The top of fame and fortune [Comprehensive British and American]

Erica left the Wayne Group building and stood among the Wall Street buildings, seeing the endless flow of limousines and busy pedestrians. She walked into the phone booth and called the female photographer Annie Leibovitz.

A few minutes later, Erica, who finished the call, beckoned to stop a bright yellow Ford taxi and sat in the back seat, "Please go to Condé Nast Group."

Condé Nast, an international journal publishing giant.

"Vanity Fair", famous for its flashy reputation, as well as many famous periodicals such as the fashion bible "VOGUE" and the top men's magazine "GQ", are all under the banner of Condé Nast.

When Erica arrived at the Vanity Fair headquarters at 10 Times Square, it was [-]:[-] a.m. EST, [-] minutes earlier than the time she and Annie Leibovitz had agreed upon.

Somewhat different from the vanity world that Vanity Fair is keen on, the interior layout of the magazine tends to be more concise and artistic. Erica enters the revolving door of minimalist style, and Leibowitz is walking not far away.

She has long natural ginger hair, no makeup on her face, and black-rimmed glasses that make her look serious and professional, "Miss Parker, you are very punctual."

"Thank you for the invitation from Vanity Fair. It's a great honor to work with you." Erika is not pretending to be flattering. The woman in front of her is one of the most influential photographers today.

Leibovitz quickly began to talk about the shooting content, "I have prepared four sets of themes. I hope you can present beautiful and sexy, strong and unruly, classical style, and dangerous and cold respectively."

This seems to be an extremely strict requirement, at least when Leibovitz's assistant heard her request clearly, he couldn't help showing an unbelievable expression——

Not to mention that Erica Parker is doing magazine shooting for the first time, even the most professional Hollywood actress or supermodel who has been in the fashion industry for many years may not be able to have such expressive power.

But Erika faced Leibovitz's shooting request without any hesitation. She showed a natural and charming smile, "I will not waste this shooting opportunity."

Leibovitz also grinned, and praised, "That photo of you in the tabloids was enough for me to capture the glamor."

There was almost no time to talk about scenes, and Erica started her first cover work after signing the filming contract.

Leibovitz selected the first group of shooting subjects and asked her to wear a classic Monroe-style silk white dress, "Monroe is an eternal theme, and she has long been a symbol of American culture."

And almost when the shutter was pressed for the first time, Erika made all the people present look incredible——

She actually reproduced Monroe's lazy style almost perfectly, with shiny golden curly hair, blue eyes full of enthusiasm, and a bumpy figure full of glamor.

But in the next moment, her expression changed.

The gray-toned green eyes are calm and unruly. She turned her exquisite and shiny blonde hair to one side, still beautiful and provocative, but full of the willfulness and unrulyness of modern women. Confident charm.

The camera assistant couldn't help but exclaim, "My God, she looks so sparkly."

And when she changed into a jet-black velvet dress with a slight dark blue luster, her temperament changed again. The velvet material closely fit the sexy curves, tall and elegant, but cold and shocking.

Erica's facial features are very close to the golden ratio, bringing a Greek-style classical beauty, while her jaw is slightly raised, her expression is arrogant and alienated, and her momentum is attractive.

But in such indifferent eyes, there is a hint of temptation hidden, as if holding your heart tightly for a moment, and you can only sink into it infinitely.

"God must have been extremely serious when he created her." The editor who was planning to interview Erica after the filming couldn't help but sigh.

And Leibovitz, who focuses on capturing every perfect moment, is trying to further amplify Erica's classical style.

She changed the shooting location to an interior decorated in a retro palace style, "I need you to show the classical style of Renaissance portrait paintings."

With the change of shooting location, Erika was asked to change clothes again.

This time it was a gorgeous dress in the style of the Italian Renaissance, with a luxurious brocade fabric, but the color of her skin that was exposed seemed to shine brighter than this luxurious dress.

She was sitting on a classical bench covered with golden velvet, her long hair was combed neatly and softly, her profile and facial lines were perfect, she stared quietly into the distance, her inadvertent look and amorous feelings seemed to reach people's hearts.

Leibovitz inspected the picture in the camera. If she hadn't taken it herself, she might have thought it was a sixteenth-century Italian court painting.

With these groups of shoots that were almost show-offs, there was a rare onlooker in the magazine, and even Tina Brown, the editor-in-chief of "Vanity Fair", appeared in the shooting location and watched for a long time.

However, the next final theme shooting had to be cleared - because it would be a group of 'nude photos'.

Annie Leibovitz is dubbed by the outside world as "the photographer who can persuade anyone to take off their clothes". Countless Hollywood celebrities have undressed for "Vanity Fair", and Leibovitz's subtle and classic lens language can always Make it exude endless charm.

After the scene was successfully cleared, only Erica and photographer Leibovitz were left in the shooting room.

Saying it's a 'nude photo' doesn't really cross the line—

Not only did T-shaped pants and chest stickers serve as basic protection, Erika also wore a crumbling silk black dress with thin shoulder straps.

She sat sideways on the clean and brand-new velvet, the black dress had fallen to her waist and abdomen, but her legs were bent and raised, her knees covered her plump breasts, revealing only a very beautiful and alluring curve.

The not too much fabric of the fallen silk skirt just happened to cover her hips. At the same time, the light and shadow effect produced by the overlapping of her legs outlines a very perfect body curve while reducing the possibility of light exposure to a minimum. zero.

She's hot and gorgeous, but has nothing to do with sensuality.

Erika deliberately magnifies the danger in her expression. In the charming light and shadow imitating Hitchcock's film, she shows a strong dramatic tension, driving between the sexes, her beautiful face mixed with evil, at this moment , she became a bewitching femme fatale.

It was a dangerous temptation that neither men nor women could resist. Its extremely strong attraction made those who witnessed it feel as if a dose of adrenaline rushed straight to the heart.

Annie Leibovitz's long sigh, "You're afraid you'll set Vanity Fair sales records."