Leonardo was stunned by Baz Luhrmann's sleepwalking tone. He didn't even say a word, and the director bowed to Margaret's beauty?And what the hell was that request to Margaret to let down her rolled-up hair just now?This tone and content is flirting, right?

Director, calm down, you are in your 30s, Margaret is only [-], and you are not filming "Lolita" now, your wife is still working as a producer on the set, don't make mistakes!Leonardo's thinking has turned to a weird direction where nine cows can't be pulled back.

Margaret smiled slightly, her red lips slightly raised, "Hello, Director Luhrmann, I'm Jane, Margaret Jane, you can call me Margaret." He greeted politely Afterwards, Margaret stopped talking, waiting for Baz Luhrmann to recover.

"Oh, hello, Margaret, I heard Leo mentioning you. Is your jet lag going well?" Baz Luhrmann also came back to his senses at this time, and the literary youth asked a safe question with concern. topic.

"It went well, thank you for your concern, are you watching the video of the audition?" Facing the machine at the door of the room still running, Margaret hinted at his own reason for coming to Sydney.Crying in the heart that literary youths are really difficult to deal with, and accidentally fall into their own world.

"By the way, you are here for an audition, please come with me."

Baz Luhrmann quickly realized that the little girl in front of him had come to audition. At this time, the director, who had a new idea about the shooting, didn't say any more nonsense, and directly led Leonardo and Margaret to Going over to the audition room, I knocked on the door of producers Jill Belkirk and Martin Brown.As for his wife, Catherine Martin, she called a crew member to inform her to come over.

Soon several people gathered in the audition room, Baz Luhrmann set up the machine, did not sit with the three producers, but did it alone in front of the camera.

Several people whispered to each other, waiting for Margaret to come out of the dressing room.

Jill Belkirk and Martin Brown have heard about Margaret, and they can still vividly remember the scene at the Oscars ceremony more than a year ago. The 66th Oscar not only set a record by awarding the statuette to Tom Cruise, who is famous for his handsomeness, but also created the youngest statuette winner in 30 years.Since Tatum O'Neal, who won the Best Supporting Actor in "Paper Moon" at the age of ten in 1973, Margaret Jane has been No. 12 on the Oscar's youngest list at the age of 2. [-].

It's a pity that this young girl has been in a state of invisibility except for the award for Best Supporting Actor Martin Landau at the 1995th Oscar in 67.The media has been speculating about this. After all, the Oscar for Best Supporting Actress is quite valuable. If you want to develop in Hollywood, you should use this shareholder style to take a few film contracts to consolidate your position.

Take a look at Natalie Portman, even if "Killer Leon" made her famous, she couldn't see her face in North America, and was criticized by film critics and the public, not because of the recognition of her acting skills. Are you constantly picking up films to deepen your impression in the hearts of the audience?I heard that she will have three films released this year.

There are other child stars, which one is not working hard to prevent the audience from forgetting themselves?

On the other hand, Margaret Jane disappeared after winning the award. If she hadn't come out to present the Oscars last year, maybe there would be gossip tabloids writing about her mysterious death.Actors who don't care about their careers and come to this place are rare even if they are child actors.

This time when Baz Luhrmann said that she was the one who auditioned, both of them were surprised.When they auditioned, they considered many young actresses, but no one mentioned Margaret, who is very suitable in all aspects, which has to be said to be a strange thing.But it's no wonder the "Romeo and Juliet" crew.

Hollywood auditions are all obtained through agents. Three years have passed since the end of 1992, and she and Pat Kingsley had automatically terminated the contract a few days ago.Moreover, Pat Kingsley would not take over the movie for Margaret even before the contract was terminated.

Pat Kingsley had clearly felt the coldness and alienation from Margaret since the incident at the dinner party on the 'William and Lillian', and she certainly tried to make up for it, thinking that a little girl would be easy to control, even with After all, my own thinking is young, so I can fool it by saying good things, it's no big deal.But I never expected that this little girl was so shrewd and terrifying that she couldn't be fooled by the tricks she used at all, and behind her was an even more difficult Arthur Miller and the huge Hughes consortium.

Even if Pat Kingsley didn't want to provoke such an enemy, she still made a mistake at the beginning, and shouldn't be so reckless and rude.She underestimated Margaret Hughes too much. She should have thought that a little girl from such a family would not be simple. Unfortunately, it is too late to regret it now.

