The Nineteenth Century Didn't Believe in Love[Comprehensive]
Chapter 29 I Don't Love You
As for why Raoul has not been beaten to death in the eyes of Carlota, it will be a very miraculous thing for Christine in the future.
It's not that she's biased against her sweetheart, but it is: Raoul always seems to be dancing on the edge of Carlotta's line, but never crossing it.
Including this time too, the Sherlock Holmes version of the villager just appeared on the stage, especially the other party's acting skills are quite good. He only shrunk his neck a little and made his figure stooped a little, so it was completely impossible to tell that he was the great detective.
"Could it be that the reason why he agreed with you to take the stage was because you were so good at acting in the cemetery?" Carlota couldn't help but rolled his eyes: "It's really all right, Mr. Holmes."
"After all, as the entrusted object, I need to consider all possible changes." Holmes glanced at Carlotta, very indifferent: "Shouldn't you be in the dressing room now?"
"Dressing room? I'm just a small supporting role in this opera, there's no need to squeeze in with Nana, just mess around with it."
Carlota yawned. The makeup on her face was very strong because of the stage makeup, and it could even be called scary under the dim light.But the great detective is similar, except that as a male villager, he still doesn't even have a single line of lyrics, so he looks much better than Carlota.
"There is an aria in the middle. The only people on the field at this moment are Miss Dai Ye and the tenor Pirgi. If Phantom chooses to replace it, this moment is the most suitable."
Carlota went through the script in her mind. Her role just ended in the previous scene. After washing off her makeup and changing out of a cumbersome stage skirt, she could be ready to sharpen her sword towards the phantom.
"But to replace..."
"Pirgi will cover his face with a black hood, and I will hide in the stage props he uses to change clothes on the stage."
Holmes spoke casually, frowning as if thinking of something: "Miss Lester, do you still remember that poor sheep?"
How could she fail to remember that it was an act of courage for Pilgi to sing as a tenor in an opera that would have cost him his life, not to mention his self-deprecating yesterday that he had made a will.
"So you mean the Phantom wants to hang Pilgi?"
"That method is the method used by Punpu to cover the rope. It is very simple but difficult to crack. After all, not everyone has such a psychological quality."
Holmes put the villager's coat on his body, and looked at Carlotta with bright eyes: "But I believe that with my assistance, Mr. Pilgi will definitely be able to escape this death."
"just can not……"
"Miss Lester."
Holmes sighed. He thought he could find all the clues, but he couldn't understand the soprano in front of him: "Mr. I am here."
"Then please be sure to succeed."
A smile flashed in the gray eyes, and the detective opened his hands with a narrow expression: "Then won't Miss Lester give me a hug in anticipation?"
Carlota swore that if she couldn't catch the Phantom, she would grab Holmes by the collar and stuff him into the mirror in the dressing room and blow up the whole theater.
Although the stage presented to the audience is always splendid, the backstage is absolutely noisy and even screams from time to time.The change of costumes, the alternation of props and various possible emergencies will always put the stage coordinator on the verge of collapse, especially now that there is still the pressure of the phantom, and it is almost collapsed.
However, perhaps it was because of this pressure that everyone treated this opera with [-]% passion.The role played by Carlotta is the leading role similar to that of the mayor's wife, while Christine prepares on the "second floor" similar to the stage.Perhaps it was also because of his hard work that Carlotta interpreted his libretto in a festive atmosphere. At the same time, he looked around while toasting, and cast a trusting look at the corner where Christine was.
"you can."
Carlota withdrew his gaze and knocked down the wine glass in his hand as he exited. The powerful ending and full of emotions won the first applause at the opening before exiting.
She always believed in her sister, and believed that she could come back alive.So before acting, she stepped on the foot of Raoul who was about to blurt out "we will get married after the play", and forced him to hold back this sentence.
She didn't want some weird death flag to come at this time, otherwise it would be really hopeless.
After returning backstage, Carlota washed off the heavy makeup on her face, threw away the skirt, grabbed a pair of trousers and put it on, completely ignoring the astonished expressions of others.He then tied the gun holster to his leg, checked the Deglin that he had maintained yesterday, and threw two bullets into his trouser pocket.
