I play the piano in the comprehensive world

Question: What kind of person was Mozart?

Mozart, the genius among the geniuses who swept away all other musical geniuses, stood on top of most musicians at an early age, and was illuminated by God with the light of musical talent at birth.Almost all of his works can use an adjective: pure innocence, like a child who will never grow up, almost constitutes the first feeling of most of his music.Later, there is even a kind of happiness called Mozart.

It seems that happiness is synonymous with his life.

But - this is not all about Mozart.

The hardships and hardships of life did not bypass this musical genius.

When the Austrian created "Sonata for Two Pianos in D Major K.448", he had just experienced a series of blows such as the grief of losing his mother and breaking with his archbishop. Life was not as lively and rich as K.448 sounded. romantic colors.But Mozart never used music to express the negativity of life. He was never depressed by a series of pains such as the jealousy of others, poverty, his own illness, and rivalry among his peers.

A music critic once pointed out that Mozart's music does not reflect his life, but his soul, so any pain in the world can hardly stay on his music, highlighting the musician's angelic tenderness and moving .

This is not a musician who is only happy but not sad, but a little angel who is only willing to express happiness.

This piece implements Mozart's creative philosophy. Like all his other pieces, the technique is not the most difficult, but the expression is difficult.

Too much childishness seems childish, and the artistic conception of the piece itself is destroyed by the substitution of adult thoughts. The middle degree is extremely difficult to grasp, which is one of the reasons why Mozart's music does not appear much in piano competitions.

Minako Momohei took the leaflet and stepped into her seat.

The lighting of the Tokyo Opera City Concert Hall is beautiful. Its top is made of oak, and the design of the spire is like a pyramid-shaped ceiling. Everything is paved with bright gold, giving people visual enjoyment like a palace.

Normally, Minako would not mind standing and chatting with other colleagues, and admiring the beauty of the concert hall by the way, but today she just wants to sit quietly in her seat, waiting with anticipation until the performance starts.

When was the last time you felt this way?

When she sat down, she found that someone had already sat down in the front row.

They either leaned on the back of the chair, or looked down at the brief introduction on the leaflet, or closed their eyes to meditate, in short, they all refused to talk.

She could recognize several famous music critics in Japan based on their backs, but there were also a few insiders who Minako knew but didn't know.

Soon, the concert began, the lights in the auditorium were dimmed, and the lights on the stage were turned on, shining on the two grand pianos facing each other in the middle.Then the two holding hands step onto the stage, and the lights follow them as they move from edge to center.

No matter how many times, every time I see Gou Juanjing on stage, I still can't help but stop at the boy's outstanding appearance.

I haven't seen him for a few months, but he seems to have emerged from that indistinguishable juvenile feeling, showing his own, still immature but charming temperament. There is also a bit of innocence, it is hard not to feel the heartbeat when you smile.

He changed from the little elf prince to the elf prince.

Minako looks forward to the day when he becomes the king of the spirits.

After the two players greeted the audience as usual, they sat in front of their respective pianos, and then they could only communicate by the sound of the piano.

The first movement, Allegro, in D major.

In the first movement, the playing parts of the first piano and the second piano are not fixed, and the positions of the two pianos are different in different parts. Therefore, when playing, Gou Juanjing needs to concentrate on listening to Misa Hamai’s piano, Control your own position according to the situation of the other party, so that the sounds of the two pianos are intertwined.Especially in the four bars of the prelude, the unison of the first and second pianos is an important part of the performance of the two pianos. Rhythm, melody, strength, speed, every detail is the dimension to evaluate the quality of their unison.

This is an important part of the splendor of the first movement.

The keys should be more powerful, and the tone should be more clear and concise.

Scale and arpeggio runs, ornamental notes, "Alberti" bass, tremolo and column chords, each skill and difficulty.

