlight the masculine elements that beauties usually have, and appear more distant. The thin face has a kind of shocking beauty, which makes people feel noble and inviolable. It is suitable to play the trinity of neutral beauty.

But she will start filming "A Beautiful Mind" with Leonardo DiCaprio in March next year, and she will play the gentle character of Asilia. Of course, it is more suitable to return to a plump oval face.

Of course she still looks beautiful now, but she looks too much like a sacred and inviolable goddess. Playing a beautiful and gentle ordinary physics student is a bit too noble and distant.

It can be seen that Adjani has to regain weight before the filming of "A Beautiful Mind" starts.

But before that, she has other things to do, such as flying to London to meet a high-profile female writer in modern Britain.

If you want to take the initiative in Hollywood, it is obviously not enough to be an actor. In recent years, whether it is for more box office dividends or to gain more voice in Hollywood, where production is paramount, more and more big-name movie stars, such as Tom Cruise, George Clooney, etc., have joined the ranks of producers.

Take Tom Cruise as an example. The two currently released "Mission: Impossible" movies have raked in one billion dollars worldwide. As the lead actor and producer, he has earned nearly [-] million dollars by relying on his salary and box office. Shang Paramount's income is not as good as his.

After the re-release of "Camille Claudel", which Adjani served as the producer for the first time, after the re-release of the Oscars, the distribution account was shared with the distributor Weinstein Brothers and the theater, and after deducting the staff salaries paid in advance, It still earned nearly [-] million US dollars madly, which is a miracle for a literary biopic.

But in the face of "A Beautiful Mind" jointly produced by DreamWorks and Universal Pictures, which will be filmed in a few months, Leo and her can only be nominal producers, ranking second to the main producer and director Lang. After Howard, the right to speak is limited.

Under such circumstances, she decided to go to London to meet the writer Sarah Waters, whom she admired very much, to try to obtain the right to adapt the work and put it on the screen.

This modern writer who received a doctorate in English literature, his research field is lesbian and gay historical novels, and he is very good at creating works set in the Victorian era. So far, he has published two novels "Licking the Velvet" and "Half Length" , both received high praise from mainstream critics and the press.

Sarah Waters, who now lives in South London, was pleasantly surprised when she received a phone call from Adjani a few days ago. supporters of the French girl.

As for "Camille Claudel", where the other party is the producer, it is obviously extremely impressive in terms of film completion and performance.

A few days ago, Sarah Waters has awarded the adaptation rights of "Licking the Velvet" to the BBC, and she is polishing a work that has not yet been officially published. If it can be put on the screen by Adjani, it will be even better suitable.

In a coffee shop in Greenwich on the south bank of the Thames, when Sarah Waters arrived 10 minutes earlier, she found Adjani, who had stunning beauty, already sitting in the innermost seat with good privacy.

Sara obviously didn't expect that this big-name superstar would be such a polite lady. She thought she would wait at least three to ten minutes before the other party came late.

Margot smiled at the blond Sarah Waters, "Hey, Sarah, before you choose what to drink today, I'm afraid you have to sign these two books for me."

On the dark dining table, there are two books, "Licking Velvet" and "Half-length", which are not brand new. It can be seen that they have been read, but they are well preserved.

Facing the face of this peerless beauty, no one would be able to say no, not to mention signing, Sarah Waters almost wanted to put "Fingeravith" that had not been polished and officially published in front of her.

Sarah is currently creating "Fingeravith", which still describes the Victorian era. Based on the thief culture at that time, she compiled a suspenseful same-sex love story.

To some extent, this work is more subtly paced than her previous work. When the BBC was preparing to adapt "Licking Velvet" into a British drama, Sarah felt that the expressiveness of "Fingeravith" might be more suitable for a remake.

But the work was only two-thirds completed at the time, so Sarah did not disclose this intention to the BBC.

And Adjani, who appeared in front of her at this time, is obviously the most suitable candidate, even though the other party is not an English girl, but a French beauty.

But Margot's classical and noble, pure yet seductive temperament is almost the same as Maud Lily in her writing.