There was a faint sound of music on the stage, and Pirgi had already entered the stage props that made him wear a black mask on his head. Standing on the edge of the curtain, Carlotta faintly saw a piece of clothing protruding from the back of the small wooden room. horn.
It was Pilgi's costume.
On the other side that the audience cannot see, Carlotta focused all her attention on hearing without hesitation, capturing all the movements in the "wardrobe" subtly, when she heard a very slight sound that seemed to be When the sound of the person falling to the ground subconsciously grasped the pistol on his leg.
Ubaldo Pirgi, the principal tenor of the theater, is an Italian tenor—or rather, most of the principal tenors of the theater today are Italian.He was not married, and he was a bit flamboyant, thinking that if he was not married, he would not be able to let go of a large forest.But what was unexpected was that he never affected his colleagues in the theater, and he was very rigorous in his work.
For example, in order to play Don Juan this time, he even lost weight on purpose, and he can indeed be considered handsome after losing weight.
She has worked with him for three years, and she is a very tacit partner. She doesn't want him to die for it.
A muffled groan came from the closet, and it quickly turned into a gasp.At this time, the phantom on the stage had already appeared, and Carlota breathed a sigh of relief instantly.
And the sound, which means that Pilgi was rescued.
Was saved.
Almost falling to the ground with his feet limp, Carlotta pulled the curtain to barely support himself, and before the Phantom was seen through by Christine, he devoted himself to the aria between him and Christine.
I have to say that Phantom can indeed be called a genius, and the switching of voices and accents are indeed perfect. If she hadn't known in advance that this person was Phantom, she might have admitted it wrong.
The aria in this play is called the origin of no return. Of course, in Carlotta's opinion, it is a little yellow song.The lyrics are a bit too explicit, but they are not erosive.It's just that Carlotta almost shot directly when he saw that Phantom's hand was almost on Christine's chest.
Fortunately, Christine was more alert, and she dodged it all at once, and at the same time began to doubt it.You must know that although Pilgi is a flamboyant guy, he will never cross the line on the stage, so it is probably only a matter of time before Christine finds out that the tenor has been replaced.
Carlotta rubbed his Deglin, completely ignoring the dumbfounded expressions of his colleagues and thinking for a while, feeling that he really had no choice but to wait.
"Ly, Miss Lester?"
A slight voice behind him made Carlotta turn his head casually: "I know what you want to ask, the guy in my hand is real."
So it is true that you wounded Jack the Ripper in London back then!
The two managers in the back gasped and shrank themselves into the shadows.However, when Carlotta turned his head, Christine's hand accidentally touched the face of the actor on the stage, and felt something hard.
mask.
Want to escape?Do you want to leave?Or should we continue?
Christine subconsciously ran two steps out, but her hand was grabbed and pressed back.Singing "The Last Threshold" in the lyrics, Christine felt the hand holding her tremble slightly, and for the first time there was a little begging desire in her voice.
How did he come to power instead of Mr. Pirgi?He could flay a sheep and hang it upside down on the stage to threaten everyone, and he could do something to the graveyard of his father and Mr. Bizet, so what did he do to Mr. Pilgi?
begging?Why are you begging on stage?With seductive libretto and coaxing words, appearing on the stage with a veiled head, but afraid of the sun?
Without hesitation, he reached out and pulled off his cloak. Christine did not suppress the scream in his throat, but still stared at the masked face.
Out of the corner of her eye just now, she saw Carlotta holding a small pistol, and she almost laughed out of her serious expression grinning at her.But now the two of them were too close on stage, so close that she was grabbed by the hand, and another ring was put on her directly.
Christine could feel such humble and painful love, and could sense his begging expression.The music has stopped, but the masked man continues his performance.
"Would you like to be with me..."
"Do not."
Christine cut him off without hesitation, and at the same time reached out quickly and firmly, taking off all his disguise.
I've got something to love, I've got something to think about.
I do not love you.
