technical type
Chapter 288
Industry chaos.
This term, which is not unfamiliar in modern times, had a bigger market in ancient times. The power status can lead to the prevalence of an illegal "law" in the world, and it can also intensify the strife within the industry.
Every time I think about those past events, my shortened fingers will tremble slightly, as if I can still remember the severe pain at that time, which makes my body break out in cold sweat.
"The Buddha has six fingers?!"
"What are you thinking!"
"Tell me, what's going on!"
"Mo Bingzhong, I'm afraid your fingers are too long!"
"The extra Buddha finger will be filled by you."
All the arrogance and arrogance turned into dust in the chaos. He once arrogantly said that he had to do it, but at that time, he could only be severely suppressed by others. No matter how he struggled and resisted, he tried to curl his fingers, but he was still cut off. Take a piece of finger...
"Brother is like this, I'm afraid he can't bear the burden of the master, and the younger brother is not talented, so he can only share the worries."
The always kind junior turned his face and drove him away on the grounds that he was afraid that he would hurt them.
The index finger that has not been completely lost can still be used, but in some delicate tasks, it must not be as good as before. Mo Bingzhong is depressed. In the restoration, he is also a person who is the favorite of heaven, and has his own Proud, where did I think...
Mo Bingzhong looked at the painting. In the painting, the old man was holding a gourd of wine, but he seemed to have forgotten to drink. He raised his head slightly and looked at the sky above. What was he looking at? Is there a way out in the darkness?
At that time, Mo Bingzhong no longer wanted to think about how he got here. In his memory, the scattered fragments were like broken pearls, which could never return to the proper order. He was rescued by an old Taoist. Now, the finger that received care did not fester, but closed the opening, the crowded flesh covered the white bone stubble, and his hand gradually recovered, even though a part of the finger was permanently missing.
"In this world, is there any hurdle that you can't get through?"
That sentence is the emotion of the old Taoist, it is his summary of the wrinkles on his face, and it is also a sentence that awakens Mo Bingzhong again. He knows that he has been wronged. In this case, those people pushed him into the abyss , is he really going to slide down the abyss?
No, he can't, he still has his hand, his ten fingers are still there, only his index finger is short, he can still do it, he can...
Wanren's cliff is steep, a vine hangs down, eyes open with hatred, staring at the cliff, his outstretched hand tightly grasps the vine that may be broken, he can't think about anything else, can't look at anything else Yes, only if you stare at the top, you will not let yourself continue to fall.
Snow-capped, thick mountain peaks, who knows whether there is a volcano that may erupt at any time under the calm surface?
One day, the magma surged, and I lost both the enemy and me.
Mo Bingzhong grew a big beard, buried the old Taoist after his death, took his certificate and wore the old Taoist's Taoist robe, and became a Taoist.
The long sleeves can almost cover the fingertips. No one will care whether his index finger is short. He has traveled to many places and stayed in many places. If someone looks at his walking track, he will find that, It seems that everything is going on around a circle, and the center of that circle is the starting point of his pride and the turning point when he was expelled from the division.
A lion fights a rabbit, even if he tries his best, but a rabbit wants to fight an eagle, how can he not pretend to be everywhere, and always care?
The long time is enough for the anger-like hatred to find a new pattern in the endless turbulence, hide all the power, lie dormant, and wait for the final eruption.
A long time can also allow the revenge plan he planned to gradually perfect, perfect to the point of impeccable, just waiting for the final fatal blow.
A broken object can be repaired, a broken heart, how to make up for it?
A body of flesh and blood, every stitch of repair is to bring out blood and flesh, it is pain, hatred, anger... Mo Bingzhong rolled up the painting gently, as if he was treating a beloved The girl in her eyes seems to be able to see the hidden infinite love in her eyes. She really loves this industry, and also hates it.
He loves it from the heart, and likes that each object goes from broken to complete, from gray to glorious. His hands seem to be in charge of their life and death, joy, anger, sorrow and joy. This is a sense of accomplishment that the outside world cannot give.From the moment he touched them, he knew that he liked this feeling, and liked watching them bloom in his hands, sharing the glory of the world.
Hate it because of people, those who are jealous, like a poisonous snake hiding in the dark, waiting for an opportunity, not seeing that the flower is beautiful alone, insisting on going up and breaking its branches, crushing its pistils, and ruining his reputation , From a famous flower to mud, is this kind of change what they want to see?
Six-fingered Buddha statue, heh, six-fingered Buddha statue.
"Brother, have you ever seen a Buddha with six fingers?"
The sound is like a poisonous snake spitting out letters, and the venom splashes.