The two were very congenial in their conversation. After 10 minutes, Sarah Waters said, "Maybe you are interested in a suspenseful story about Victorian thieves culture? Although it has not yet been published, I think it is very suitable for being published. onto the screen."

Margot smiled very beautifully, "Maybe you would like to tell me what kind of story it was?"

"In the 60s, in a remote manor on the outskirts of London, lived Maud who had the opportunity to inherit a large inheritance, and Sue, an orphan girl who grew up in a gang of thieves, concealed her identity and became Maud's personal maid ..."

……

Just listening to Sarah Waters' dictation, Margot was extremely amazed at the wonderful turnaround of this historical suspense novel.

Complicated people's hearts, perfect and ingenious rhythm, it is definitely an excellent work.

And just as Sara thinks, this novel is very suitable to be adapted into a play.

When Margot and Sara's coffee date ended today, she couldn't wait to read this work. Unfortunately, it is not so easy to polish a masterpiece novel.

Sarah Waters still needs to go to the publishing house she cooperated with to discuss the publication of this work and the appropriateness of granting Adjani the right to adapt it, so she can only say goodbye to Margo and leave first.

Adjani's meeting with Sarah Waters in London today is a private trip, so there is no staff to follow, only the German sports car that Grant Ward rented for her in advance is parked outside the cafe.

Outside the window is an English town with both history and local customs, which looks very beautiful.

And when Margot was finishing his coffee in a calm manner and preparing to drive away, a man suddenly appeared in front of him.

His short dark hair made his complexion pale, and he was wearing a not-so-sophisticated slim-fit suit, with a Windsor knot tied on a neatly dressed white round-neck shirt.

The facial features are not exquisite and beautiful, but they have a unique temperament.

His voice sounded a little nervous, with a little Irish accent, but it was gorgeous and soft. "Sorry to interrupt, maybe you'd like to sign for me?"

Margot looked at the cautious and nervous Mr. England in front of her, and wondered if her image as a poor signer in the past was too deeply rooted in the hearts of the people.

And the other party was looking at her with beautiful eyes, as if afraid of her stern rejection.

In order to reverse the image, Margot signed the photo he handed over very seriously, and added a sincere and decent smile by the way.

The other party blushed instantly, looking harmless and well-behaved.

…Those who didn’t know thought Margot had molested him.

Margaret nodded and was about to get up and leave the cafe, but when she just opened the door of the cafe, she saw a curly black haired man wearing a black suit and a gay purple shirt two sizes smaller.

Margaret blinked, "Why are you here?"

Sherlock frowned at her, "Who was that man standing in front of you just now? Why did you smile at him? He blushed so much that he could go to the zoo to act like a monkey, he is so stupid."

Margot resisted the urge to roll her eyes at the poisonous detective, and the car key was easily taken away by the detective in the next second.

The gorgeous subwoofer of the consulting detective spoke very fast, "Are you going to live in London for a few days? Tonight's menu was originally sirloin steak and Marseille fish soup. I decided to add a dish of foie gras on the spur of the moment. You look so thin, really Terrible."

Margaret was helpless, "I will fly back to Los Angeles in an hour."

Sherlock completely ignored her, "I'm afraid I need to buy a lot of ingredients, after all, you have always been a picky French woman."

Margo said indifferently, "Mr. Holmes, you can pretend that you haven't seen me today."

The consulting detective looked at her coldly, "You decide for yourself, whether I will threaten you with an imperial Browning to get into the passenger seat, or you will go up by yourself."

Margaret: "..."

Ten seconds later, the German sports car is gone, and it is clear that the consulting detective, who loves cooking, has won the final victory.

Then, the door of the coffee shop was pushed open again, and the man with dark short hair and pale face looked at the figure of the car that was about to disappear——

"Look, here's a fun new twist."

He was holding a signed photo in his hand, a peerless beauty with black hair and blue eyes is rare in the world.

And this man, who was cautious and extremely nervous not long ago, is now like a monarch wearing a crown, and everything in this world is under his control.

He looked at the French beauty in the photo, and blinked slowly, revealing a sense of interest——

"Why don't I tell you next time, how about my name is Moriarty?"

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