And most importantly her career took a serious hit.She has a special position in CAA, mainly in charge of celebrity public relations, and screening scripts for star actors is not her forte.But since Tom Cruise's contract with CAA expired more than a year ago, he has replaced himself and outsourced the business to a newly established public relations company.

The rise of this public relations company is very fast, how fast is it?In just one year, it has poached more than 90.00% of her clients and is still expanding its business scope. Because of its professional and effective methods, many stars have turned to it.Her status in CAA has also declined sharply because of this. First, she lost to Jay Malone in the process of Michael Ovitz leaving CAA and moving to Disney. Only one step away, she did not sit on the throne of CAA partner after all.Then a large number of high-quality stars left her banner and switched to others, and lost most of their PR business.It can be said that her career has suffered a devastating blow.

It all started with that 'cruise night', but there was nothing she could do about it, Margaret Hughes couldn't afford to mess with her, and she didn't dare to mess with her again, one hothead was enough to bring her to the bottom, She dared not try again.

Besides, she also understood that this situation was not entirely caused by Margaret alone.

She completely lost Tom Cruise's friendship, no matter how deep the relationship is, she can't bear betrayal, Tom Cruise's attitude is obvious, he rejected his own peace.Although he doesn't know how to do it to himself, the tendency to be absent in his attitude is also very intriguing.As for confronting Cruise?She's not that stupid yet, she can't afford to provoke Margaret Hughes, who is backed by the Hughes Consortium and Arthur Miller, and she can't afford to provoke Tom Cruise, who is in full swing.

People always want to lose such things, and they will know how to cherish and understand what regret is, but time will never turn back, and there is no medicine for regret in the world, and the bitter fruit brewed by oneself can only be swallowed by oneself.

Margaret Hughes made it clear to her that she wanted to go to college, and made it clear that she would not take plays during school. Pat Kingsley is not Arthur Miller. He has the courage and confidence to dare Take the play for her without authorization.

In this way, it is normal for Margaret not to receive an audition notice for "Romeo and Juliet".

Over there Jill Belkirk and Martin Brown were whispering, and here Katherine Martin was thinking.

Of course she has heard of Margaret's name, the youngest Oscar winner in 30 years, this title is not in vain.She had watched "Interview with the Vampire" and was very impressed with the little girl in it. This is indeed a girl with extraordinary talents.But she has been out of this circle for a long time.

The shelf life of child stars is a big problem. Take a look at Macaulay King, who became popular because of "Home Alone". Even though he is still young, his facial contours have shown a tendency to grow old. Margaret Jane can break through Is this off? After all, "Interview with the Vampire" was filmed in 1993, three years is enough time for a child star to change from beautiful and beautiful to an ordinary passerby.

And her acting skills, Catherine Martin admitted that the Oscar deserved, Claudia is really good enough.However, "Romeo and Juliet" is a romance film. Natalie Portman, who has been honed in several films, has a sense of disobedience during the performance because she has no love experience. She also has no love experience. Could Margaret Jane, who is one year younger than Tully Portman, really be able to play the role of Juliet?

Unlike her husband, Baz Luhrmann, who is full of romantic literary ideas, Catherine Martin is much more pragmatic.Otherwise, I can't be a producer.She was really worried about the prospects of this movie.So much time has been wasted in the early stage, if we can't find a suitable heroine, the film will really be over.

The three producers and one director in the audition room each had their own thoughts and considerations. Only Leonardo, who was leaning against the wall, was completely relaxed.He has great confidence in Margaret. This kind of evildoer cannot be measured by normal reasoning. She was born to surprise others.

"Sorry, the skirt doesn't fit a little bit, I adjusted it."

Margaret's crisp voice sounded in the audition room, bringing back the thoughts of several people with different thoughts.

gorgeous!The other five people in the room admired in their hearts at the same time.Margaret chose a bust-length, high-waisted Renaissance-style white dress. The linen dress gave her a unique feeling, as if she didn't belong to this era, but they traveled through time. Come to the past to watch this sixteenth-century girl.

In addition, the hair she let down was slightly curly due to the long-term hairdo, and the long golden hair was scattered on the shoulders and chest. Taking advantage of the red lips that were still rosy even without makeup, there was a subtle sense of fragility .

Most importantly, Baz Luhrmann found a wonderful temperament in Margaret, which some call it noble, and some call it indifference, but for a director, Baz Luhrmann Luhrmann called it divinity.

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like