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It has been more than ten days since the filming of the new movie started, but the scene in "Song Mansion" is not half finished yet. The progress seems to be slow and heart-wrenchingly slow, but for Ye Weilin, apart from wasting the film too quickly, other things Pretty ideal.

In the back garden of the Song Mansion, there are winding corridors and pavilions, green grass like green grass, and the gray sky in the early morning, dyeing the scene with a hazy color.

Ai Yusen sat on a high climbing ladder, and pointed the camera at the two people who were sitting and standing in the pavilion not far away.

In the pavilion, an immature-looking girl is concentrating on playing the qin, her bowed head is charming even before it blooms.A young man in a light-colored gown was standing beside her, with a seemingly upright expression on his face, but his eyes drifted to the girl's face from time to time.

"OK! It's over!" Ye Weilin shouted, and the two people in the pavilion stopped their movements immediately, with relieved smiles on their faces.

This scene was shot nearly ten times, and it was the most unsatisfactory scene in the past two days. The boy on the pavilion was Yin Lan, and the girl was Zhu Qian, who played the younger version of Song Manting. At the age of 15, he was the original candidate for the film. Ye Weilin was very busy auditioning for several important roles before. He would only feel lucky to know that some of the original actors did not run away. After all, he had studied "Lu Wu" and "Zhang Tai" to play I agree with director Liang Shuzhen's vision of selecting candidates for his works, so he would ask for trouble and think about replacing them.

However, he didn't expect that this Zhu Qian would bring him a lot of problems, let's not mention her acting skills, the communication is terrible, and I don't know how the other party used to film, the lines are blunt, and talking to her is like a dumb , will only be silent.

Later, Ye Weilin found that she seemed to be more resistant to communication with men, so she asked Xue Wen to communicate with her more. Fortunately, Zhu Qian was still dedicated and did not follow through on the principle of wasting film.

Because of Zhu Qian's relationship, Ye Weilin and the screenwriter unanimously decided to compress Song Manting's childhood at least a few years ago. Of course, the compressed part does not include her getting along with "Song Ting", such as two people catching dragonflies, young men and women in pavilions. Qin teaser and so on.

The completion of this scene just now not only means that this scene is a complete success, but also marks that Zhu Qian's role has finally been completed.

The actors had bumps in their performances, and the director was jumping in a hurry outside the stage. Finally, Ye Weilin heaved a sigh of relief and looked at the time. I took pictures until one or two in the morning, because I still had to take the sunrise and early morning scenes, so I had to rest on the spot for two or three hours before continuing to shoot.

It was already past seven o'clock in the morning when the photo was taken. Not only did Ye Weilin have dark circles under her eyes, but even Xue Wen's face covered with thick powder showed an unconcealable tiredness.

"Take Zhu Qian back to the hotel to rest for a while, and come back at two o'clock in the afternoon." Ye Weilin said jokingly to Xue Wen: "When we were filming "Zhuang Nu" together, we didn't do anything for two or three days. I've rested, maybe I'm old now, and I can't stand it anymore."

Xue Wen smiled lightly, matching the face with thin eyebrows and red lips without makeup, there was a kind of shocking beauty: "Yes, but no matter how old a man is, he can survive, but a woman..." She stretched Shaking his head, this helpless and playful tone really has a bit of Song Manting's reincarnation.

When working with Xue Wen again, what Ye Weilin feels most is the change in the other party. Although Xue Wen has a gentle face, there is a kind of pride in her character back then. In writing, she should be aloof.Therefore, no matter how smooth and changeable her expression is, she can always make people feel real.

But now she is like wearing an airtight and firm mask, shrouded in a bottomless mist, making it impossible for people to see clearly, but also adding a mysterious charm to her.Public account for more articles: Xiaoxiao Shumeng

Ye Weilin didn't want to explore the other party's experience. On the contrary, he enjoyed the collision and communication brought about by this mystery.

"Look at Miss Song's tone of voice, tsk tsk, too deep into the drama?" Ye Weilin cooperated with her with a smile in his eyes.

Xue Wen smiled and shook her head, holding Zhu Qian, who had been silent all this time, was about to turn around and leave, but Zhu Qian suddenly broke free from her hand and walked in front of Ye Weilin.

"Director Ye, can I stay on the set?" Zhu Qian spoke timidly, but her eyes were full of longing: "I want... to continue studying and watch Sister Xue and other brothers and sisters perform."

Ye Weilin was stunned for a while before realizing it. It turned out that the little girl's tossing and tossing during this period of time not only did not produce frustration and boredom, but instead aroused her interest and motivation.

"Yes, but you have to pay for it yourself." Ye Weilin admired the little girl's serious attitude, and agreed.