The author has something to say: The Origin of No Return can really be regarded as a little yellow song.I won’t talk about the lyrics, it will teach children w
It's not that she's biased against her sweetheart, but it is: Raoul always seems to be dancing on the edge of Carlotta's line, but never crossing it.
Including this time too, the Sherlock Holmes version of the villager just appeared on the stage, especially the other party's acting skills are quite good. He only shrunk his neck a little and made his figure stooped a little, so it was completely impossible to tell that he was the great detective.
"Could it be that the reason why he agreed with you to take the stage was because you were so good at acting in the cemetery?" Carlota couldn't help but rolled his eyes: "It's really all right, Mr. Holmes."
"After all, as the entrusted object, I need to consider all possible changes." Holmes glanced at Carlotta, very indifferent: "Shouldn't you be in the dressing room now?"
"Dressing room? I'm just a small supporting role in this opera, there's no need to squeeze in with Nana, just mess around with it."
Carlota yawned. The makeup on her face was very strong because of the stage makeup, and it could even be called scary under the dim light.But the great detective is similar, except that as a male villager, he still doesn't even have a single line of lyrics, so he looks much better than Carlota.
"There is an aria in the middle. The only people on the field at this moment are Miss Dai Ye and the tenor Pirgi. If Phantom chooses to replace it, this moment is the most suitable."
Carlota went through the script in her mind. Her role just ended in the previous scene. After washing off her makeup and changing out of a cumbersome stage skirt, she could be ready to sharpen her sword towards the phantom.
"But to replace..."
"Pirgi will cover his face with a black hood, and I will hide in the stage props he uses to change clothes on the stage."
Holmes spoke casually, frowning as if thinking of something: "Miss Lester, do you still remember that poor sheep?"
How could she fail to remember that it was an act of courage for Pilgi to sing as a tenor in an opera that would have cost him his life, not to mention his self-deprecating yesterday that he had made a will.
"So you mean the Phantom wants to hang Pilgi?"
"That method is the method used by Punpu to cover the rope. It is very simple but difficult to crack. After all, not everyone has such a psychological quality."
Holmes put the villager's coat on his body, and looked at Carlotta with bright eyes: "But I believe that with my assistance, Mr. Pilgi will definitely be able to escape this death."
"just can not……"
"Miss Lester."
Holmes sighed. He thought he could find all the clues, but he couldn't understand the soprano in front of him: "Mr. I am here."
"Then please be sure to succeed."
A smile flashed in the gray eyes, and the detective opened his hands with a narrow expression: "Then won't Miss Lester give me a hug in anticipation?"
Carlota swore that if she couldn't catch the Phantom, she would grab Holmes by the collar and stuff him into the mirror in the dressing room and blow up the whole theater.
Although the stage presented to the audience is always splendid, the backstage is absolutely noisy and even screams from time to time.The change of costumes, the alternation of props and various possible emergencies will always put the stage coordinator on the verge of collapse, especially now that there is still the pressure of the phantom, and it is almost collapsed.
However, perhaps it was because of this pressure that everyone treated this opera with [-]% passion.The role played by Carlotta is the leading role similar to that of the mayor's wife, while Christine prepares on the "second floor" similar to the stage.Perhaps it was also because of his hard work that Carlotta interpreted his libretto in a festive atmosphere. At the same time, he looked around while toasting, and cast a trusting look at the corner where Christine was.
"you can."
Carlota withdrew his gaze and knocked down the wine glass in his hand as he exited. The powerful ending and full of emotions won the first applause at the opening before exiting.
She always believed in her sister, and believed that she could come back alive.So before acting, she stepped on the foot of Raoul who was about to blurt out "we will get married after the play", and forced him to hold back this sentence.
She didn't want some weird death flag to come at this time, otherwise it would be really hopeless.
After returning backstage, Carlota washed off the heavy makeup on her face, threw away the skirt, grabbed a pair of trousers and put it on, completely ignoring the astonished expressions of others.He then tied the gun holster to his leg, checked the Deglin that he had maintained yesterday, and threw two bullets into his trouser pocket.
