technical type

[Main task: restorer. 】

[Current task: professional knowledge learning - (100/100)]

The sky-blue tangled branches seem to surround the snow-white porcelain vase, and the faint smudges make the flowers more beautiful and the bird feathers more vivid. It seems that through the difference in color levels, you can feel the sunshine from the sky. How to shine on the world on this porcelain vase.

Rubbing the outer wall of the porcelain vase with fingers, the smooth and smooth feel proves that all the gaps have been smoothed out. The uniform glaze color, together with the color on it, can't find a trace of chapping. If the smoothest skin, in the Put on the most beautiful posture in front of your eyes.

Wide-mouthed and thin-necked pink-celadon-glazed blue-and-white crane vase. The main patterns on the bottle are peonies and cranes. There are also some rocks, branches, and cloud patterns. These two patterns are not commonly used. Peony is the Wealthy flowers and cranes are representatives of Taoism seeking longevity. One is on the ground and the other is on the sky. Together, it is difficult to explain what the theme is, and it seems to lack a bit of symbolic meaning.

The only thing that makes this bottle unique is its rarity, not only because of the rareness of the two-color glaze, but also because the two-color glaze here is distributed just right, so that the peony and the crane can be equally divided, and the sky and the earth are divided into two colors.

This bottle is pieced together from the fragments that Ji Motao exchanged. Every year, Ji Mo would buy some old porcelain fragments and come back. The serious and complete old porcelain is antique and valuable, but if it is pure fragments, It might not be that valuable.

These fragments could have been used to make patches for other antiques of the same age when they were repaired. They can be used after modification. The rarest thing is that they are from the same age. They are tested on modern instruments and they are of the same age. Wouldn't even think it was fake.

For this alone, the world is not wronged to equate restorers with counterfeiters. Can restorers make fakes be called fakes?It is clearly due to the ingenuity of the restoration technique that it is comparable to the real thing.

Because these porcelain shards are collected every year, there are all kinds of miscellaneous things, ranging from color to pattern, style and size. Let them know the difference of various kinds of porcelain.

It is rare to have such fragments, and the difference inside can be seen at a glance, which is an excellent teaching material.

When the fragments of the same color gradually accumulated, and there were still two pieces that could be put together, Ji Mo began to think about it, and pieced together such a bottle from them.

It was only when they put it together that they realized that only less than half of the bottle really belonged to this bottle, and the remaining half was repaired by Ji Mo with his own ability. Such a large damaged part needs to be repaired. The level is far better than all the previous ones, and it is no different from the reconstruction, but it is different from the reconstruction, and it has to be compared with the original money.

Fortunately, the remaining half of the bottle is not all the base or all the upper part, and we can roughly see something about it, otherwise Ji Mo can't guarantee that the restoration will still be the original thing, not a new style bottle.

It took more than half a year for this one thing alone, like playing a jigsaw puzzle. The difference is that some puzzles still need to be made by yourself, making a suitable shape, filling it with a suitable color, and outlining connected patterns, together with the surface. That layer of luster must be the same as it, and it must be blended together. It really took a lot of thought.

Fortunately, the result is good.

Looking at the bottle he had painstakingly repaired, Ji Mo was reluctant to let it go for a moment. It was so beautiful. I don't know what this bottle was used for back then, was it a vase?

I don't know what it will be used for in the future?

[The first stage of study is over, do you accept the test? 】

"Yes."

Without any hesitation, Ji Mo put down the vase in his hand.

[The first stage of theoretical examination, time three 10 minutes - please briefly describe the characteristics of restoration skills. 】

The content of the exam that changed the soup but not the medicine was already expected. This kind of guessing questions is no longer difficult. Similarly, if the answer is already in the mind, and now concentrate on it, the words will be connected one by one, vertically and horizontally. article.

The characteristics of restoration techniques can be classified into categories, such as wood, porcelain, gold and stone, calligraphy and painting... Each category has different characteristics. Finally, in summary, they all have a common characteristic, which is "reuse", restoring the old State, to make full use of.

The last full stop was completed, the paper was taken away, and the eyes fell back to the table in front of him. The porcelain vase stood still, as if the beauty stopped, looking forward to it.

[Please select an exam work. 】

A few light spots are densely packed, and they are almost stars. If you don’t look at it, you don’t know it. After looking at it, you find that you have already repaired many things. The early ones can be removed. The craftsmanship is rusty. It is not high, and it is difficult to preserve it for future generations.

