I play the piano in the comprehensive world

The joy of teasing my younger brother is short-lived, but the pressure of practicing the piano is long-lasting.

There was an extra five-month vacancy period for no reason, and Gou Juanjing's hand was born.Before, I could barely practice a piece of music by relying on raids, but I had to memorize the various arpeggios and chords again.

All piano practitioners have the same pain. The brain says they remember it, but their hands say they don't.Remember the left hand, and let the right hand let go.

Dog Juanjing: "..."

He looked at his hands silently, and slapped his right with his left.

too difficult.

The dog who was so angry with him rolled Jing down the stairs, and he found Shi Er to be beaten.

Accumulated emotions have to find outlets.

Another week later, Mendelssohn was replaced by Tchaikovsky.

The Russian has a handsome face that belongs to Russia, with slightly sad eyes, not feminine, but weakens his toughness from the fighting nation.His hair was well combed, his beard was neatly trimmed, and he appeared in front of the camera in a neat suit, as if he was about to step onto the stage.

Tchaikovsky used to teach at the Conservatory of Music before composing full-time. In terms of teaching students, he was more professional than the previous musicians.It was the first time for Gou Juanjing to see a musician come to class formally like this.

Speaking of clothes, the most outrageous thing is Mozart. The genius musician once sat on the camera in a crumpled dress with traces of lipstick and red wine on it, so he only appeared in one class. The teacher changed.

Tchaikovsky greeted the dog in Russian, and was relieved to be sure his new student understood.

The face of an oriental person is small in the eyes of a westerner, and the new hairstyle of the dog curly thorn makes him even smaller. The little one is so cute that Tchaikovsky worried that if he spoke louder, he would scare him into tears.

so small.

Tchaikovsky made a comparison in his heart.

too small.

He tried to be kinder to himself, but his tone was a bit blunt, "I don't compose too many piano pieces, which one are you more interested in?"

Gou Juanjing: "Which capital is fine?"

"Yes, yes. But time is limited, we can only choose one to learn." Tchaikovsky looked a little embarrassed: "I will try my best..."

"Then I want to learn "Piano Concerto No. [-] in B flat minor"!"

Tchaikovsky was frightened by the child's courage. He didn't expect him to shout to play such a large-scale music as soon as he came up. "I don't think you're old enough to play such a large piece..."

"Piano Concerto No. [-] in B-flat Minor" is the most popular of Tchaikovsky's three piano concertos. It introduces some Russian tunes, full of Slavic music lines and colors, and is a reflection of the light. yearning and enthusiasm.Moreover, the tonality of this piece is a rare B-flat minor, and the rare opening with brass instruments, which brought the brightness of the piece to the highest point at the beginning, belongs to the works of Tchaikovsky when he was young.

But no matter how good it is, nearly four 10-minute shows are not enough for an 11-year-old.

Tchaikovsky wasn't the overbearing character either, asking, "Why do you want to play this?"

He doesn't write many piano pieces, but he is also famous, such as the piano suite "Four Seasons", "Romantic", and even his ballet soundtrack, which are all good works for learning.

"Because I really like the feeling of running towards the light and the sense of power in that song!" After several months of daily reincarnation, it seems to be trapped in the long river of time, and sometimes I will doubt when I wake up in the morning. Everything today is a dream of yesterday.

So now Gou Juanjing is eager to play "B flat minor".

"Strength, passion, breaking through everything to the light."

Tchaikovsky froze.

He has heard many comments about the dog Juanjing. In the eyes of his teacher, this child is soft, cute, and even a little cute. However, in the eyes of the Russians, this child is now like a baby bird. To break through the bird's shell, young strength is about to burst forth.

"Three movements are probably too late." Tchaikovsky fully respected his thoughts, "But, I guess you want to practice the first movement?"

The first movement is a very solemn and calm allegro.

In the brilliant opening, the bursting power impacts the eardrums of the audience through the brass instruments, and the intense and impassioned piano interweaves with the powerful strings and continues to climb, like a charged volcano, wave after wave, until the peak of the climax, erupting The magma that comes out will submerge everyone, majestic and brilliant.

The first theme is powerful and affectionate, while the second theme uses weakened strings and piano to play a quiet and elegant tenderness.