After the painting scroll was rolled and tied, Mo Bingzhong began to tidy up other sundries in the studio, Ji Mo was on the side to help, Mo Bingzhong stopped talking as he talked, and was distracted by the painting, so it was not easy for him to ask questions , seeing him move now, it was as if he had received an order, and he was also busy.
When Mo Bingzhong packed up the tools on the table, he packed up leftovers, papers of various colors, and small strips that had been cut. If it was the first time he traveled through, he would probably just crumple them into a ball and throw them away. Modern people throw away a few Scratch paper is trivial.
But after passing through several ancient times, and having seen the situation of shortage of materials, Ji Mo became more careful, sorted all the papers, and stacked them neatly. These were all bought with money.
Ji Mo hesitated for a while, but didn't rub it to pieces immediately. Instead, he put it aside neatly to see if Mo Bingzhong would make any arrangements later.
When everything is tidied up, this room, apart from the fact that there is no dust, there is no trace of someone using it.
Mo Bingzhong's toolbox is a wooden box. It looks a bit like a doctor's medicine box, but it is bigger. It is divided into several layers and grids, and there are several small devices to fix the position of tools. Soft cloth wraps some Tools, even if there are bumps, don't let them fall apart.
In the vacant space, Mo Bingzhong wrapped the notes that Ji Mo had packed up with oiled paper, put them in the toolbox, and left the unwanted fate note. After touching it, it was already dry. Take it directly to the stove and set it on fire.
During dinner at night, Mo Bingzhong said that he was going to leave. The two packed up their things before it was dark, and when it was dawn, they started to go out early, and left in time for the first group of people who opened the city gate. the city.
The rest of the itinerary was entirely up to Mo Bingzhong. He took Ji Mo to the next city, sold porcelain bowls and ancient paintings, and bought a few broken items with the money. Then I went to the next city, and stayed there for a while. As before, I found an empty house to live in quietly, and set aside a special studio, put the things to be repaired in it, and repaired everything.
Ji Mo is still young, mostly just watching. Mo Bingzhong doesn't completely let him idle. After discovering that he is talented in carving, he will also entrust him with repairing some matching wooden boxes. Little The small carving knife was not prepared for children to use, so it was not easy to hold, but Ji Mo quickly regained the feel and completed the task assigned by Mo Bingzhong very well.
Wooden products are easily corroded by time, and most of them do not need to be repaired. Compared with the time and energy spent on repairing, it is better to buy a new one for use, and except for some special wood and craftsmanship, most of the The value of wood products is still not high.
Beginners in restoration, using wood products to get started, one is easy, and the other is cheap, among which there are also key methods, which need to be treated differently, such as the treatment of problems such as dryness, cracking and discoloration, which are often faced by wood product restoration, followed by defects.
What Ji Mo got in his hand was a wooden comb, which was broken at two thirds, and the broken one third could not be found, leaving a comb that had been rubbed off for a long time. Stubble.
The stubble will definitely not be smooth at first, but the original owner loves it so much that he is reluctant to throw it away and continue to use it. Over time, it will form its own luster like a hand toy. The difficulty of repairing such an object is not to find the right wood. Carving completion is how to make it impossible to see that the two places have been broken after merging, or that one of them is a "false" that is added later.
Mo Bingzhong judges the standard of repairing objects in this way. The most important thing is to "replenish its shape, complete its appearance, and restore its usability."This is the case with the restoration of porcelain bowls. What is the original shape of the bowl, and what is the shape after restoration. Even the patterns on the top will not be neglected.
The second most important thing is "do not lose its usefulness, do not hide its appearance". This article shows that the current value is "practical first", and collections are still based on practicality.
Just like restoring ancient paintings, the practical standard of ancient paintings is that they can continue to be hung somewhere for viewing, and through appreciating paintings, one can perceive the state of mind of the ancients when they were painting, etc., so that there is a sense of leisurely nostalgia.
Again, "the form is lost and used".
For the wooden comb in Ruo Jimo's hand, the best way to repair it is naturally to find a piece of wood of the same material and carve out a third of the defect to make up for it, so that no one can see what was once broken.
The slightly less repairing method is to keep the burnt tail, just like the famous Qin Jiaowei, so that it will not lose its usefulness, let the stubble remain the stubble, and the comb will still be the comb. After the restoration, there may be beauty of defects. If the painting is left blank, it will remind people What that missing third looks like.
The last restoration is to "use the lost shape". If you restore the brush when restoring an ancient painting, follow the texture and shape of the front, and make large or small changes to the second half, so that the whole tends to be complete. , this kind of completeness is the completeness after losing that one-third of the symmetry, which means that the entire shape has been changed, changing its shape without changing its use, but its use is still intact, so that the object will not be abandoned.
