Abyssal Kingdom

Wei An came to the edge of the camp. There was also a simple fort here, and some soldiers were guarding it.

Most of the people gathered in the area where the battle was taking place. This place was particularly bleak, like standing in the den of an evil god, it looked dirty and menacing, full of ghosts.

The energy of "coming" in this place is very strong, and it may indeed be haunted.

Some soldiers found Wei An and were taken aback by his appearance, but kept calm and asked him what he needed.

Wei An stared at the front and said, "There is going to be a new plot point here, call someone over here."

The face of the other party changed, and he said "Yes, sir", and immediately went to do it.

Wei An stood there alone. A white follicle-like thing popped out from under his feet at some point, but it ignited instantly. The flames formed a deformed human figure, and disappeared quickly without making any sound.

It's some third-rate spin-off horror of the original film, about some clichéd ruins of an ancient civilization that suddenly descends on a city full of crime.

Just like the energy balls seeping from the depths of the space, some deformed creatures will also seep from the sewers of this city, as if they were born from indescribable monsters in the darkness and infiltrated into the human world.Most of them are deformed, some died when they were born, but more tried to grow up, they devoured their compatriots to grow, and they also cannibalized people. At the end of the story, it was revealed that they were a branch of human beings, but they mutated into this in hell.

This is a movie with all kinds of disgusting monsters and stunts. These things have different shapes, some are like animals, and only a few are like people. They are products of evolution from the same source and in different directions. Maybe one of them is relatively The good offshoot — which has a few monsters that show some kind of compassion, but is quickly overwhelmed by hunting and their own greed — is a curiosity show for people anyway.

In the end, all these things were swallowed and recycled by the "matrix" below. This is the unattainable "Primitive Dark Lord". They are just garbage that was born and discarded casually. Swallow, the struggle is hollow, meaningless.

It seems like it puts the story into "Army," so it has a lot of monsters to dispatch, and people have so many fantasies about darkness and slavery and fear that it can materialize.

Wei An walked forward, casually crossing several defensive lines, no one stopped him.

Whether he or Guiling, they have become some kind of legendary figures in this expedition. The extreme and surreal battles are deifying them, and they have become the backbone of this expedition.

Around Wei An, the shapes of flickering monsters began to appear continuously.

Those were eggs hidden in the air. Their deformed shapes lit up around his body or under his feet. They were dazzling, terrifying and cruel. They were instantly burned by the fire and returned to death.

Wei An's walking is not very smooth yet, the road he's walking on is constantly flickering, as weird and crazy as the neon lights of evil spirits.

In this movie, human beings are helpless victims of this deformity, and he walks here, like an executor from the depths of hell, no one knows what they want, the purpose of these people has long been lost in history, people Only see what is powerful and terrifying.

Not far away, soldiers looked at this scene in horror and admiration.

The use of "supernatural powers" carries elements of dubiousness, darkness and evil.

Something is rising in the fog ahead.

A new plot point, like a square box castle rising at the end of the road, mildewed and half collapsed, looking at him maliciously.This is of course the plot point of Wei An's character. He is the only one who walks into this power gathering point, and it will raise a stage for him.

His "role" died here, and was seized by the evil god and became a tool for his resurrection.

Wei An walked into the huge shadow of the warehouse without hesitation.

There is an atmosphere of uncleanness and pollution everywhere here, and he doesn't feel that he is being swallowed up. He can always faintly feel the "eyes of the God of Destruction".

This is the power of the deep domain system, a bit like a navigation system, he can always see it.

When walking into the darkness, a dilapidated locomotive appeared out of nowhere in front of Wei An.

Wei An rode on and started the engine. He had been in a car accident in this place before, but he couldn't fall to his death anyway.

He had completely lost his direction in the early years, and now he found a path of disaster, which was extremely dangerous, but he drove toward the depths of the warehouse without hesitation.

Of course Wei An knew that Gui Ling's eyes were not in any of the plot points.

That is the core authority of its structure, the ultimate weapon, the violent system through which it maintains its rule, and the difficulty of taking it back is unimaginable.

He didn't expect to get it back smoothly this trip, but he had to do his best to look, search and investigate.

How does it place it, how does it embed it in the core of its abyss-like body, how does it alienate and use it.The more he sees, the more accurate his positioning will be.

Wayne walks through a huge warehouse.

There are wooden boards that were once flat but decayed, with a ventilation system above them, and a set of very old operating tables. He could feel a grotesque figure slowly emerging from the darkness.

In the movie, the factory looks like a place where something horribly metaphorical is produced, but it's actually a furniture factory.

It’s just that behind the seemingly harmless commodities, there is also a dangerous production process-in addition to the remains of wood, cranes, logs, large saws and shredders are all amazingly lethal, and the directors of the spin-off films make full use of them. over these.