The long prelude has a total of 106 summaries, accounting for more than half of the sonata's time. It is a profound expression of cheerful mood and optimism, and it outputs the ardor and tenderness of power.

Goujuanjing nodded heavily.

The two reached a consensus and quickly entered the stage of piano practice.

"I think, um..." Tchaikovsky couldn't laugh or cry, "The beginning can be softer, passionate, passionate, passionate, not so rigid and rigid, and relaxed..."

Seeing the way the child smashed the piano, I could hear his sense of strength from the sound.It's too powerful, but it looks like I'm going to rush out and fight someone.

The difficulty of the sonata is not very high. With the level of a dog, Tchaikovsky expected that he would not be able to improve the burst of strength due to his age. In the end, he was just the opposite. It was not that he could not give it, but he gave it Too much.

Perennial beating kids have strong arms and gushing emotions.

"Turn your emotions around." The Russians kept reminding: "What you have to face is the piano, and your strength must be conveyed in a structured manner. Don't be too anxious. Your emotions are also gradually increasing, like a bamboo. The ground grows upwards, working hard towards the sun, and finally rushes to the top and has another eruption."

"Hold on, yes, hold on, give a little, give a little more..."

It is precisely this place that is the most difficult.

The biggest difference between a piano and a stringed instrument is that it does not directly touch the strings, but strikes the keys to produce sound. At this time, it is difficult to control the tone of the music, and it is even more difficult to convey emotions through this sound.

This is what Tchaikovsky taught the dog to curl the thorn.

The same sound, its timbre purity, layering, and graininess must be transmitted cleanly and clearly before it can be conveyed to the audience.

Regardless of the fact that Tchaikovsky came from an extremely cold fighting nation, his temper is much better than Liszt, and he guides the dog forward bit by bit.

"Let's do it all over again. At the beginning, your arm should be strong, but not stiff. It should be steady, accurate and strong like an eagle swooping down to hunt. When actually working with the orchestra, you should watch the conductor and pay attention to the sound of the orchestra. In this position, your voice is strong and powerful, and the orchestra needs to cooperate with you, but you can’t patronize your own performance, you have to give the orchestra a little response.”

Gou Juanjing kowtowed to this piece for three full months.

On the day when Tchaikovsky came to accept the final results, besides him, Chopin, Liszt and Beethoven were also online, and a small quiz turned into a big year-end quiz in disguise.

"Don't be nervous, Xiao Jing." The authentic teacher first comforted the little disciple, "Liszt and Beethoven just happened to come to listen."

Just one good one.

Put two top musicians sitting here, and none of the piano boys is not nervous.

But Gou Juan Jing is really not nervous.Not only because he lacks the string of tension, but also often contacts them through various channels, but also because he is eager to express this piece of music itself.

In fact, the teacher, grandfather and grandson quarreled again, and they came to find Chopin to be the referee, and Chopin and Tchaikovsky made an appointment to listen to the first concerto practice of Gou Juan Jing, and the two who refused to leave went together. The left one and the right one became the background board.

Sitting in the middle is Chopin, Liszt with a smelly expression on the left, and Beethoven who is extremely serious on the right. There is no background board with a stronger sense of presence than them.

Tchaikovsky from the other window gave him a pitiful look.

Gou Juanjing was very calm. After saying hello one by one, he prepared to play as if nothing had happened.

There was no way to immediately find the orchestra to cooperate on the spot, so he could only use audio for the final ensemble, and the recording was found for him by Tchaikovsky.

When the child's hand was raised and then lowered, the sound from the piano was no weaker than that of the whole orchestra, which surprised Liszt and Beethoven.

The piano gave the symphony orchestra a strong cooperation, but it did not steal the limelight that the orchestra should have.When the piano interprets the theme and the orchestra accompanies, the momentum of the prelude is not weakened by his piano. Even the soft parts are supported by unique strength. Afterwards, the ensemble with the orchestra bursts out extremely strong Infectious and shocking.

The first movement ends at 23 minutes.

A drop of sweat condensed on his forehead, followed his movements and gradually slid down, past his cheeks to his chin, and fell to the keys with the last note.

This is not an easy marathon. Gou Juanjing has worked hard for three months and finally reached the halftime point.

This is by no means the end of "Piano Concerto No. [-] in B flat minor" and Gou Juan Jing, but it gave the musicians present a glimpse of the other side of his musical journey.