The viewers who choose to watch the JGP competition generally have a lot of understanding of the event of figure skating, and they are able to give.

Like other players performing before, after the broadcast system announced the name of the next player, they gave this strange oriental young man a moment of encouraging applause, then gradually fell silent, and handed over the entire ice rink to the This athlete who has just been promoted to the group.

Let him show his style on this field to his heart's content.

In the quiet atmosphere, the young man in black Costen at the ice rink was particularly eye-catching.

Against the backdrop of the light blue ice surface, every detail of the originally inconspicuous clothing is revealed.

This Kosten was specially prepared by Tan Ru for him, and in order to prevent Tu Hanhe from forcing Lai Lai again with a bunch of choices like last time, before taking the design drawing to the board, Tan Ru also deliberately prepared it for him. Show the drawings to his students for a look.

But even so, as far as the boy himself is concerned, he is more willing to wear a shirt to play directly.

It's not that this time Costen doesn't fit the show's style.

Even if Tu Hanhe was picky, he made a well-founded choice, and just judging from the design drawings that Tan Ru gave him before, this dress did meet the requirements of the protagonist in the biography he wrote about this character. conditions.

Low-key and full of cubs, it has the spirit of the old European idealized knight without hesitation. At the same time, through two completely different materials, the two worlds of the protagonist are hinted at the same time through decoration alone.

However, Tu Hanhe's satisfaction was only limited to the design draft. When the boy saw the finished design draft for the first time, he expressed his deep concern about the rhinestones on the Costen.

"So many rhinestones, will they really not fall?"

This can be regarded as the biggest evaluation of Tu Han and this dress.

Good-looking is good-looking, but after all, scores are more important.

Rhinestones and sequins are the most beloved combination elements in figure skating competitions.

The level of competition of athletes has strict requirements on the weight of clothing, and the weight of clothing may even have an impact on the completion of jumping.

Therefore, for Costen himself, on the basis of good looks, the highest priority is still the lightness of the clothes.

However, this decoration can not be added at will. According to the ISU competition regulations, if the small decoration on Costen falls, the athletes will be given certain negative points.

Therefore, the designer is extremely cautious about the inlay and engraving of the position of the rhinestones. In addition to not adorning the joints with large activities, they will also test layers when adhering the rhinestones, in case these small objects are even in the competition. Falling before the start, causing unnecessary point deduction for the player.

Tu Han and Costen this time can be considered to have completely integrated the luxury and luxury brought by rhinestones with low-key colors.

The white rhinestones are inlaid one by one on the upper part of the clothes. Through a close arrangement, they cover the curvature of the collar and shoulders on the black background.

There is light in the black, and the white interior of Costen is used to show the kindness of the protagonist's bones. The rich sequins and rhinestones are common to modify this monotonous costume.

However, Tan Ru's response to this question was very straightforward.

After listening to Tu Hanhe's question, Tan Ru raised his hand without hesitation, and flicked the boy's forehead heavily.

The tone was not polite at all: "Can't you trust other designers?"

The trumpet sounded, and the figure who was kneeling on one knee and bowing his head seemed to be awakened by the music. He gradually raised his head, then got up, put his hands down, and began to slide backwards.

Underneath the gorgeous attire was a plain white shirt.

This concept is quite similar to Tu Hanhe's imagination of the character of 'Don Quixote'.

A "true" knight in the protagonist's ideal, but also a "true" ordinary person in reality.

The dance drama of "Don Quixote" is only selected from some fragments of the whole book. It was created based on the life of the people on the streets of Spain at that time. story between.

Therefore, Don Quixote, who originally belonged to the "delusional school", did not reveal his real appearance, and appeared in front of all audiences as a knight throughout the entire repertoire.

However, for Tu Hanhe, who read the entire book under the guidance and advice of 002, he still hopes that when presenting this story, he can present the true self of the protagonist at the same time.

Therefore, under Tu Hanhe's insistence, two "real" characters were added to this story on the ice at the same time, depicting the performance in an ingenious but not unexpected way.

The first track is titled "Giselle Albert" Variations, where 'Don Quixote' completes his appearance.

At the same time, it also completed the transition from an ordinary person to a knight in Utopia.

In the thick welcome song, the boy on the ice lowered his head, with a deep expression, his hands naturally dropped, and walked slowly on the ice.

In fact, it is not considered a slow pace, because at the same time as the interpretation of this emotion, the choreographed movements also take on the role of accelerating the first jumping movement.So although Tu Hanhe exudes a leisurely mood, his skating speed is not slow, and it can even be said to be faster than most athletes in the previous competition.

Although it is accompanied by a relaxed and enthusiastic dance music, many audiences can clearly see some of Tu Hanhe or the asymmetry of the protagonist's personality in this performance from the young man's movements that do not seem to match the music. .

Without too much explanation, an ordinary image with a sad face and the music itself are full of contradictions.

Just when the audience was puzzled by Tu Hanhe's expression, the melody on the ice rink suddenly mixed with the melody of the violin during a jump.

The mood of the dancer on the ice rink changed quickly. While the melody was playing, he used his calf to assist the ice take-off. With a high and long distance in the air, he took the lead in completing a 3A+3T jump, and then It landed on the ice with a very light movement.

The music remains the same, but it is obvious that the mood attached to the boy who completed the first jump has been completely changed. One hand falls naturally, the other hand is held upwards in an arc, and the head is half held up in the forward direction. There is nothing, but it also looks extra confident and extravagant.

