technical type

Sitting on the bed, Wang Zichu's face turned pale, and his shallow smile seemed to be transparent, feeling like it would melt in the sunlight at any time. He looked at the bed table in front of him and thanked Ji Mo with a smile.

The ancients paid much attention to courtesy. Since Ji Mo succeeded in apprenticeship, the "Mr." Wang Zichu is not equal to other gentlemen. It is too exaggerated to say that his father is too exaggerated, but it is indeed like having an extra brother. It's constant, the family has someone to take care of the secular affairs in this area, and those usual gifts are usually not sent to Wang Zichu, and he doesn't value them.

This bed table is different. It was made by Ji Mo himself. He hasn’t done carpentry work for a long time. The skills are still there, but his body needs to adapt again. During this process, some marks will inevitably be left on his hands. When Wang Zichu saw it, he felt sorry for him. I feel sorry for him, and I don't allow him to do these things by himself in the future, because it hurts his hands and takes time.

"Master, you don't have to do this, it's just convenient, but you have to draw less in the future, so don't waste too much energy."

Since he recovered from his illness, Wang Zichu's health has not been very good, and he sleeps a lot more every day. After taking a lunch break, it is inevitable to take a nap before going to bed at night. Even when he wakes up in the morning, if he doesn't deliberately Wake up, I'm afraid it will be later.

There is more nourishing medicinal food every day. Mr. Xuanyang feels guilty about his nephew, and he is more dedicated to this aspect, but he has no good defense against those poisons, so there are more Taoist boys who test the poison, and the daily delivery The medicinal food must be eaten by Xiao Daotong before Wang Zichu can take it.

Even so, for some people, there is still a possibility of being poisoned, but after that, Mr. Xuanyang was furious, cleaned up the entire Taoist temple, and replaced many guards like veterans. Looking at the Taoist temple now, it is even more There is more chill and murder, but less the peace that has been cultivated for many years.

This kind of replacement is not obvious to Wang Zichu. He doesn't like to draw characters, and he doesn't know how to observe the people around him. There are few people who deal with him, but the changes brought about by the replacement are obvious. Chu painted again, and the gloomy aura on the painting increased a lot, and there was even a feeling of death that could be called.

If Wang Zichu’s paintings used to be depressing at the second glance and amazed at the first glance, then now his paintings seem to have torn off even the camouflage of the appearance, leaving behind a strong impact at the first glance. This change seems to reflect that the painter's heart is not as peaceful as it seems on the surface.

Perhaps, he who doesn't care about world affairs is not so simple that he doesn't know anything, but he sees it through.

I have seen it through, but I don't care, or this kind of care can only be felt in the painting. After all, that kind of influence is still reflected in the artistic conception, so that people who know the inside story will only feel heartache.

"It doesn't cost me much. If I don't let me paint, I will be sad."

There was no gloomy look on Wang Zichu's face, and he seemed a little relaxed when he said that.

Ji Mo didn't say any more, the table on the bed is adjusted at an angle, just like the drawing board placed on the bed, in order to make the paper lay flat, a magnet was also used as a paperweight, which can hold the paper so that it doesn't lose its shape, and the pen and ink are not so good It is easy to place, grooves are made on the table, and a sloped container for ink is fixed, and another one is for water, and there is also a slot for the pen.

I have thought of everything I can think of, but it doesn't make this multifunctional bed table look so tall, it can only be said that I saw my heart.

"Don't tire yourself out."

Ji Mobai reminded that Wang Zichu seems to have a certain obsession with painting. If he finishes painting a painting, he will rest as well. If he does not finish painting, he may not be able to fall asleep for a day.

Mr. Xuan Yang felt ashamed, he didn't want to see Wang Zichu anymore, so he could only let Ji Mo stare at him, he was fulfilling his apprentice's duty.

Ji Mo has a heavy responsibility, but he can understand Wang Zichu very well, so most of the staring actions are helpless, knowing that he won't listen, but he has to say a few more words.

"You, why don't you say a few words and draw two more strokes?"

Wang Zichu glanced at the table next to the bed. The drawing paper on the table was laid out flat, and there was already some weather. The rocks were on the side, the river was flowing, and the trees on the rocks were heavy, with thick ink and colors. It needs to be light, light like floating, cottony like fluff, but such thickness also makes people feel foggy for some reason. It seems that the fog is deep, and it already has a color that can be manifested.

The river crosses the entire painting paper, like a torrent, but relatively peaceful, but this kind of peaceful erosion is the cruelest, no matter how time flies, it will always wash here, with a kind of relative It is going on at a steady speed, unchanged from ancient times.

The painting was not finished yet, Wang Zichu only glanced at it, and didn't speak. He wouldn't say anything until Ji Mo finished the painting and asked him to point it out.

