Grandpa is tired of this long-distance love run

In fact, he didn't have any notice to rush, but he just didn't want to stay.

After more than an hour, An Peng left Sheng Jin's office with a happy face, and said to Xuan Fa beside him, "That's great! I didn't expect the negotiation to go so smoothly."

Sheng Jin not only promised them the film scheduling rate, but also made a rough analysis and suggestions on the films released at the end of the year.The information here is more complete than what An Peng got.

Xuanfa breathed a sigh of relief, and said, "Seeing that Teacher Yan refused to stay, I thought the rumors about their discord were true." At that time, he was really worried, fearing that it would affect the film's launch.

After hearing this, An Peng showed a meaningful smile, "I think it might be the opposite."

"What do you mean?" Xuanfa was puzzled.

An Peng made a fool of himself and said with a smile, "The Buddha said: Don't say anything, don't say anything." If they weren't really familiar with each other, how could they be so casual, and Sheng Jin didn't care at all.

More importantly, for a literary film, the screening rate given by Sheng Jin is almost at the line of commercial films.

Don't just look at the surface of everything, but look at the result.

Although there is also the reason that Canying is the main investor, An Peng vaguely feels that the relationship between Yan Feiran and Sheng Jin is not ordinary.

Anpeng estimated in his heart that New World and Shenghui might not be able to get such a good filming rate.Facts have proved that his idea is correct, the new world is even better, and what Sheng Hui got is dismal.

After discussing with the team, he set the schedule of "Companion" at the end of October and the beginning of November, with a seven-day long holiday before New Year's Day, which is the off-season for movies.

However, the off-season also has the benefits of the off-season, and it is the most suitable time for literary films.

If you choose to release it at this time, you can also compete for the major awards at the end of the year, and send it to participate in the competition for the Jin Gongtong Award in February next year.

After deciding on the release date, An Peng cut out a clip and started preparing for the movie poster and screenings.

Keeping a low profile during filming does not mean that the film does not need to be announced.

After the trailer was released, Yan Feiran carefully watched it twice, and reposted it casually.His forwarding sent an unpopular literary film directly to the trending searches.

Canying and the crew made a joint announcement, and invited several senior film critics to post articles: Yan Feiran's cross-border work, Director An's new work, the blend and collision of Chinese and Western civilizations, the refreshing Chinese quintessence of Peking Opera... all kinds of beautiful words, Full of praise.

For Yan Feiran's fans, it was a complete carnival.

[We are so beautiful! 】

【Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.

【He is too good-looking, crying · jpg】

【Crazy looking forward to it, I want to watch it now】

[The music in the video has the feeling of our brother Yan. Could it be that the theme song can be expected? 】

[Looking forward to looking forward to! 】

[The arrangement of literary and artistic films is often very abusive, sisters must be mentally prepared]

After the bustling seven-day holiday, the first media screening of "Companion" will be held in Beijing Cinema.This place belongs to the theater chain under Canying, and a theater with excellent audio-visual effects has been arranged.

In addition to the relevant media, important members of the film crew, senior film critics in the industry, managers of various theaters, etc. were present. This is a screening meeting that can affect the next screening rate.

If the effect is good enough, the film discharge rate can be increased on the original basis, and vice versa.

The invited guests are all in the same social circle, and they almost all know each other.Dozens of people exchanged pleasantries, and the theater was very lively for a while.

After greeting the guests present, An Peng and Yan Feiran sat in the middle of the first row.

Yan Feiran was excited.

Different from his singing performance with ease on stage, this is his first starring film, a new exploration of the film field.

Since the dubbing was finished, he hasn't watched the whole movie once.

The unknown success or failure made him taste the long-lost feeling of anxiety, and this unknown is fascinating.

The lights gradually went out, and the magnificent music sounded gradually.In the three-dimensional surround-type auditorium with a specially designed sound field, the sound effect amplified by Dolby speakers is lifelike and restores reality, which quickly brings the audience closer to the atmosphere created by the movie, full of anticipation.

Amidst an indistinguishable singing voice, a high-pitched and bright opera voice rose up, firmly grasping everyone's ears.

At the same time, a figure of a person appeared on the screen following the melody: he strode, twirled, jumped, and took wrong steps in different places, sometimes fell to the ground, sometimes cried silently, and sometimes glowed...

Not a dance, but more graceful than a dance.It is Peking Opera, and it is more attractive than traditional Peking Opera.

Gradually, another person appeared beside his figure, either sitting and staring at him, or hugging each other warmly, or looking at each other affectionately.

A colorful streamer always accompanies the two of them, and finally fades away on the screen, and freezes as "Companion World" in two big Xingkai characters.

All the people here are professional filmmakers, and the whole viewing process is quiet and focused.

In the nearly two-hour movie, the audience follows the protagonist to the era of turbulent times where gunpowder is everywhere and human life is like a must.See Tang Biechen's wandering and legendary life.

The stunningly talented man should have shined on the stage, but he was oppressed and deceived by the warlord because he refused to submit, and even wanted to dedicate him to the enemy's officer who played with human life.

