The first writer of Qing Dynasty

Ergenjue Luoshi failed in his first attempt.

When the two concubines were supposed to be beaten, she should of course come forward. It was a good time to show the majesty of the mistress. Yinti didn't take these things seriously at all. If he wanted him to come forward, wouldn't it be like killing a chicken with a butcher's knife? ?

And when faced with external problems and Yinti wanted to show some of his abilities, Da Fujin rolled up his sleeves and was able to do it, which made Yinti feel very surprised: it's not that even two concubines can't handle it. Come out?Why are you so bold and cautious when it comes to business?

However, on the issue of a happy life, the husband and wife were in unprecedented harmony, which made Yinti ignore some "little problems" of Ergenjueluoshi, and did not think of the other two concubines for a long time.

The happiness of a happy life was very satisfying to Yinti, which made the two of them very close. Yinti began to teach her: "You can make up your own mind about the affairs in the backyard. Don't tell me. The people in the shop outside Don’t carry things by yourself, you can also ask me for advice.”

Ergenjue Luoshi responded in a low voice, seemingly submissive, what was he thinking in his heart?

Yinti asked casually: "Why do I feel that you are a little strange recently?"

Ergen Jueluo asked Yinti with a smile, "Your Majesty doesn't like me like this?"

"No, it's just something weird," Yinti muttered, looking up at the sky with his shirtless arms, "Women, it's really duplicity, sometimes I really don't understand what you're thinking." He thought she thought, In fact, she didn't want to, he thought she didn't want to, but she said she didn't want to, but she really wanted to.

Ergen felt that Luo's heart skipped a beat.

A famous saying by a good teacher: When a man starts to spend his time guessing what a woman thinks, it means that he starts to care, and it is only one step away from the birth of love.

"Since we are already husband and wife, can you stop guessing and just tell me what you want?" Yinti complained casually, but did not let go of Fujin's arm, if he really lost If you have patience, it won't be such a reaction.

"At the beginning, Fujin didn't seem like this?" Yinti did not forget that when she first married Fujin, she was dignified, virtuous, and straightforward.

It didn't take long before he became clingy.

Ergenjue Luoshi was silent for a long time, when Yinti thought she would not answer, she turned over and put her hands on both sides of his ears, her eyes were burning: "The concubine wants the love of the master, can the master also give it? "

Yinti:? ? ?

"Love or something," he looked at Fujin with indescribable eyes, and when he touched her face, it was quite hot.

"Have you read the scriptures of the Eighth Brother recently?"

Ergen felt that Luo Shi was dissatisfied with Yinti's answer, his mouth was pouted, and his face was unhappy.

"What kind of love, love, can you talk about it? It's not reserved at all," Yinti frowned.

He is a big man, how could he talk about love!

Yinti laughed and said: "The words written by the eighth brother are poisonous, just watch it for fun, don't take it seriously."

This silly daughter-in-law!

"It's because the eighth brother always writes some romantic things, and his reputation outside the city is stinky." Yinti said regretfully.

"Qingcheng, he is different from ordinary men."

Fujin said softly: "Chenqie's good sisters and aunts all like to read the scripts of 'Qingcheng'. At first, Chenqie thought 'Qingcheng' was a talented woman who deviated from the norms."

So after knowing that "Qingcheng" is the eighth elder brother, Irgen Jue Luo would be so unbelievable.

"How is the eighth brother different?"

Yinti snorted softly: "Isn't it because he is more able to please Er Niang than me?"

"That's not the case," Ergenjueluoshi couldn't tell the difference: "Qingcheng's works are different from any secular story books."

Why do they like to read Qingcheng's storybook?

Secular scripts regard women as men's vassals and subordinates, but only Qingcheng's scripts, each volume reflects "women are independent individuals".

From the first "Love in the World", to the later "The Little Fox Fairy of the Domineering Lord", and to the current volume "The Queen of the Shang Dynasty".

However, in a few days, Ergen Jueluo watched the finale of "The Queen of the Shang" in his spare time!

She was stunned to see the ending of "the princess went crazy and died with the prince", and she was dumbfounded.

[The concubine's voice is mournful, with every sentence of despair: "If you can't do it, why bother to make a lifetime vow, the prince only regards it as a romantic affair in his youth, but the concubine takes it as a reality."]

The prince faked his death, and the princess went crazy. In the end, the prince returned, but died at the hands of the princess who loved him the most.

"The concubine and the prince were born in the same quilt and died in the same hole, and they will never be separated again."

Her red lips are delicate, affectionate and gentle, and she hugged the prince softly: "Do you still remember, the prince? That year when the apricot blossoms were lightly raining, you said that you wanted to be a couple with the concubine for the rest of your life. Forget the original oath. No one will come to snatch you from me in the future, which is great."