As for the emphasis on self-care, it's not that he's stingy, but he's afraid that if a precedent is set, other people will stay like Miss Zhu Qian when they have nothing to do. Then the air tickets, accommodation, and so on between the three places will also be an expense. For a poor crew, why pretend to be taken for the sake of face.

"Thank you Director Ye." Zhu Qian's face that had been gloomy all day finally showed a hint of joy.

Seeing the two leaving hand in hand, Ye Weilin couldn't help thinking of taking a break even after working hard for more than ten hours.

In order to suppress this exhaustion, he unscrewed a bottle of mineral water, poured the water into the palm of his hand, and kept patting his face.

At this time, the weather had already entered autumn, and the water was slapped on his face, which felt icy cold, which stimulated his mind to become clearer, and when he was about to wipe his cuffs casually, a towel was handed over: "Brother, wipe it with a towel. "

Ye Weilin turned around and saw that Yin Lan was standing beside him, wearing a moon hair and a long gown, but holding a towel, which was quite nondescript.

Looking at Yin Lan's beautiful eyes that were a little flushed, Ye Weilin felt a little distressed, but he had to calm down and said: "You still have a few shots later, after shooting today's scene, 'Song Ting' will officially wrap up !"

"I see." Yin Lan responded, with a rare hesitation on her face: "Can I... stay on the set like Zhu Qian?"

"Of course not!" Ye Weilin immediately refused, and then, realizing that he was too arbitrary, he softened his tone and said, "There are still three months left, and it's time for the art exam. You are running out of time, so you must prepare well."

Yin Lan looked at him silently, unconsciously pursing the corners of her mouth.

Ye Weilin could tell what he was thinking at a glance, but he still made up his mind and said: "Don't be too conceited, in my opinion, you probably won't pass the exam."

"Of course, it has nothing to do with me whether you pass the exam or not." Ye Weilin thought of the fact that the other party had reached an agreement with Xingyu without saying a word, and felt a bit depressed all the time. After saying this, he walked away indifferently up.

The back door of the Song Mansion is in a narrow alley, and there are several bundles of wood piled up beside the door, which are being moved into the back kitchen one after another by the servants. Song Ting, played by Yin Lan, is stepping out with a dull expression, followed by the housekeeper and several a servant.

"Hey, Master Tang, it's really not that my master is cruel." The butler had a pitiful face, but his tone made people feel uncomfortable: "This is really unacceptable, the master said, our Song family doesn't look down Wolf, there are many relatives here, it is better to have no relatives."

"Master Tang, I won't see you off this journey, go slowly."

Ye Weilin directed Ai Yusen to move the camera back, first gave a middle shot to the door and the butler inside the door, and then pointed the camera at Yin Lan's back.

Ye Weilin had conceived this scene for a long time. The scene of Song Ting leaving the Song Mansion marked his complete departure from Song Manting's life.

Therefore, this shot should not be too light, such as not explaining anything, and directly shooting a scene of being driven out by a wolf.

But it can’t be too heavy. For example, after the housekeeper sneered, Song Ting was sad, lost and even painful. This is no different from the popular plots of ordinary TV dramas. It seems cumbersome for the movie, and it doesn't work in the slightest.

A single shot of Song Ting's back can well interpret the aftertaste of this scene - the untimely love, the sadness of parting, the unknown disappearing into the vast sea of ​​people, and the tragedy of being like duckweed in the context of the great era.

This back view gradually ends in focus blur.

After filming this scene, Ye Weilin plans to call it a day. The filming of Song Manting's girlhood before she got married has initially ended. Next, it is time to film the scene where Song Manting is abandoned by the Wang family and sent back to the Song family.

Ye Weilin called the screenwriter, and while discussing, he thought about going back to check the clips that have been filmed so far, and see if there are any reshoots.

"Brother, I bought breakfast." Yin Lan interrupted the conversation between the two of them. Ye Weilin squinted at the other party's aggrieved expression, and finally got a little angry. When the screenwriter saw that the atmosphere between the two was not right, he felt very He walked away with a wink.

"I don't want to eat." Ye Weilin said coldly, turning around to leave.

"Brother, I'll go back after today." Yin Lan grabbed him in time.

Ye Weilin sighed, didn't know what to say for a while, and said after a while: "I hope that any decision you make is based on your own wishes, although I do hope that you will go back, including the signing of the contract, but you--"

"Brother, stop talking." Yin Lan interrupted softly, and he handed over the breakfast box in his hand, still with a smile on his face: "I beg you, let's eat breakfast first. It's [-] o'clock, and you have to start work at two o'clock in the afternoon, and you haven't slept all night, I'm afraid you won't be able to stand it."

Ye Weilin's heartfelt words, which had been brewing for a long time, were cut off by the other party, and he choked up immediately. After a long while, he sighed helplessly: "I beg you."