technical type

"Uncle... agreed?"

Until Mr. Xuanyang left, Wang Zichu still stood beside Ji Mo, unable to recover. He was too nervous just now, and his forehead was covered with sweat. There were tears in his eyes, he was quite embarrassed, but he still tried to keep his eyes open, looking back at Ji Mo, hoping to get his affirmation.

"Well, I agree. Sir also wishes us well."

No matter how weak the united front is, but at that time Wang Zichu was able to stand up and express his opinion, which was obviously the reason why Mr. Xuanyang let go. My relatives, it’s always like this. I still hope you are well.

Uh, most loved ones.

"Um, okay, okay..."

Wang Zichu tightened Ji Mo's hand, seeming to get support from it, or some sense of reality, his eyes glowed again, "Let's go, let's go draw."

The appearance of like-minded people made Wang Zichu have great enthusiasm for painting again, and his gait was a little excited. Ji Mo didn't object when he saw this. He was originally here to learn painting, and the master was more involved, not in the right way ?

The two hit it off and went directly to Wang Zichu's yard behind. When Mr. Xuan Yang heard the news, he only sent someone to clean up the apprentice ceremony and put it in the treasury.

His nephew would not care about such vulgar things, nor would he be able to take care of them.

When Father Ji heard the news, it was already a foregone conclusion. He sighed that the woman was stupid and poisonous. He only said the heart of his wife and ruled out dissidents. He didn't say anything. Instead, he hoped to get closer to Mr. Xuanyang. , this kind of Taoist, friendship is also good for fame.

Afterwards, Ji's father never reprimanded Ji Mo, but instead asked him to learn from him. He didn't even ask him to see what his paintings were like, or what his teacher's paintings were like, which shows how little attention is paid to paintings nowadays.

Those are all things for later, now, Ji Mo came to the courtyard with Wang Zichu, the other party was emotionally agitated, unable to calm down for a while, stood at the table with a pen for a while, some ink dripped on the paper, staining the white paper, He suddenly put the pen into Ji Mo's hand, "You come to draw, and I will teach you well."

The sense of responsibility of being a master seemed to be awakened. Wang Zichu's eyes lit up, looking at Ji Mo, as if to encourage him, motioned him to change his seat at the table.

Ji Mo stepped forward, holding a pen, and when Wang Zichu reached out to remove the stained paper, he reached out and pressed it, "No, my drawing is not good, so I use this paper to avoid waste."

"Alright."

Wang Zichu was restricted from painting more than once. Although he didn’t know how much he spent on pen, ink and paper, he also cherished it. Hearing what Ji Mo said, he admired him more and more, and asked him, “How about painting landscapes?”

The painting he gave Ji Mo yesterday is a landscape painting. When he was painting, Ji Mo watched from the sidelines, and later brought it home, so he must watch it. , Mountains and water waves, there should be some income.

Asking Ji Mo to draw first is to check what he got, so that he can improve later.

"I haven't practiced it at home, so don't laugh when the master sees it."

No need to ask, Ji Mo knew that Wang Zichu was a master for the first time, and the method of teaching may not be gradual. It is not surprising that he asked him to draw a landscape painting directly. Nowadays, if someone teaches painting, it may be the same.

Just like practicing calligraphy, instead of starting with a single stroke and teaching it stroke by stroke, you can directly write the entire character, or even a page of text, and then let the students copy it, instead of tracing red, but copying, the trend of the brushwork, and the turning point of the brush , all relying on the unity of eyes and hands.

I am used to this kind of teaching method, and when I look at a professor like Wang Zichu who asks to draw directly, it is just the same, replacing a page of text with a painting.

Ji Mo still remembers the landscape painting he saw yesterday. After returning home and before collecting it, he also used his finger as a brush and traced it in the air. The thickness of the brush and ink is not easy to control. Can describe a bit of taste.

At this moment, without the original painting as a basis, it is impossible to draw exactly the same landscape, but the lines of the landscape can be imitated one or two, leaving some meaning.

Thinking in this way, Ji Mo stared at the paper very seriously, touched the pen tip lightly, wandering like a downstream, the water is bound to have waves, rubbing away the mountains, accumulating rock layers, adding trees to the hook, and lightly dyeing the flowers and leaves Deep, thick ink adds majesty, light ink adds halo, if there is smoke in the clouds and mountains, there are no fish and shrimps near the water, heavy color is painted with a large brush, leaf patterns are drawn with a small brush... just touch the stamen lightly, and make a filament connection roots.

When Ji Mo was halfway through the painting, Wang Zichu's hand was covered on the back of his hand. His hand was still a little wet. He bent over and grabbed Ji Mo's hand, making additions and subtractions on the part he had already drawn. Mo Nong Where there is no place to write, or add a dotted line to the side to increase the changeability of the water, or add water color to smudge the thick ink level. If the ink color melts in the water, the straight edge will be blurred and more vivid.

When this half was corrected, Wang Zichu let go of his hand and asked Ji Mo to continue painting. Ji Mo looked at it. He didn't intend to draw too complicated, but just followed the brushwork he remembered and imitated it a little. , but it has the finishing touch effect, which makes the painting a bit more lively, and the rest may be more complicated.

