Literary Girls Nurturing Program

Calculating carefully, Wang Jia and Weng Shu have not seen each other for a long time since the last time they met.

When she and Ge Qing begged to come to the symposium, she thought she could see Weng Shu in the conference room, but she never thought that the occasion Ge Qing said Weng Shu would attend was an after-meeting event. superior.

Unlike the people at the symposium, although none of these people were missing at the exchange meeting, there were quite a few more people.Maybe they were invited by the organizers, or maybe they were invited by old friends, but we got together here anyway.

Wang Jia saw many familiar people, and for some reason, he longed for Yuan Jia's appearance.However, after watching the long fireworks show, she still did not appear.

The flickering lights and flames reflected Wang Jia's face in shadow or light.The eyes that were originally light in color are now as black as ink.

In the hall, I have carefully read the paintings made by Wang Jia and the several volumes of calligraphy works written by Wang Jia. As for the works of temporary posts, Weng Shu focused on seeing them.

Calligraphy and painting are careers that can be pursued for a lifetime, and they are also arts that can see returns.As long as you can concentrate on it, you will always get surprises.

Weng Shu watched Wang Jia's progress, and he was gratified that even if Wang Jia didn't have his own constant supervision, he could still make posts and paint all day long.

After seeing Wang Jia and Chen Shangfei separated again, they were alone again.Weng Shu recalled how the two little girls were learning calligraphy at home. Although Wang Jia was still so quiet, the taste in it was indeed completely different.

When Yuan Jia was by her side, she would never be as deserted as she is now. Even if she didn't smile, she still carried warmth.The current Wang Jia is like a landscape painting lacking a bit, lonely and cold.

"Teacher, it's cold outside, why don't you wear a cloak?" Wang Jia could sense Weng Shu's arrival before he was in a daze.

Weng Shu's dry palm patted Wang Jia's shoulder: "The wind is not a problem. You have finished reading all your homework, and you have made great progress. The post has finally gained some vivid meaning, and the writing can be said to be beautiful."

"Really?" Wang Jia looked at Weng Shu's profile, a little surprised that Weng Shu would praise her like this.

Weng Shu laughed, and said: "Of course I won't lie to you. But you have also entered a bottleneck stage. During this period, do you always feel that your handwriting is getting uglier as you write?"

"Well, I feel that they always lack vitality on paper. No matter how lifelike the imitation is, it's just superficial." Wang Jia actually experienced this feeling very early, when he didn't learn calligraphy for long.

This is a normal phenomenon. Because of the guidance of the teacher, I will see more and better characters, thus forming a relatively sound aesthetic view. Naturally, I have various dissatisfaction with the characters I have just learned.Later, when I made progress, I felt that my handwriting looked more pleasing to the eye.

But now, it is obvious that she has made some progress, so she is dissatisfied with her handwriting again.

Weng Shu said: "You go out more often and look at the calligraphy and paintings made by famous masters in museums or historical sites. Only when you read more, understand more, and write more, can you find that agility. "

As a teacher, Weng Shu has already taught Wang Jia all the technical things that Weng Shu can teach.Wang Jia is indeed his most worry-free disciple. Weng Shu knows that Wang Jia is worry-free, but he also places high hopes on Wang Jia.

Weng Shu is not without outstanding talent, a disciple who became famous all over the world early.But it can be said that he is more concerned about Wang Jia, a closed disciple.Not only because of his relative relationship with Liu Yun, but also indirectly means that he has blood relationship with Wang Jia.It is also because he is very satisfied with Wang Jia's hardworking nature.

Now that Wang Jia has become Ge Qing's disciple, Weng Shu doesn't have so many opportunities to meet Wang Jia.In addition, Weng Shu has also moved from a place near Wang Jia's house now, so he can see Wang Jia in such a scene and see that Wang Jia has made great progress, and he can give Wang Jia a little help. Weng Shu also seems to be something to be happy about.

The relationship between teachers and students is different from the relationship between teachers and students in schools, which has a more obvious ethical color.Weng Shu is more inclined to father-daughter feelings towards Wang Jia.Of course he hoped that Wang Jia could work hard to go further.

Art matters require 98 points of hard work, one point of talent and one point of luck.Wang Jia may not be talented enough to be an artist who will be passed down through the ages, but Weng Shu believes that Wang Jia's luck is enough. Relying on her own ability, she will always leave her own trace in this era.

This is what Wang Jia longed for.Weng Shu knew Wang Jia's wish very well, and he was willing to do his best to help Wang Jia, so that this little disciple could live a happier life.