There was a faint sound of music on the stage, and Pirgi had already entered the stage props that made him wear a black mask on his head. Standing on the edge of the curtain, Carlotta faintly saw a piece of clothing protruding from the back of the small wooden room. horn.
It was Pilgi's costume.
On the other side that the audience cannot see, Carlotta focused all her attention on hearing without hesitation, capturing all the movements in the "wardrobe" subtly, when she heard a very slight sound that seemed to be When the sound of the person falling to the ground subconsciously grasped the pistol on his leg.
Ubaldo Pirgi, the principal tenor of the theater, is an Italian tenor—or rather, most of the principal tenors of the theater today are Italian.He was not married, and he was a bit flamboyant, thinking that if he was not married, he would not be able to let go of a large forest.But what was unexpected was that he never affected his colleagues in the theater, and he was very rigorous in his work.
For example, in order to play Don Juan this time, he even lost weight on purpose, and he can indeed be considered handsome after losing weight.
She has worked with him for three years, and she is a very tacit partner. She doesn't want him to die for it.
A muffled groan came from the closet, and it quickly turned into a gasp.At this time, the phantom on the stage had already appeared, and Carlota breathed a sigh of relief instantly.
And the sound, which means that Pilgi was rescued.
Was saved.
Almost falling to the ground with his feet limp, Carlotta pulled the curtain to barely support himself, and before the Phantom was seen through by Christine, he devoted himself to the aria between him and Christine.
I have to say that Phantom can indeed be called a genius, and the switching of voices and accents are indeed perfect. If she hadn't known in advance that this person was Phantom, she might have admitted it wrong.
The aria in this play is called the origin of no return. Of course, in Carlotta's opinion, it is a little yellow song.The lyrics are a bit too explicit, but they are not erosive.It's just that Carlotta almost shot directly when he saw that Phantom's hand was almost on Christine's chest.
Fortunately, Christine was more alert, and she dodged it all at once, and at the same time began to doubt it.You must know that although Pilgi is a flamboyant guy, he will never cross the line on the stage, so it is probably only a matter of time before Christine finds out that the tenor has been replaced.
Carlotta rubbed his Deglin, completely ignoring the dumbfounded expressions of his colleagues and thinking for a while, feeling that he really had no choice but to wait.
"Ly, Miss Lester?"
A slight voice behind him made Carlotta turn his head casually: "I know what you want to ask, the guy in my hand is real."
So it is true that you wounded Jack the Ripper in London back then!
The two managers in the back gasped and shrank themselves into the shadows.However, when Carlotta turned his head, Christine's hand accidentally touched the face of the actor on the stage, and felt something hard.
mask.
Want to escape?Do you want to leave?Or should we continue?
Christine subconsciously ran two steps out, but her hand was grabbed and pressed back.Singing "The Last Threshold" in the lyrics, Christine felt the hand holding her tremble slightly, and for the first time there was a little begging desire in her voice.
How did he come to power instead of Mr. Pirgi?He could flay a sheep and hang it upside down on the stage to threaten everyone, and he could do something to the graveyard of his father and Mr. Bizet, so what did he do to Mr. Pilgi?
begging?Why are you begging on stage?With seductive libretto and coaxing words, appearing on the stage with a veiled head, but afraid of the sun?
Without hesitation, he reached out and pulled off his cloak. Christine did not suppress the scream in his throat, but still stared at the masked face.
Out of the corner of her eye just now, she saw Carlotta holding a small pistol, and she almost laughed out of her serious expression grinning at her.But now the two of them were too close on stage, so close that she was grabbed by the hand, and another ring was put on her directly.
Christine could feel such humble and painful love, and could sense his begging expression.The music has stopped, but the masked man continues his performance.
"Would you like to be with me..."
"Do not."
Christine cut him off without hesitation, and at the same time reached out quickly and firmly, taking off all his disguise.
I've got something to love, I've got something to think about.
I do not love you.
The author has something to say: The Origin of No Return can really be regarded as a little yellow song.I won’t talk about the lyrics, it will teach children w
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