This term, which is not unfamiliar in modern times, had a bigger market in ancient times. The power status can lead to the prevalence of an illegal "law" in the world, and it can also intensify the strife within the industry.
Every time I think about those past events, my shortened fingers will tremble slightly, as if I can still remember the severe pain at that time, which makes my body break out in cold sweat.
"The Buddha has six fingers?!"
"What are you thinking!"
"Tell me, what's going on!"
"Mo Bingzhong, I'm afraid your fingers are too long!"
"The extra Buddha finger will be filled by you."
All the arrogance and arrogance turned into dust in the chaos. He once arrogantly said that he had to do it, but at that time, he could only be severely suppressed by others. No matter how he struggled and resisted, he tried to curl his fingers, but he was still cut off. Take a piece of finger...
"Brother is like this, I'm afraid he can't bear the burden of the master, and the younger brother is not talented, so he can only share the worries."
The always kind junior turned his face and drove him away on the grounds that he was afraid that he would hurt them.
The index finger that has not been completely lost can still be used, but in some delicate tasks, it must not be as good as before. Mo Bingzhong is depressed. In the restoration, he is also a person who is the favorite of heaven, and has his own Proud, where did I think...
Mo Bingzhong looked at the painting. In the painting, the old man was holding a gourd of wine, but he seemed to have forgotten to drink. He raised his head slightly and looked at the sky above. What was he looking at? Is there a way out in the darkness?
At that time, Mo Bingzhong no longer wanted to think about how he got here. In his memory, the scattered fragments were like broken pearls, which could never return to the proper order. He was rescued by an old Taoist. Now, the finger that received care did not fester, but closed the opening, the crowded flesh covered the white bone stubble, and his hand gradually recovered, even though a part of the finger was permanently missing.
"In this world, is there any hurdle that you can't get through?"
That sentence is the emotion of the old Taoist, it is his summary of the wrinkles on his face, and it is also a sentence that awakens Mo Bingzhong again. He knows that he has been wronged. In this case, those people pushed him into the abyss , is he really going to slide down the abyss?
No, he can't, he still has his hand, his ten fingers are still there, only his index finger is short, he can still do it, he can...
Wanren's cliff is steep, a vine hangs down, eyes open with hatred, staring at the cliff, his outstretched hand tightly grasps the vine that may be broken, he can't think about anything else, can't look at anything else Yes, only if you stare at the top, you will not let yourself continue to fall.
Snow-capped, thick mountain peaks, who knows whether there is a volcano that may erupt at any time under the calm surface?
One day, the magma surged, and I lost both the enemy and me.
Mo Bingzhong grew a big beard, buried the old Taoist after his death, took his certificate and wore the old Taoist's Taoist robe, and became a Taoist.
The long sleeves can almost cover the fingertips. No one will care whether his index finger is short. He has traveled to many places and stayed in many places. If someone looks at his walking track, he will find that, It seems that everything is going on around a circle, and the center of that circle is the starting point of his pride and the turning point when he was expelled from the division.
A lion fights a rabbit, even if he tries his best, but a rabbit wants to fight an eagle, how can he not pretend to be everywhere, and always care?
The long time is enough for the anger-like hatred to find a new pattern in the endless turbulence, hide all the power, lie dormant, and wait for the final eruption.
A long time can also allow the revenge plan he planned to gradually perfect, perfect to the point of impeccable, just waiting for the final fatal blow.
A broken object can be repaired, a broken heart, how to make up for it?
A body of flesh and blood, every stitch of repair is to bring out blood and flesh, it is pain, hatred, anger... Mo Bingzhong rolled up the painting gently, as if he was treating a beloved The girl in her eyes seems to be able to see the hidden infinite love in her eyes. She really loves this industry, and also hates it.
He loves it from the heart, and likes that each object goes from broken to complete, from gray to glorious. His hands seem to be in charge of their life and death, joy, anger, sorrow and joy. This is a sense of accomplishment that the outside world cannot give.From the moment he touched them, he knew that he liked this feeling, and liked watching them bloom in his hands, sharing the glory of the world.
Hate it because of people, those who are jealous, like a poisonous snake hiding in the dark, waiting for an opportunity, not seeing that the flower is beautiful alone, insisting on going up and breaking its branches, crushing its pistils, and ruining his reputation , From a famous flower to mud, is this kind of change what they want to see?
Six-fingered Buddha statue, heh, six-fingered Buddha statue.
"Brother, have you ever seen a Buddha with six fingers?"
The sound is like a poisonous snake spitting out letters, and the venom splashes.