Speaking of which, this skill was taught to him by a friend of Tu Hanhe in his previous life.

According to Hanguang in his previous life, Tu Hanhe's eyes seem to be able to tell stories, and almost every emotion can be told through his expression.

Indeed, for Tu Hanhe, what he is best at is talking with his eyes.

However, in his career, he will encounter some times that can affect his emotional performance.

For example, when accepting the blind role of a big director.

Although Tu Hanhe, who has lost his best part, is still quite insightful in expression, it is still a bit short for the director and himself.

It was an old actor in the crew who taught him another way of telling.

Use posture, spirit, and temperament to suggest the emotions of the characters to the audience.

As for the rebirth, this point was obviously taken advantage of by Tu Hanhe.

After completing the initial jumps, his originally half-hunchback gradually straightened, and then he continued to slightly change his posture in successive jumps.

Show a completely different personality in front of the audience.

The appearance of Don Quixote runs through the entire repertoire of "Giselle Albert", and when the repertoire gradually switches to "Don Quixote" (Variation), the boy on the ice rink has become a courageous The image of a loyal, fearless knight.

Although there is no sharp sword in his hand, that proud figure is enough to tell everyone about this change of role.

Tu Hanhe uses a rotation between the transitions of the two tunes.

The rotation is the same as the handover rotation in the short program. Although there is a slight penalty in the short program, the overall presentation effect is good.

After using a turn three to coordinate with the rhythm of the music, Tu Hanhe tapped the ice, and used deathdrop to enter the Yan-style rotation.

Deathdrop can be regarded as the jumping improvement project that boys are best at, because the entering footwork is similar to Axel jumping. When learning this new jumping movement, Tu Hanhe's control is obviously much better than butterfly jumping, and it is also stable. get a lot.

In the rhythm of the timpani, a flying swallow with spread wings rotates heartily in the center of the ice rink, and quickly circles around the edge after sliding out, mainly with big rock steps and inner hook steps and outer hook steps, with the entire ice rink as the background It showed everyone the excitement and continuity of the rally.

Although the rhythm of this sequence of steps has eased a lot, because it is telling a love story between two young people, for the protagonist Don Quixote, in this plot, apart from the coordinator witnessing them In addition to the story, more is the embodiment of his chivalry.

In the huge ice rink, the boy in black was floating alone on the ice. While showing his successive steps, he did not forget to use his arm posture to complete crisp and neat movements one after another.

His steps are scattered but firm, even if it is just a gesture, it is enough to remind the audience of the old man who seems to be obsessed in his dreams.

The chivalry spirit of self-sacrifice and self-sacrifice is fully reflected at this moment.

As if to harmonize with his performance, celesta, drums, trumpet and violin... All kinds of familiar instruments appeared together in Tu Hanhe's sequence, and then unified in this emotional expression to complete Then disappear.

Like a dream, an idealistic knight is also an ordinary person in reality.

In consideration of physical strength, although the jumps in the second half of the free skating had a multiplied speed of 1.1, Tu Hanhe was conservative and only chose three jumps for stability in the choreography.

Two single jumps and one combined jump.

Although Tu Hanhe obviously felt that his physical strength was exhausted, he still missed two of the three jumps.

3Lo's jump was not stable, and the axis of gravity was a little off. Although he didn't fall, the posture he slid out this time was not elegant.

In this posture where he almost stumbled, Tan Ru took the time to look at the screen, which was expected to be yellow.

But it's okay, according to his experience, the problem is not big, there is still a probability of positive scores.

Even if it is considered a negative score by the referee, it should not be too exaggerated.

Tu Hanhe's performance is still going on. After completing the jump, the next two spins can be regarded as his last enjoyment process of the whole game.

Bow down and spin, then, in Don Quixote's world, enter the final joint spin in a cohesive sequence.

Tu Hanhe's ending pose also has a special design.

After the joint rotation ended and he stood up, he swung his sword and turned his body from inertia to the rear. Unlike the audience's imagined end, Tu Hanhe did not stop, but with an extremely exaggerated performance The knife-toothed step moved forward again for a certain distance, then stood up, turned back sideways, and looked at the sky.

Return to nature again.

In the silent ice rink, Tu Hanhe took a deep breath, spoke again, and slowly spoke the last words spoken by the bishop, the leader at the knight conferring ceremony.

"Thatis youroath. And that so you memberit. Riseaknight! (This is your oath, remember it! Be a knight!)"[1]

'Di——' In his ear, a crisp reminder sounded, followed by 007's voice.

[004 The coaching space opens the task progress bar update, the current progress: 33%. 】

The author says:

Brother Tu: Compliment me, thank you!

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[1] From Baidu Encyclopedia - Chivalry

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Today is another day of writing 3600 words in four hours, woo woo, actually about the next step of Brother Tu... I really miss the Yan style tour!Obviously the Yan-style tour is so beautiful, why did it become a victim in the Gongdou, so that now only the long Yan-style tour can be seen in the gala.

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In fact, besides the ISU, there is also the IPC that is also doing things (it seems that everyone is not paying much attention to this?). This afternoon, the IPC held a meeting on the athletes of the Beijing Winter Paralympic Games. Um... What are you discussing? Understand.

how to say?Sports Without Borders (smile)

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感谢在2022-03-0223:55:27~2022-03-0323:55:33期间为我投出霸王票或灌溉营养液的小天使哦~

Thanks to the little angels who irrigate the nutrient solution: 2 bottles of cherry; 1 bottle of cats and lovers;

Thank you very much for your support, I will continue to work hard!

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