Caught off guard, they all died together, and Irgen felt that Luo Shi was shocked!

In her eyes, this princess is not just a jealous woman, nor just a vicious woman. Her determination and madness make her whole image plump.

She had already taken control of the palace, and she even had the ability to imprison the prince.

But she didn't do that. Her paranoia and possessive desire made people see the determination of moths to the flame.

Take your life as a gamble, do crazy things that ordinary people would not do, and die in love with the prince!

A woman who is crazy about love, a woman who can't bear to share her feelings, from now on, the prince will always belong to her alone.

What a passion, what a passion, what a paranoid woman!She is so terrible, but also so sad and deplorable.

Ergenjue Luoshi was greatly shocked!

The concubine and the prince died in love, Shang Ying and other women raised the children together, the palace fell, and only the eldest son was raised to become a lord.

The business woman returned to her career and turned the crisis into a business. After many years, her son grew up with outstanding ability and was favored by the emperor. He sought the position of princess for his mother.

In the beginning, those old people in the palace, Shang Ying, Mei Er and Nan Gong Shuang became good sisters, and lived a happy and healthy old age with filial children.

The crippled adopted son was killed by others due to past struggles. They educated him, loved him, and taught him to be a man with a strong body and a strong heart who is not afraid of hardships. Even if he loses the ability to breed offspring, he still Better than ordinary men.Because he can survive the unbearable physical and mental torture of ordinary people. In the future, he will start from the bottom, from a small soldier to a general, and even become a general, and go to the beach to kill Japanese pirates.

Under the light rain of apricot blossoms, the merchant girl, Meier, and Nangong Shuang, three old ladies, hold hands. Good sisters, sing a song today, dance a dance tomorrow, and send each other to the end of life.Their old age is happy and beautiful even without a man.

Time has taken away old friends one after another, and with the house full of descendants, the legendary life of the merchant girl has come to an end.

Ergenjue Luoshi didn't know that this was Yinhu's routine operation of feeding "poison" to the audience. He thought that the previous work "The Little Fox Fairy of the Domineering Lord" was already deviant enough, but this time "The Queen of Shang" was a fight. In the end, the man was gone, and the three old ladies spent their old age living together, dancing and singing... How could this plot be a show!

She couldn't figure it out: "How did the eighth elder brother write the dead prince by hand?"

If "Qingcheng" is a talented woman who is full of resentment against the unfair treatment of women by the world, then it makes sense, but why is the eighth brother writing this?

Of course, Yinhu wanted to feed more people the "shit" and "poison" he ate!

When did his works become normal?

When I picked up a pen to write the storybook, I just couldn't bear the feeling of being poisoned and fed shit by myself, and I couldn't wait to share it with others.

After watching the finale, Ergen felt that Luo Shi was still in a trance, and when Yinti came back, he saw her dazed by the window with a script book.

Yinti asked her curiously: "The three volumes are so thick, and they were finished so soon? What is the ending of the eighth brother's writing?"

He talked about the last book "The Little Fox Fairy of the Domineering Lord" because the ending was too sad, which made the girls in a bad mood. The eighth brother even wrote a follow-up for this, just to let the fox fairy have a happy ending.

Fujin gave the script to Yinti in a daze: "Master, can you read it yourself?"

Never thought that the princess would drag the prince to die in love!

Yinhu not only gave it to the eldest brother, but also gave the new work to the prince one month after the eldest brother got married.

The prince rolled his eyes casually, and found that it was a love story, and he didn't take it seriously at all.

Seeing that neither of them were interested, Yinhu murmured in his heart: I'll just pretend that both you and elder brother agreed!

Three months later, Qingcheng's new work "Concubine Shang" was sold in major bookstores in the capital.

As soon as "The Queen of the Shang Dynasty" came out, there were scolding voices everywhere, and the reputation of Allure became a street mouse. Men, women, and children all scolded "Shameless" and "Deviant"!

Yinhu was not surprised that he would be scolded, spread poison and shit, if no one scolded him, how boring would it be?

However, he also reflected on why "Qingcheng" gradually reached the point where everyone wanted to scold him.

Since ancient times, the works have always been based on women's loyalty and obedience. They are loyal to men and express their sadness and sorrow to their husbands. This is in line with the public aesthetics of Confucianism.

Even those brave and intelligent women, those who dare to resist, cannot escape the aesthetic and moral requirements given to them by the world. All their behaviors are under the ethical and moral framework given by the world.

