[US Entertainment] Top Hollywood directors
Chapter 80 Four Famous Directors
Georgiana was very happy with her ticket to Millionaire.
Because she had tickets to the premiere of "Millionaire".
For the premiere, many film critics, actors, directors and other industry workers are invited, and there are very few remaining tickets for ordinary audiences.
Georgiana's boyfriend yawned a lot and was very proud: "Thanks to me being on the computer all the time, there are too few remaining tickets. I just placed an order and it was gone. It's a thrill." He was a little scared.
This is the first time that Georgiana has come to this kind of premiere, which is completely different from going to a normal movie theater with friends, where there will not be so many cameras next to her, and so many Hollywood celebrities she does not know.
Georgiana grabbed her boyfriend's hand nervously, "It's time to start, let's go in first."
People around are also slowly taking their seats.
As the lights dimmed, Georgiana caught a glimpse of two people in the row in front of her, one strong and one thin.She felt a little familiar from the back, like someone she knew.But they all wore masks so they couldn't see their faces clearly, and they wore hats in the theater, which was very strange.
All the seats in the cinema were full. She looked back and saw a few middle-aged men sitting firmly behind them, constantly communicating with each other.
She didn't know anyone, so she looked away, waiting for the movie to open, which she had been looking forward to for three months.
She felt that these people should be unusual: "Such an imposing manner must be some kind of powerful film critic, after all, it is the premiere."
What Georgiana didn't understand was that the film critics were not able to enjoy the golden seats in the back two rows because of these few people.
"Lucas, why do you have to come?"
Sitting here is probably the top director in the United States or even the world.
Spielberg, Coppola, Lucas, these three people formed the trio of the century.These three people came from the golden age of American movies. The three of them made their way to Hollywood together, and all three of them have become important strokes in the history of American movies.Their own development history is a legend. If you want to understand American movies, you must read them.
This time they were not the only ones, and Martin Scorsese, who had a close personal relationship with the three of them, also participated in the party.
Martin: "Lucas, that student of yours and I are competitors. Every year, we always crash." He feigned anger.
Lucas snorted: "Don't bully her. I can't be partial to either of them. You can solve Oscar's problem by yourself. This time I will ask you to watch her movie, and I will take her there next time."
Martin pretended to be angry: "I don't give a good opinion of competitors."
Lucas' eyes widened: "You are so much older than her, and you still don't praise her too much, how can you look like an elder!"
Martin found that his friend was obviously biased towards students, and then turned to say that he was disrespectful, and that he was very neutral. Now he really choked up: "You...you can." It's really heartbreaking.
Coppola turned his head and said: "Old man, it's really inappropriate for you to say that, how can you say that about Martin?"
Seeing that Coppola was going to talk to him, Martin made Lucas realize that Claire was going to compete with him for an Oscar again this year!He is a little happy.
Coppola squinted his eyes and smiled: "It should be a compliment after exhausting all the good words, this kid is too good."
Martin: "..."
At this time, Martin, who had no hope for Spielberg, a short-term maniac, heard him say: "Okay, the show will start soon, let me say something neutral, I don't favor anyone. Martin's movie we also Now that we've seen it, let us see the level of the two of you this time."
When the three of them heard what he said, they stopped making jokes and looked forward to the movie.
Spielberg stared at the big screen with scrutiny.
The first shot at the beginning shocked him for a long time.
"This is... a mirror to the end."
What surprised Spielberg is of course not an ordinary long shot, this is a 362-second shot.The children in the slums are being chased by the police behind them. They run fast, and they use the terrain skillfully to avoid the police through various scenes.
The angle of view is from the sky and then to the buildings on the ground.
It is also interspersed with shots passing through fences, corridors, and windows, and continues to follow the children. The various scenes they run through show the scene of the entire slum, including young adults, women, and old people in dirty clothes. , Everyone treats them as children who don't care or look at the playful children with a smile.
This is a very long shot.
Ordinary people in this one shot to the end look very straightforward, fascinated by the film's color and the unique atmosphere of the plot, and they don't pay much attention to the professional skills in it.But insiders can see clearly.
Every space transformation here is a mystery!
There are so many people in the movie, at least forty actors have appeared so far, how did the director arrange it?How did she maintain such frequent space transitions while still allowing the characters and the camera to move at a perfect speed? Why did she add so many camera flips to the long shot? How did she achieve such harmony?
Those who knew a little bit about the language of the camera were stunned.
Difficult, this is too difficult to do.
When they recovered from their astonishment, they found that apart from the skill, this shot was also a magical touch in terms of metaphor!
After the fusion of this long shot and a specific scene, a magical chemical reaction was produced.
The sunshine used in the film is very warm, and the color matching makes the picture color very bright and comfortable.The joy of the children, the panic of the police, the various emotions of the onlookers, and the transformation of time and space brought about by various jumping and hiding.This shot has already established the tone of the whole film.The beauty of the coherence of the plot, they can only think of one word, harmony-beautiful and harmonious as a beautiful rhythm, the poetry of a bard.
------------
Spielberg opened his mouth in surprise, and it took a long time before he slowly put away the surprise.
He faintly felt that his throat was dry, and his throat was still a little sore due to the previous emotions. He secretly wondered: "Has she grasped the camera to this extent?"
His face became very serious because of this: "Martin is in danger."
Only through this one shot, he can clearly feel that her techniques and emotions have been perfectly integrated.She jumped a few more steps on the original basis and successfully broke through her bottleneck.She no longer puts the importance of showing off skills over expressing emotions. Every frame of "Millionaire" is like a perfect painting full of emotion and skill, which fascinates him.