When Ji Mo finishes painting, he will take the initiative to turn the drawing paper on the long table, and hold it for Wang Zichu to see. If there is something to be revised, Wang Zichu will not directly write to make changes, but tell Ji Mo his opinion. Let him see how to modify it.

After repeating this over and over again, the draft has just been finalized. If it is really difficult to change it, but once you say it, remember not to make a mistake next time.

In terms of scenery, Ji Mo has already painted very well. I dare not say that it has its own characteristics, but it will not be the same as it was at the beginning. A tree is either rigid like an ax chisel, or twisted out of shape, which is quite a challenge. The sense of woody survival instinct.

Now, it can be seen that it is realistic, even if the tree is not tall, people can recognize that it is a tree and not grass.

A rock is a rock, and a hill is a hill. You will never think that a rock is a hill just because it is big, nor will you think it is a big rock just because a hill is small.

Rivers and streams are not the same, not only because of external factors such as the tortuous shape, but also because of the feeling. Grace and boldness will not be confused, and gurgling and gurgling will not be the same. Feeling, when you see it, you know it is the feeling of a river or a stream.

Maybe streams will merge into rivers and become one, but before that, what’s yours is yours, and what’s mine is still mine, and it won’t be equal to one body just because they are both streams.

Every scene has its own characteristics, and the rest is to arrange and combine, and to find a sense of coordination in the process of arrangement and combination, so that all the scenes can appear on a picture scroll reasonably, and They are not on the same drawing paper, but they are entrenched separately, unable to blend together.

They can be different, and they can also have their own characteristics, but on the drawing paper, they should be unified. Unity does not hinder contradictions, and contradictions do not hinder unity. They maintain their own characteristics and coexist with other scenes. Without an obtrusive connection, the painting is basically successful.

In addition to this success, the paintings of the master and the apprentice are obviously different. Ji Mo's paintings do not have such a strong depressive effect, and other effects do not seem to exist. Looking at his paintings, good-looking is good-looking, But it's just pretty.

If it is said that Wang Zichu's painting style is realistic, and what he paints must be the scenery he has seen, then there will be some fantasy existence in Ji Mo's paintings, such as vines hanging from trees, flowers floating in the air, slanting rain The illusory feeling brought by the silk... The rigorous and elegant carved beams and painted buildings will not deviate from the scale, but it is full of romantic cherry blossoms, which seem to have never been seen before. Ruoyun Ruoxia, surrounded by buildings, gives people a feeling like a fairyland.

This kind of feeling seems to be called artistic conception, but it is completely different from Wang Zichu's, and Ji Mo thinks that this is not artistic conception, but a similar feeling brought about by the description of the scenery.

Let's put it this way, can painting a Bodhisattva make people think of a bright light?No, that's because the bodhisattva itself has such a meaning, which makes people associate it immediately, as if seeing the scene of the abyss and hell will remind people of eerie feelings, this is not the artistic conception given by the painter to the painting.

So, is it a success if all the paintings are attached with the same artistic conception, just like Wang Zichu's paintings?

The fundamentals of painting can be similar or not, but the things conveyed in them should be the same, even if the paintings are different, the Western abstract painting school was even popular for a time, which made it difficult for Ji Mo to understand. Things can be the same.

There is no difference between north and south in learning, and so is artistic conception.

Writing an article, writing an article describing the scenery, do you want to show prosperity, or hurt the spring and sorrow?It all depends on what is attached to the content of the article, the artistic conception is that layer of attachment.

Drawing a picture, realistically, can be very similar to a certain scenery that has been seen before. The characteristics are all on the paper, just like the objectively existing scenery in the text description, but the same scenery, different people see it, and feel differently. Yes, the flowers that bloom on the edge of the cliff, some people see the beauty of danger, some people see the beauty of tenacity, and some people see that only such a dangerous situation can brew a unique beauty.

In the pen, what you see will be recorded. What is recorded is the flower, and it is also the emotion you feel when you see the flower. Whether it is writing or painting, the emotion in it is the same.

This is what it means.

This kind of "meaning" runs through the whole process, so that everyone who sees it can have the same feeling as the creator personally, and achieve a resonant understanding, which is the artistic conception.

At this time, what is actually painted seems to be unimportant. Are you seeing flowers?No, what you see is the impression attached to the flower.

To pass on one's perception to others is the meaning of the artistic conception of a painting.

Ji Mo didn't know much about paintings before, let alone the similarities and differences between Eastern and Western paintings. It was only this time that he started to study painting and began to think about this issue. His understanding of Western paintings was limited to realistic oil paintings and some abstract paintings. Representatives and the like, I am sorry that the connotation is too low, and it is really impossible to understand the meaning of abstraction.

The scenery is not the scenery, and the characters are not the characters. If you have to look at the emotions contained in it, the threshold for a confidant is a bit unapproachable!To insist that this is due to the differences between the East and the West is to underestimate the commonality of art.