For example, in "Du Shiniang Sinks the Treasure Box in Anger", the girl in the brothel kept her chastity after becoming a good man, and threw herself into the river with her treasures to punish the wicked. This is the ending that the world can accept.And like "The Queen of the Shang Dynasty", the cold and talented Ruyue elopes with her lover.The concubine went crazy, and died with the prince who was suspended animation... It is understandable that people find it difficult to accept it for a while. (1)

But today's scriptures in the world often describe women as perfect, such as gentle and virtuous, obedient and selfless, and kind.For example, the story of giving everything for the "heartless people", being filial to the parents for the "heartbrokers", and giving birth to boys to carry on the family line.Why does the folk "story book of infatuated women and heartbroken men" last for a long time?Men like to look at the perfect women in the story books, but what kind of mentality do women have when they look at them?

A perfect woman is hurt by a heartbreaker, but she still forgives selflessly, waiting for the heartbreaker to change her mind. Her loyalty and dedication, and her pity of being hurt by a heartbreaker are sympathetic and admirable.

Such excessive publicity is rooted in the principles of the Song and Ming Dynasties. It is the killing of the concept of love and the imprisonment of women under the ideology of "preserving the principles of nature and destroying human desires", making the script of "Qingcheng" different from "Alternative" from other stories!

"Love in the World" allows an innocent woman to enjoy the selfless devotion and pursuit of an outstanding man. Although she is kind, although she is affectionate and loyal to the hero, she is also arrogant and indulgent. Temper, petty temper!

Women like to watch "Love in the World", and there are also female storytellers in folk teahouses. The storyteller said: Watching "Love in the World" makes me, a poor woman who has lost her father and son, feel the feeling of being pampered. That kind of sweetness is as beautiful as a dream, it makes me believe that there is a beautiful truth in this world.

As early as when "Love in the World" was sold, there were scholars who were scolding. In "The Little Fox Fairy of the Overbearing Prince", the revenge of the fox fairy in the second volume can be described as a god-like unfolding. Killed by immortals!"

It's nothing more than a fox fairy detached from the status of a secular human being. When it comes to "The Queen of the Shang Dynasty", what is bloody and scolding, Yinhu has gained knowledge.

And it's very strange, the louder the scolding, the more Yinhu's purse bulged, the more fierce they scolded, the more people came to secretly buy books.

"They scold so much, but they still watch secretly, why bother?"

The three volumes of "Concubine Shang" earned more money than Mr. Zhengzheng's "Enemy" series!

The author has something to say: Yinhu: No matter where I am, I am the biggest and most powerful BOSS!But I can be broken, akimbo.jpg (Crazy poisoning...

Note (1) from: Patriarchal Clan Ethics and Female Tragedy——On the Influence of Confucianism on Ancient Chinese Love Works, by Luo Jiahui

[Paste the key points of this article below:]

Since the commodity economy was relatively prosperous after the Song Dynasty, and the citizen class grew stronger, the texts reflected their wishes and requirements.The democratic trend of thought represented by Li Huo in the middle of the Ming Dynasty was based on the consciousness of citizens, and it was born in an ideological emancipation in the budding period of capitalism. The two opposing thoughts of "clearing reason and eliminating desire" and emphasizing and affirming human nature and human desire , intertwined in the love works after the Song Dynasty.

In terms of life requirements and value orientation for men and women, it is obviously more advanced and reasonable than the previous generation, but the Confucian concept of fame and integrity is more entrenched in social consciousness than ever before.

It is a bold denial of the human desire view of Neo Confucianism, but this denial is not thorough, and still cannot get rid of the constraints of Confucianism. It often arranges the final ending of the story according to the Confucian ethical standard, and uses it as the final image of the characters. destination.

Some novels try to break through the limitations of Rujia’s thinking and put forward their own value orientation.

The spirit of wit and active resistance of the heroines is undoubtedly what the women in the former love literature lacked. However, the literature has progressed, but it is still restricted by Confucianism, and the concept of chastity still dominates the life and death of the heroine. It is still fundamentally determining the value orientation of a woman's quality—a woman who is not consistent is not beautiful.

Women in the love literature after the Song Dynasty, compared with those of the previous generation, often do not take submissiveness and tolerance as their main characters.They dare to fight for and protect their own rights and interests, dare to choose their own mates, and pursue a marriage of equality and mutual love.

But the sad thing is that the awakened individuality and the germination of democratic consciousness are completely contained in the ethics and morals stipulated by the Neo Confucianists, and the bravery and intelligence of women are ultimately inseparable from the ending of being a male accessory.

There is a contradiction between the efforts they have made to protect their own rights and the goals they have achieved. They get rid of the immediate predicament (dishonesty), but they often fall into a more permanent and miserable situation-belonging to a heartless man, Or sacrifice your own life.And this is in line with the aesthetic and moral ideals of the feudal patriarchal society.