If necessary, it can actually make furniture here, and it can also play killing games. All of these basic authorizations come from the system given to Guiling by ancient civilizations, which was originally used to destroy them.

Everything in front of him made Wei An angry, and everything he saw was the power that those people who said they were "God Envoys" took from Gui Ling.

He had no doubts that in the end, if they were able to destroy the world of evil spirits, the eye would also be taken away—they must have something to do—let it continue to be their weapon, the next tool to enslave human beings.

They're just greedy bastards, desperate to grab more and turn it into their property.

Wei An felt urgent and anxious, he wanted Guiling to be complete, and he didn't want to wait for a second.

Other characters in the movie are dressed in ordinary people's clothes and come out of the darkness like human beings.

Unlike those "villagers", this movie was shot by the modern Federation, and it was not much different from the people he saw on the street.

Wei An stared at the front. The moment these creatures appeared, flames ignited on their bodies.

The next moment, they jumped towards Wei An like frogs in human skin, with a leap of tens of meters, as if they were other ancient creatures inside.

But as the creatures leaped, out of nowhere a great iron nail appeared out of nowhere, thrown like a strange sword, and nailed them deep into the ceiling or paneling.

These things struggled frantically and screamed. The warehouse was full of nailed and burning human figures. They struggled like nothing human, and even opened some weird little mouths on their skin, screaming.

Wei An is like an incomprehensible creature nailed to the abyss, and the scene is like hell.

The flames spread in the lumber factory, and Wei An's face was also reflected. His facial features were expressionless, as if frozen, and large pieces of fire seemed to be burning from his eyes. He was very focused, and this kind of concentration could destroy everything.

Wei An skimmed through the sea of ​​flames, with complete darkness ahead, and was ignited by him within a few seconds.

In the source movie, the "aggressive youth" is a villain, the kind of person who can only cause destruction and cause social unrest.

He doesn't go deep into relationships, has no bonds, and is indifferent to everything.He is at the bottom of society, but he is unwilling to die honestly, always wanting to vent his anger somewhere.

After the initial confusion, this young man quickly mastered various killing techniques. Like many young men, being able to kill others is a victory in itself, a success. This is a barbaric and blind way of thinking, but it is very attractive to them .

There are quite a lot of such people, and Wei An has encountered quite a few in his previous cases. He doesn't think this kind of character will have a better future. From his birth to his adult temperament and intelligence, he has no room for development.

The emptiness and anger in him was like a black hole, which later brought the evil god into the human world.

Wei An thought that these stories seemed to repeat a similar theme repeatedly.

Deformed children born in a certain land devour each other, full of incomplete and painful lives, meaningless deaths, and cruel struggles.

No one knows why they are like this, why they were born.

Wei An accelerated the speed of the car.

He destroys every obstacle he encounters, whether it's a closed door or a wall, and uses a metal bridge when he encounters a large drop.

He pays close attention to the core jurisdiction of the world's construction and destruction, which belongs to him—of course, it belongs to Guiling, so it belongs to him.

More misshapen monsters crawled out of the darkness.

Some are troublesome, hard to kill, faster and faster, corrode metal, and try to sneak up.

Wei An even encountered a blood-red humanoid creature with the super power to produce metal blades, which caused him a lot of wounds.

He could almost feel the sound of the monster swallowing his saliva behind him, his ability to carry out material conversion, and large-scale construction, even specific specification options.

But these things were nailed up and burned by him.They live for a long time, struggling and screaming, and Wayne rides through this hell of fire.

He thought about Guiling.

The man's eyes, his mandate, belonged to the godlike group that enslaved humanity for so many years.

What was he thinking when he was going through this disaster?What was the ancient civilization that brought all this technology like?He never said it.

After so many years in the Ministry of Science, Gui Ling no longer talked about himself. He was too mutilated and disassembled too severely, and it was difficult to put back his previous shape.He didn't want to remember it anymore, and feeling alive only made the pain harder to bear.

Wei An rarely heard him talk about his pain, he didn't talk about his despair, whether he tried to solve something on his own, or never solved it.

In the midst of the fire, Wei An didn't know where he was and what he was doing for a moment.

He thought of yesterday's dream, he seemed to be continuing to dream, he walked into the wilderness under the moonlight, saw things in fantasy stories, everything was unreal.

Humanoid creatures created by evil spirits, nightmares in the depths and armies to fight them, and the eyes of the god of destruction.In an impossible place at the end of the story, the dark and ancient color of the pupils of the god made his heart surge and he was very fascinated.

He walked into an adventure story, had a companion, and the fetters went deep into the bone marrow.He had had a hard time imagining such a relationship, but now he had it, and it was the only truth in the false story.

He felt this for the first time, and although the light he found was so faint, it was the only thing he could hold on to.

Guiling told him "don't go too far", but Wei An felt that he had gone too far.

He can only follow him, wherever he leads him.