There is also a time factor. Decades have passed before I chose them. Who knows where they will persist in the next exam time? - remove.

When he started external work, Mo Bingzhong was still there at that time, and under his watch, Ji Mo also completed a few very good works, which were praised by Mo Bingzhong, but these, just Can you prove his level?

It's just using what I've learned before to pretend to be talented here. - remove.

In the later stage... half of the light spot in front of me is left. Since Mo Bingzhong left, Ji Mo is still conscientious, and he never slacks off every day. Those who are sent by others for repair are rarely rejected.He himself will take the initiative to buy and exchange some old things, regardless of whether they are valuable or not, and he is always honing his restoration skills.

Oh, there is also the part that uses the simple method of teaching apprentices, which can be removed, and then remove the worthless ones... Several screening conditions are added one by one, and the light spots in front of you are reduced one by one. If the night is darker, the contrast will be left behind. The few stars in the sky are brighter.

But a few of them were seen by Ji Mo, and what was surprising was that the six-fingered Buddha statue was on the list, and if it was completely destroyed and restored, could it be regarded as his own restoration work?Well, if... I thought of a clever way to carve out exquisite objects by myself, and then deliberately destroy parts of them, not necessarily completely, like cutting off the jade Buddha's hand, and then leave the cut things as they were Putting it on and making up the traces, is it considered a restoration work?

If that's the case, his carving skills are still very passable, and the things he made will definitely not be inferior to that of the Jade Buddha. It is carved as a whole, intentionally divided, and then bridged. From an artistic point of view, this book is the whole, original and authentic. How is it better than the remade parts, more coordinated and unified, isn't it better than the later repair and matching?

Thoughts passed in my mind, not to mention whether there is time to stop the exam now, but only to talk about the significance of doing so, where is it?

Could it be that the restorer's exam is used to test the skill of the engraver who has passed the systematic exam?

The key is still not necessarily useful.

Ji Mohui still can’t understand the evaluation criteria of the system exam. Generally speaking, the big waves wash away the sand. The big waves are time, and the sand is the work. Let the long river of time wash away the work, and the history of the work determines success and success no.

This kind of success itself is accidental.

Are some of the ancient relics that have survived to later generations all of great value?No, broken coir raincoats can also be left behind, as can sundries and debris, but what is the meaning of these things?Tell people has there ever been such an existence in history?

Leaving itself, without certain rules and scope, is random.

Like the stones washed on the bank by the river, there are smooth and beautiful pebbles, and there are also ugly stones that still refuse to wear away the edges and corners. It must be said which of the two has a higher probability. I am afraid it is difficult to give a conclusion.

Pearls, gravel, whatever, may be retained by history.

The same item may not be able to be accommodated in future generations if it is changed in a different time and place. So, is it a failure?Was its previous success misjudged?

No, according to the standard of the system, the longer it stays, the more successful it is, as if there is a bystander witnessing the history of the item, respecting the old.

This is based on time, not the value of the item or the item itself. To say it is fair is to stand the test of time. Even if there is chance, time itself is fair and will not stop for any item.

Calling it unfair, this kind of assessment itself is very difficult to predict. It has nothing to do with all objective standards. It doesn't matter what shape the item is, what the value of the item is, and it doesn't matter the material of the item itself. Among them, when it is washed ashore is the end point, and this kind of washing will not be affected by external objective factors such as weight, and it is even more ruthless.

The conclusion reached in this way is very simple. Even Ji Mo cannot guarantee that the works that have passed the exam before will pass the exam again.

In other words, this time test has nothing to do with his skills, uh, not so much.This thought seemed somewhat unfair.

Exams don't test skills, so what are they?

All his thoughts were just for a moment, and Ji Mo quickly selected the test piece, which was the porcelain vase in front of him. In terms of restoration categories, porcelain is just a simple category, which does not represent the level of his restoration skills. It is impossible to fully demonstrate the quality of this skill, but in the system examination, such an examination standard, the quality of the skill is not the only pursuit, it can only be said that the possibility of good things being left to future generations is greater , It doesn't mean that those bad things won't stay.

Some mournful thoughts, as if all the hard work can't be turned into the final brilliance, the fireworks that are studied hard are so colorful and changeable, so that the night sky is no longer lonely, but the person who judges just wants to hear when the fireworks explode Is the sound loud, maybe the better it looks the louder it is?