It is also Weng Shu and Wang Jia who carefully manage such a teacher-student relationship that makes Wang Jia more spiritually dependent on Weng Shu.As for Ge Qing, the relationship between Wang Jia and him is more like a teacher and a friend.But generally speaking, Wang Jia respected these two teachers very much.

Therefore, after hearing Weng Shu's suggestion, Wang Jia also remembered the travel problem that he had always neglected-this is also the time to put it on the agenda.

The moon is not around the Mid-Autumn Festival, and it will still be round.The moonlight can't see how bright it is, and it doesn't look dim.The moon will not let people be burned by her halo, it is gentle.

However, some people think that the moon is shameless, and it is just an insignificant satellite of the fake tiger.The moon depends on the sun to shine, but it makes ignorant people think that it is the gentle luminous body.

The moon is warmed by the sun, but it is still cold, like a stone that cannot be covered.

Yuan Jia likes rain, moonlit nights with clouds, and sycamore trees on both sides of the road... No matter what kind of scene it is in the eyes of others, it is beautiful to her.

It doesn't matter whether it is good or bad to discuss the issue of placing emotions from the perspective of scenery.What Yuan Jia thought was also very simple.

Yuan Jia lacked enough passion for writing articles, writing a novel or any other story.Every word she wrote, except for the necessary composition, was involuntary.Compared to writing a story, Yuan Jia prefers to solve problems.

Find problems from complex texts; find countless clues from one or many books, and then slowly unravel the cocoons to find the answer.This is what gives her the most sense of accomplishment.

Recently, she has been troubled. From the perspective of the writing technique of embodying emotions and scenes, the same thing will have countless possible appearances due to the different mentality of the author when writing.

The flowers written by the author when he is happy can be beautiful, tender, and pitiful; while the flowers written by the author when he is cynical can be mean, and the blooming calyx is like a ruthless mockery. Mouth...

All things can be endowed with new meanings, just like Wang Jia used so many personifications in writing the story.

This question can already rise to "philosophy".Just as Zhuangzi and Huizi talked about the problem of "zi is not fish", it can be said to be sophistry, or it can be said to be philosophical thinking.

Yuan Jia heard that using things to express one's emotions is a very low writing method; however, people who say such words are tirelessly using this method to express their emotions.

When looking down on something and insisting on using it, people actually seem to be standing in a strange circle.

However, Yuan Jia felt that he seemed to have a clue now.There is no difference between good and bad writing techniques, the difference is always only in how to use it.The key is people.

The use of writing techniques depends on the person, while the writing of the work depends on the author, and the response to the work after it comes out depends on the reader. The whole process is inseparable from people.

The meaningless ones are only for entertainment, but the meaningful ones are actually for most people.Not every book is worth spending a lot of time studying, and not every question is worth thinking about.

However, not everyone has a precise vision to judge whether it is worthwhile or not, or whether the value exists or not, it all depends on the times.

What is worthless in this era may be what is needed in the next era.What a writer hopes for is that his work can always have vitality.

What Yuan Jia likes is to prolong the vitality of these works, to look at these works from her perspective, and to let excellent works glow with new vitality through new interpretation methods.

Literary things are regarded as useless, not as great as the changes brought about by technology.Literature is not something that can fill people with food and wear warm clothes. Its value only lies in a higher level of spirit.

Its meaning is nonsense in the ordinary sense.

And those who study such things are tantamount to moaning/groaning without illness and looking for trouble for nothing to those who are struggling on the basic life line.

Even if people don't feel its deep meaning, it can be used as something to pass the time; so how boring are the theories studied?

Yuan Jia knew that there were many people who took this path, but there were very few people who really thought it was interesting.Most people like to do things that can see immediate benefits.So is Yuan Jia.

However, she likes the process of asking questions and solving problems, and likes things that seem boring in the eyes of others.It doesn't matter how much time you spend on it.

And Li Xuecheng also gradually discovered Yuan Jia's current bias from these years of teaching.

Making a decision is not an easy task, and Yuan Jia, who is inclined towards research, has almost given up on his own writing.

Li Xuecheng knew that Yuan Jia was a girl with ideas, and he was willing to help Yuan Jia.But writing theoretical articles requires logical thinking skills, which may be much higher than writing stories.

Although Yuan Jia had decided on the direction, Li Xuecheng didn't ask why, what he had to do was to teach her everything he could teach Yuan Jia.As for what Yuan Jia will learn from what he said, that can only be seen by Yuan Jia himself.

Not "all-rounder", and it isn't.

The student's life is intertwined with the teacher's, but the teacher has no way to replace the student's path.