[Comprehensive] The history of superstar growth

Chapter 9 The Struggle Between Fantasy and Caprice

"What? You want to compete?" Misa Hamai looked at her son and disciple in surprise, she never thought that the two of them wanted to compete so impatiently, and immediately.

"Well, Mr. Hamai, just promise us, you know, I've been waiting for this day all this time! It's a shame!" Akimoto Yui blinked his right eye, clenched his fist, and said in a high-pitched manner.

"I just want to tell Junior Sister that self-confidence is a good thing, but don't be too confident." Yue Senlian glanced at Qiu Benwei expressionlessly, although her tone was not too turbulent, but everyone here is more understanding How can his people not hear the provocation in his words?

Uncle Tsukimori and Mr. Hamai looked at each other, nodded and said, "Okay, since you insist."

The four of them came to the piano room one after another. Misa Hamai and Uncle Tsukimori sat on the sofa near the door. Yui Akimoto sat on the piano bench after getting Misa Hamai's permission. Opposite her was Ren Tsukimori. , he had already taken out his golden violin, "Brother Lian, will you go first or me?"

Yue Senlian said lightly: "You seem to be impatient, so go first."

"What song is Wei-chan going to play?" Misa Hamai asked curiously.

"It's Chopin's Fantasia Impromptu." Akimoto Yui moved his fingers, calmed down, and put his hands on the keys.

After the "dong" fell, it was a gorgeous opening. The first allegro, the ups and downs of the fast melody, was played very granularly, and the timbre was full with extreme *. The triplet of the left hand was not due to The speed is too fast to confuse the timbre, but the playing is very clear and recognizable, full of fantasy.

Hamai Misa closed her eyes and enjoyed her disciple's performance. She could clearly hear what Yui Akimoto's music expressed. She seemed to be able to see the soldiers blowing the horn of war. Behind the passionate melody was the fearlessness of soldiers Life and death go on and on.

In the middle is a cantabile andante, the lyrical chapter has just the right changes in intensity, not at all artificial, Akimoto Yui has been immersed in this lyrical movement, and her concern and nostalgia for her parents are fully expressed here , I don't think there is anything wrong with it, but it can arouse people's resonance even more.

What follows is the repeated main melody, which is impressively fast with enthusiasm but also anxiety. The chord arpeggio uses positive triads with changing sounds, which does not deviate from the basis of the main chord. The melody is full of imagination in enthusiasm, like the sun burning with light and heat, expecting something enthusiastically, shouting something anxiously.

Misa Hamai has been intoxicated by the sound of Yui Akimoto's piano at this moment. If she wanted to pick on faults and beat her talented disciple since she was a child, now she has completely let go of that thought and concentrates on it. Appreciating Qiubenwei's performance, her mind was following Qiubenwei's performance, what she saw was what Qiubenwei let her see, and what she thought of was what Qiubenwei made her think of.

When the last note fell, Akimoto Yui stroked the keys. It felt really good, better than the previous ones. It really deserved to be Steinway. The touch of the keys and the unique nuances of the timbre made her want to stop.

"Papapa——" Misa Hamai and Uncle Tsukimori both clapped their hands, and Misa Hamai even had tears of emotion on her face, "Wei-chan, that's great, you played it so well! Your The technique and emotional delivery are so close to perfection that I have nothing to comment on."

Yue Senlian opened her eyes wide, as if she was the only one who met Akimoto for the first time, she looked at her carefully, such music...could it be played by this little junior sister?He suddenly felt that he didn't know Akimoto Yui anymore. In his memory, he only remembered the music when she lost to him when she was 8 years old. He didn't expect that she had reached such a level in just a few years.The perfect performance seems to have been touched by her to the threshold, but he is still working hard to pursue it.

Akimoto Yui stood up a little excitedly. Misa Hamai had never given her such a high evaluation. Even before she participated in a national music competition and won the championship, Misa Hamai also mercilessly pointed out that she was playing The mistakes made by her did not give her the slightest chance to be proud.

But today she gave her such a high evaluation, which made her a little flattered.

"Teacher... I... I..."

Misa Hamai stood up and walked to Yui Akimoto. She was smaller than Yui Akimoto, so she could only hold her hand, and said kindly, "Wei-chan, you can really become a teacher."

Enlightened at the age of 4 and learning the piano for nearly ten years, Akimoto Yui's childhood life was boring. When other children were playing, she was reading, reading and writing scores.While other children were coquettish to their parents, she was studying piano fingering, playing etudes, and reciting music scores.When other children complain that school is boring and don't want to study, she practices basic skills every day, not only piano, but also vocal music.

Although she can't speak Mandarin well, she can understand English, German, and French music books, because the original precious music scores are all written in English, German, and French.She had no friends when she was a child, because no child could understand her, and she didn't know what she was doing every day. Some people wanted to ask her out, but she refused them all. With that kind of time to play, she would rather spend time musically.

She is surprisingly similar to Yuesenlian, but very different from him. Under the pressure of the family, Yuesenlian has always pursued perfect performance, and he pays more attention to the expression of skills.Akimoto Yui has been focusing on her own music, digging her own music, passionate about music, she has given strong emotions to the music, and the emotions and thoughts unique to Akimoto Yui have been integrated into the music, creating her unique music .

When she was young, her music was immature, so she naturally lost to the highly skilled Yuesenlian. To her at that time, Yuesenlian was really good, as if she could only look up to her. Although the two majored in different, But music knows no boundaries, and she can feel the distance between them.But at this moment, she doesn't seem to need to look up to Yue Senlian anymore, she has already gone further than Yue Senlian...

"Teacher, there is no end to music, and I will always learn from you." Akimoto Yui gave Hamai Misa a [-]-degree gift.

Misa Hamai nodded in relief, hugged Yui Akimoto, and the two sat on the sofa together, at this time Ren Tsukimori's performance began.

"Paganini Caprice No. 24."

It seems that Yui Akimoto has inspired his inner desire to win. This time Ren Tsukimori showed his increasingly mature playing skills, including eight variations, such as jumping arpeggios, complex intervals, powerful chords, and continuous imitation scales. With the chromatic scale, he can organically combine the difficult skills of the violin.

The rapid playing of the right hand, combined with the rapid plucking of the left hand, the smooth and flexible natural overtones and artificial overtones, the super-octave intervals and the fast performance of high-positions, all of which prove Yuesenlian's violin accomplishments In terms of skills alone, he is slightly higher than Qiu Benwei.

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