Knowing that Wang Zichu is using this method to teach him, modifying his painting directly to make the painting better, Ji Mo doesn't mind, but wants to take this opportunity to learn more, so he didn't plan to The painted flowers and leaves gradually appeared on the painting.

His paintings are still in the shape of stick figures, with clear lines, which are not suitable for the style of ink painting. They are meticulous, solid, and extremely rigid. Each stroke is one stroke, without the blank space that ink painting should have. Space for imagination, less artistic conception.

Wang Zichu frowned. After he finished a flower, he took his hand and revised it first. The pen was stained with water, and he slanted inward on the thick and solid lines. There was no need to dye it again. Turning, the color of the outer edge is drawn from the thick to the inner, and it seems to add a gradual process. If it is colored, the natural state of the flower can be seen, most of which are so red on the inner edge.

Such ingenious brushwork, Ji Mo was taught by this kind of hand-in-hand, and instantly understood the principle. After Wang Zichu let go of his hand, he also learned to reverse the edge of another petal in this way. I feel that it will be done, and the hand feeling seems to be still there, but the effect of the painting is not as light as Wang Zichu's, so you can stay as you like.

It is ugly without adding beauty, especially the petal that Wang Zichu changed next to it, it looks ashamed, the gap is too big, if it is just two flowers, not all flowers are beautiful, there must be some. Ugly, but in the same flower, one petal is so beautiful and one petal is so ugly, the contrast is too sharp.

Wang Zichu also noticed it, and let out a chuckle, Ji Mo turned to look at him: "Don't laugh if you agree."

"Okay, don't smile." Wang Zichu covered his mouth and nose with his other hand, and hid his smile behind his hand, only showing a pair of eyes to wink at Ji Mo, as if to say, see if I'm doing well?

So naughty, it's like a child.

Ji Mo didn't really blame and get angry at first, seeing him like this, he also smiled: "I will definitely draw well in the future."

The flower has six petals. If one petal is not drawn well, it can always be filled in on the next petal. Thinking of this, Ji Mo dipped some water and carefully daubed on the painting.

He intentionally imitated the petal drawn by Wang Zichu. After two or three petals, it seemed to have a certain appearance. Then he added some care to the last petal. After the painting was finished, he looked sideways at Wang Zichu and asked him, "Is it okay?"

"What do you think of yourself?"

Wang Zichu asked like this, and then took Ji Mo's hand holding the pen, leading his eyes to fall on the drawing paper again, and landed on the flower. All the "colors" on the petals are trying to move towards the same shape Get closer, look at it like this, it turns out that the ugliness drawn in the first one is much more vivid, it can be regarded as ugliness with its own characteristics, and the others seem to be imitations, making it even more ugly.

Add thin stamens to the flower, and add two strokes on the side of the fine stamens. If there are small petals that have not yet been stretched, there are stitches in the gaps between the large petals, but not everywhere. Two or three vacancies are like ink and wash. Looking at this flower, I can only say that it is alive again.

Two people make a painting together, one draws first, and the other changes later, painting one object, modifying another object, not necessarily completely smearing it, but adding two more strokes can make a difference, as if it has changed from a stereotyped form without spirit to a painting. It has both spirit and form, and perhaps there are deficiencies, but it cannot be recovered by such a simple modification.

From this point of view, Ji Mo's painting skills are still lacking too much.

Holding on to Ji Mo's hand, Wang Zichu sketched another flower next to that flower, and taught, "If I draw it, it should be like this."

It can be seen that he is imitating Ji Mo's six-petal flower, and the shape has not changed much, but in the posture, perhaps because the brush and ink are drawn too easily, there is a sense of ease and freehand brushwork. People are extremely comfortable.

The same flower soon showed that kind of "liveness", perhaps because of the background of the flower next to it, Ji Mo, the depressive effect that it should have, and the temperament that Konggu Youlan should have Same, not so conspicuous.

Of course, it is also possible that Wang Zichu is in a good mood today, so the depression-inducing special effects are also offset, so that there will be no traces everywhere.

Just look at the part, which one looks good, you can tell it in one word, it is the painting by Ji Mo that has been modified by Wang Zichu, but it is not as beautiful as it is at the moment. Eye impressions are all different flowers, how can I think that the roots come from the same source.

After finishing the painting, Wang Zichu let go, looked at the flower, and asked, "What kind of flower is this, I have never seen it before."

Ji Mo was startled when he was asked: "Plum blossoms?" Looking at the weeds among the rocks, whose plum blossoms are herbs!Even Peach Blossom is not like this.

There are also plum blossoms in this world, the same woody plant flowers, so Wang Zichu was stunned and asked, "Where are the plum blossoms, so rare."

"Grass plum." Or strawberry flowers?Ji Mo couldn't remember whether the flower had five or six petals. He was more familiar with strawberries, and this kind of "grass plum", a plum blossom growing in grass?

Well, yes, who said that plum blossoms must be on trees, and paintings do not have real scenes.