The piano is like two people dancing, the first piano and the second piano are intertwined, sometimes you advance and retreat, sometimes I advance and you retreat, whether it is spinning or jumping, the sounds of the two pianos are interspersed together, like Like knots, they wrap around each other, entangle each other, and finally form a knot.

A graceful, beautiful, symmetrical knot.

Minako admired in her heart: what a beautiful "Alberti" bass.

The "Alberti" bass belongs to the decomposition chord texture, which is a form of accompaniment texture that Mozart liked to use very much, and it is a test of the player's playing strength control.When playing, two-piano players need to play with their fingers sticking to the keys, and pay attention to the height of the finger lift. If the force is too high, the bass effect will be affected, but this scale is very difficult to confirm.

In addition to this part, tremolo is also a very prominent feature of this movement. People without any musical background can feel the ubiquitous presence of tremolo.This is the most effective way of repeating two keys to create a spectacular sound effect. In the first movement, tremolo is used as an accompaniment to the melody.

A long time ago, Minako knew that Goujuanjing's timbre is rich and varied, and the dexterity of her hands can no longer be described by hard work. This is a wonderful timbre created by talent and practice, which is enough to stand out from the crowd in the international music scene.In K.448, numerous "Alberti" basses and tremolos give full play to his qualities.

His timbre makes K.448 have a different color.

What clear and lively music.

Minako closed her eyes, the music was like a gust of wind, the elf flew by the music, and the sound of laughter passed by her ears.

The second movement, Andante, in G major.

The second movement is divided into three parts: the presentation part, the development part and the reproduction part, and the whole is soft and soothing.The presentation part is based on Misa Hamai's No. [-] piano, and the main theme is constructed with the dominant tone as the core, and then the main theme is continuously supplemented with an octave melody to widen the melody.The connecting part interweaves piano sounds in unstable tones, as if two pianos are talking and talking, expressing their own thoughts.The second piano of Goujuanjing repeats the sub-part theme with accompaniment with ornamental patterns, and at the same time continues the harmony of the first piano.

The accompaniment of this ornamental pattern...

Minako pondered in her heart, it seemed similar, she must have heard of this special technique somewhere.

Her distracted thoughts were quickly pulled back by the piano. The long vibrato of Goujuanjing indicated the end of the main tone. First, the melody was changed to A minor, and then returned to the dominant seventh chord in G key. The tonality returns to D major again.

A series of inflections in his hands are like music gliding on silk, with a graceful and appropriate posture, and it is difficult to feel the changes without listening carefully to each note, which makes Minako feel like eating ice cream on a hot day, with no skin from head to toe. uncomfortable place.

The third movement, a quick Allegro, is in D major.

The biggest difference between the third movement and the previous two movements is its structure. The rondo sonata form combining the sonata form and the rondo form has both the characteristics of the sonata, but the form structure is also the rondo form. This contradiction is regarded as a A special rondo sonata form.

At the beginning, Misa Hamai's first piano starts with a beautiful and moving weak melody, and then enters the theme, and the second piano joins later to play together.The unison in this part makes the atmosphere of the music warm up, and the two pianos interact well together.

Goujuanjing's musical character has already been revealed from Basai, the strong and unreasonable domineering that cannot be ignored, intertwined with Hamai Misa's consistent soft musical character, blending with each other without being abrupt.

However, professional music critics can always hear the subtle problems between the two. Compared with Hamai, Goujuan's musical character is obviously more suitable for the main theme of the first piano. The roses are mediocre.

As the second piano, he is not bad at playing the accompaniment, but in order to match the main theme of the first piano, he has to make some compromises in his musical character.

Fortunately, Hamai has many years of experience in chamber music performance, and he can always support where necessary, and he can cover the details. The cooperation between the two cannot be said to be perfect, but it is also remarkable.

Therefore, Mozart played by two people is particularly special.

However, the music critics present were secretly divided into two factions. The music critics who returned from Europe and those who came from Europe recognized such an innovative Mozart in their hearts, but the Japanese conservative music critics frowned deeply.