Because she had tickets to the premiere of "Millionaire".
For the premiere, many film critics, actors, directors and other industry workers are invited, and there are very few remaining tickets for ordinary audiences.
Georgiana's boyfriend yawned a lot and was very proud: "Thanks to me being on the computer all the time, there are too few remaining tickets. I just placed an order and it was gone. It's a thrill." He was a little scared.
This is the first time that Georgiana has come to this kind of premiere, which is completely different from going to a normal movie theater with friends, where there will not be so many cameras next to her, and so many Hollywood celebrities she does not know.
Georgiana grabbed her boyfriend's hand nervously, "It's time to start, let's go in first."
People around are also slowly taking their seats.
As the lights dimmed, Georgiana caught a glimpse of two people in the row in front of her, one strong and one thin.She felt a little familiar from the back, like someone she knew.But they all wore masks so they couldn't see their faces clearly, and they wore hats in the theater, which was very strange.
All the seats in the cinema were full. She looked back and saw a few middle-aged men sitting firmly behind them, constantly communicating with each other.
She didn't know anyone, so she looked away, waiting for the movie to open, which she had been looking forward to for three months.
She felt that these people should be unusual: "Such an imposing manner must be some kind of powerful film critic, after all, it is the premiere."
What Georgiana didn't understand was that the film critics were not able to enjoy the golden seats in the back two rows because of these few people.
"Lucas, why do you have to come?"
Sitting here is probably the top director in the United States or even the world.
Spielberg, Coppola, Lucas, these three people formed the trio of the century.These three people came from the golden age of American movies. The three of them made their way to Hollywood together, and all three of them have become important strokes in the history of American movies.Their own development history is a legend. If you want to understand American movies, you must read them.
This time they were not the only ones, and Martin Scorsese, who had a close personal relationship with the three of them, also participated in the party.
Martin: "Lucas, that student of yours and I are competitors. Every year, we always crash." He feigned anger.
Lucas snorted: "Don't bully her. I can't be partial to either of them. You can solve Oscar's problem by yourself. This time I will ask you to watch her movie, and I will take her there next time."
Martin pretended to be angry: "I don't give a good opinion of competitors."
Lucas' eyes widened: "You are so much older than her, and you still don't praise her too much, how can you look like an elder!"
Martin found that his friend was obviously biased towards students, and then turned to say that he was disrespectful, and that he was very neutral. Now he really choked up: "You...you can." It's really heartbreaking.
Coppola turned his head and said: "Old man, it's really inappropriate for you to say that, how can you say that about Martin?"
Seeing that Coppola was going to talk to him, Martin made Lucas realize that Claire was going to compete with him for an Oscar again this year!He is a little happy.
Coppola squinted his eyes and smiled: "It should be a compliment after exhausting all the good words, this kid is too good."
Martin: "..."
At this time, Martin, who had no hope for Spielberg, a short-term maniac, heard him say: "Okay, the show will start soon, let me say something neutral, I don't favor anyone. Martin's movie we also Now that we've seen it, let us see the level of the two of you this time."
When the three of them heard what he said, they stopped making jokes and looked forward to the movie.
Spielberg stared at the big screen with scrutiny.
The first shot at the beginning shocked him for a long time.
"This is... a mirror to the end."
What surprised Spielberg is of course not an ordinary long shot, this is a 362-second shot.The children in the slums are being chased by the police behind them. They run fast, and they use the terrain skillfully to avoid the police through various scenes.
The angle of view is from the sky and then to the buildings on the ground.
It is also interspersed with shots passing through fences, corridors, and windows, and continues to follow the children. The various scenes they run through show the scene of the entire slum, including young adults, women, and old people in dirty clothes. , Everyone treats them as children who don't care or look at the playful children with a smile.
This is a very long shot.
Ordinary people in this one shot to the end look very straightforward, fascinated by the film's color and the unique atmosphere of the plot, and they don't pay much attention to the professional skills in it.But insiders can see clearly.
Every space transformation here is a mystery!
There are so many people in the movie, at least forty actors have appeared so far, how did the director arrange it?How did she maintain such frequent space transitions while still allowing the characters and the camera to move at a perfect speed? Why did she add so many camera flips to the long shot? How did she achieve such harmony?
Those who knew a little bit about the language of the camera were stunned.
Difficult, this is too difficult to do.
When they recovered from their astonishment, they found that apart from the skill, this shot was also a magical touch in terms of metaphor!
After the fusion of this long shot and a specific scene, a magical chemical reaction was produced.
The sunshine used in the film is very warm, and the color matching makes the picture color very bright and comfortable.The joy of the children, the panic of the police, the various emotions of the onlookers, and the transformation of time and space brought about by various jumping and hiding.This shot has already established the tone of the whole film.The beauty of the coherence of the plot, they can only think of one word, harmony-beautiful and harmonious as a beautiful rhythm, the poetry of a bard.
------------
Spielberg opened his mouth in surprise, and it took a long time before he slowly put away the surprise.
He faintly felt that his throat was dry, and his throat was still a little sore due to the previous emotions. He secretly wondered: "Has she grasped the camera to this extent?"
His face became very serious because of this: "Martin is in danger."
Only through this one shot, he can clearly feel that her techniques and emotions have been perfectly integrated.She jumped a few more steps on the original basis and successfully broke through her bottleneck.She no longer puts the importance of showing off skills over expressing emotions. Every frame of "Millionaire" is like a perfect painting full of emotion and skill, which fascinates him.
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