He managed to escape with the help of others, only to find that the theater troupe had been destroyed, his master had been hanged to death, and his wife had been murdered.The rest of the brothers and sisters were separated and disappeared.

At this moment, he lost everything.

His artistic life, his relatives, the little happiness he once had.

He grew up in a theater troupe, and he didn't even have the ability to make a living, so he didn't know how to continue to survive in this troubled world.

In this scene, An Peng directly used Yan Feiran's idea during the audition, and carried out a more optimized treatment in the movie.

The 27-year-old Yan Feiran played the young Tang Biechen in the play. Not only did he have no sense of disobedience, but he also had a sense of youth.

When the beautiful boy knelt down in the light and shadow, screaming in despair in the silent place.

Half of it is light, and the flying hair is almost transparent platinum in the sun, and the profile is so beautiful that it makes people tremble.

Half of the dark shadows were waiting for the opportunity to move, as if to swallow him whole, the boy was on the verge of falling.

The strong contrast and contrast make this silent performance extremely tense.The audience seems to have become the people in the play, feeling the despair and powerless mourning, and even the cry can only be suppressed to the bottom of their hearts.

And, deep guilt and self-blame.

Tang Biechen thought in his heart that if it wasn't for him, the master and wife would not have died, and the theater troupe would not have been destroyed.All of this started because of him, and all important people were implicated by him.

If he surrendered, would it be different?

However, with his pride, how should he submit?

Shouldn't he be living in this world.

It's a pity that there are no hows and assumptions in life, and what happened cannot be changed.From that time forward, self-destructive tendencies were embedded in his soul.

That proud and wanton boy, that Huadan who shined brilliantly on the stage, can never go back.

The angel's wings were broken, and his pride was shattered.

Someone once said: The real tragedy is tearing up the beautiful things for others to see (1).

The theater was originally quiet, but at this moment it seemed to be enchanted.Everyone was overwhelmed by the sad fate that came to their faces, and even their breathing couldn't help but become thinner.

Whoever it is, come and save him!

Must let him live!

The audience roared inwardly, and a low sob sounded in the silence.

On the big screen, a crystal tear dripped from the corner of the boy's eye, smashed into the dust on the ground, and then disappeared.Like the life of a teenager, I can never find it again.

As if to respond to the audience's voice, Andre's character hurriedly stepped into this bleak courtyard.His eyes quickly scanned around, and he found the boy kneeling in the light and shadow.

"Don, I heard they said you escaped."

He speaks awkward Chinese, but he can accurately convey the anxiety and worry in his heart.Seeing the boy's appearance, he stretched out his arms and wanted to hug him into his arms, but he held back and hugged him lightly. Thousands of words turned into one sentence: "Are you okay?"

The boy raised his eyes, his eyes were blank and desolate.

A few seconds later, he seemed to wake up suddenly from a dream, and asked eagerly, "You said you wanted to take me away, didn't you? Now, is it okay?"

He wanted to get away from it all.

Whether he is cowardly or evasive, in short, he cannot face the current facts.No matter how amazing he is, he is just a young man, like duckweed in this chaotic world.

Because of his eagerness, the knuckles of the young man's fingers turned blue and white, and he tightly grasped the other party's skirt.

"OK, alright!"

The foreign youth with blond hair hurriedly agreed.

Seeing this, the audience in the theater seats finally breathed a sigh of relief and eased from their intense emotions.

The two familiar senior film critics couldn't help but glanced at each other, and saw each other's heartfelt voices in their eyes: Yan Feiran was really brilliant in this psychological drama!

Andre is great, but the protagonist of this game is Yan Feiran, and he has lived up to An Peng's trust.

Is he really just a singer?

It's so rare.

The plot on the big screen is still going on, and Tang Biechen, who has come overseas, is finally able to return to the stage with the encouragement of the blond youth.He brought the Beijing Opera of Huaguo to Western civilization, and the Westerners who watched it were amazed and praised.

They don't understand this art, but they can understand the incomparable wonderful performance of young people.

Living overseas, Tang Biechen only had one costume he brought out.There is no gong and drum team, no actors to join the show, or even a stage, but with his one person and his good voice, everyone praises him as an artist.

This point is very similar to Yan Feiran's experience in Ansu Cave!However, when An Peng was revising the script, Yan Feiran's experience had not been exposed to the public eye.

An Peng relied on his grasp of Yan Feiran's characteristics to change the plot, and he had to praise his super insight.Because of this, Yan Feiran was particularly handy when acting in this part.

As Tang Biechen gradually gained some fame, people who had the same experience as him gathered towards him, and finally gathered the whole troupe for a formal performance.

The blond young man has been by his side, encouraging and supporting him in his own way.

However, just when everything was ready, fate played a vicious joke again.

The author says:

(1)

The original sentence comes from Lu Xun's essay "Re-discussion on the Fall of Leifeng Pagoda" "It's just on the stage. Tragedy destroys the valuable things in life for people to see, and comedy tears up the worthless things for people to see."It is also said to be Shakespeare, but I can't find the exact source.