After the painting scroll was rolled and tied, Mo Bingzhong began to tidy up other sundries in the studio, Ji Mo was on the side to help, Mo Bingzhong stopped talking as he talked, and was distracted by the painting, so it was not easy for him to ask questions , seeing him move now, it was as if he had received an order, and he was also busy.
When Mo Bingzhong packed up the tools on the table, he packed up leftovers, papers of various colors, and small strips that had been cut. If it was the first time he traveled through, he would probably just crumple them into a ball and throw them away. Modern people throw away a few Scratch paper is trivial.
But after passing through several ancient times, and having seen the situation of shortage of materials, Ji Mo became more careful, sorted all the papers, and stacked them neatly. These were all bought with money.
Ji Mo hesitated for a while, but didn't rub it to pieces immediately. Instead, he put it aside neatly to see if Mo Bingzhong would make any arrangements later.
When everything is tidied up, this room, apart from the fact that there is no dust, there is no trace of someone using it.
Mo Bingzhong's toolbox is a wooden box. It looks a bit like a doctor's medicine box, but it is bigger. It is divided into several layers and grids, and there are several small devices to fix the position of tools. Soft cloth wraps some Tools, even if there are bumps, don't let them fall apart.
In the vacant space, Mo Bingzhong wrapped the notes that Ji Mo had packed up with oiled paper, put them in the toolbox, and left the unwanted fate note. After touching it, it was already dry. Take it directly to the stove and set it on fire.
During dinner at night, Mo Bingzhong said that he was going to leave. The two packed up their things before it was dark, and when it was dawn, they started to go out early, and left in time for the first group of people who opened the city gate. the city.
The rest of the itinerary was entirely up to Mo Bingzhong. He took Ji Mo to the next city, sold porcelain bowls and ancient paintings, and bought a few broken items with the money. Then I went to the next city, and stayed there for a while. As before, I found an empty house to live in quietly, and set aside a special studio, put the things to be repaired in it, and repaired everything.
Ji Mo is still young, mostly just watching. Mo Bingzhong doesn't completely let him idle. After discovering that he is talented in carving, he will also entrust him with repairing some matching wooden boxes. Little The small carving knife was not prepared for children to use, so it was not easy to hold, but Ji Mo quickly regained the feel and completed the task assigned by Mo Bingzhong very well.
Wooden products are easily corroded by time, and most of them do not need to be repaired. Compared with the time and energy spent on repairing, it is better to buy a new one for use, and except for some special wood and craftsmanship, most of the The value of wood products is still not high.
Beginners in restoration, using wood products to get started, one is easy, and the other is cheap, among which there are also key methods, which need to be treated differently, such as the treatment of problems such as dryness, cracking and discoloration, which are often faced by wood product restoration, followed by defects.
What Ji Mo got in his hand was a wooden comb, which was broken at two thirds, and the broken one third could not be found, leaving a comb that had been rubbed off for a long time. Stubble.
The stubble will definitely not be smooth at first, but the original owner loves it so much that he is reluctant to throw it away and continue to use it. Over time, it will form its own luster like a hand toy. The difficulty of repairing such an object is not to find the right wood. Carving completion is how to make it impossible to see that the two places have been broken after merging, or that one of them is a "false" that is added later.
Mo Bingzhong judges the standard of repairing objects in this way. The most important thing is to "replenish its shape, complete its appearance, and restore its usability."This is the case with the restoration of porcelain bowls. What is the original shape of the bowl, and what is the shape after restoration. Even the patterns on the top will not be neglected.
The second most important thing is "do not lose its usefulness, do not hide its appearance". This article shows that the current value is "practical first", and collections are still based on practicality.
Just like restoring ancient paintings, the practical standard of ancient paintings is that they can continue to be hung somewhere for viewing, and through appreciating paintings, one can perceive the state of mind of the ancients when they were painting, etc., so that there is a sense of leisurely nostalgia.
Again, "the form is lost and used".
For the wooden comb in Ruo Jimo's hand, the best way to repair it is naturally to find a piece of wood of the same material and carve out a third of the defect to make up for it, so that no one can see what was once broken.
The slightly less repairing method is to keep the burnt tail, just like the famous Qin Jiaowei, so that it will not lose its usefulness, let the stubble remain the stubble, and the comb will still be the comb. After the restoration, there may be beauty of defects. If the painting is left blank, it will remind people What that missing third looks like.
The last restoration is to "use the lost shape". If you restore the brush when restoring an ancient painting, follow the texture and shape of the front, and make large or small changes to the second half, so that the whole tends to be complete. , this kind of completeness is the completeness after losing that one-third of the symmetry, which means that the entire shape has been changed, changing its shape without changing its use, but its use is still intact, so that the object will not be abandoned.
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