Port Mafia cadres follow up online

Extra Story · IF

01

"Flight JD38790 from New York to Tokyo has arrived..."

The female voice was broadcasting sweetly. At the airport and other places, ten professional women were shocked when they heard the flight number, and squeezed to the front row to hold up the sign.

Flight first class.

The stewardess gently called the guest who was not awake. She remembered the guest's order and didn't touch her, just called her name.

"Miss Tsujino Rutsuru..."

She yelled for the second time, and when she was about to yell for the third time, Tsujino Ruzuru woke up. She has changed her name for a few years, and the frequency of using Japanese names in the United States is not as high as in her dream, so she needs to wake up her sleeping. several times.

"Thank you."

The sober Tsujino Rutsuru took off the blindfold first, and thanked the stewardess for her service.

The blond-haired, brown-eyed stewardess smiled and took the 'screwdriver' prepared on the ten-sided tray, and ten kinds of wine made of vodka and orange juice, the alcohol was not low.

Tsujino Ruzuru holds the horn cup. Her fingers are white and slender, but not weak. The pink fingertips have calluses and strength. The index finger and little finger of her left hand are wearing bone rings.

The drinks on the plane are only ten and a half, and after adding a few pieces of ice, there will be even less liquor.

Tsujino Ruzuru was a little dissatisfied with this, she raised her head and drank it in ten breaths. Her chin and neck formed a graceful arc, and her short hair over the ear fell back, revealing her white earlobes and the dark black on the earbones. Ear clip.

She travels long distances every year, and is a first-class VIP guest of many airlines, and this one is no exception. When the plane arrives, what should she do? Inch small box.

In the last few minutes of waiting for the plane to stop, Tsujino Rutsuru thanked the stewardess on the plane ten times decently, and wrote a thank you card to express her satisfaction with their service, which made her journey full of sincerity bless.

But when she stepped out of the plane, pulled the suitcase and started walking, her expressionless face returned, and she went straight to the exit with a clear goal.

She is tall and has good eyesight. She can see the professional women with her name written on them in the waiting crowd within ten seconds.

"The staff of the Kotokan, Oshima Masao-kun?"

A cold voice sounded in his ears like a clear stream, and Masao Oshima, who was holding a sign, heard his name and responded reflexively: "Yes!"

Tsujino Ruzuru extended his hand to greet her.

She's trained to accept people as long as she wants without making them uncomfortable.

At least Masao Oshima, who became a regular employee not long ago, felt that the Tsujino writer she was about to take over would not be difficult to get along with, and she even had the illusion that she could become friends with the Tsujino writer.

"What's wrong? Me? Scary?"

Tsujino Liuhe raised his eyebrows, she liked the new editor quite a bit, did not expect the new editor to be a little afraid of her?

Are you scared to death?

"No, nothing!" Masao Oshima hurriedly explained, "I want to discuss with you something about work."

"Regarding the copyright issue of "Sun, Moon and Stardust", recently a company wants to buy the copyright of animation adaptation."

"Sun, Moon and Stardust" is Tsujino Rutsuru's first work under her Japanese pseudonym, and it is also her 16-year-old debut in the Japanese literary world. It tells the past of Jiguo brothers in her dream.

Although the title is very modern, the content tells the story of Japan's Sengoku period.

After waking up from the dream, Tsujino Liuhe spent ten nights in a daze and wrote the first draft of the Sun Moon Brothers. His friend Miss Fitzgerald was astonished and wanted to help her publish it, but Tsujino Liuhe himself could not Dissatisfied, thinking that this story is not well written, and publishing it will damage her self-esteem.

Her words were so serious that she thought she had no confidence and no way out, and wanted to use financial resources to help her publish Fitzgerald's heir. She was taken aback, and hurriedly stopped her small movements.

Distraught, Tsujino Rutsuru followed the guidance of the dream and went back to Japan, and she changed a lot after that.

Ten or so of these changes were the final draft of The Sun, Moon, and Stardust.

She played down the strangeness of swordsmanship and the existence of evil spirits in the dream, and focused on the human nature of the swordsmen.

Ten pairs of twins were born in the samurai clan of the Warring States Period, but their fates were completely different.As the eldest son, the elder brother was vigorously cultivated by the father of the Wu family. The younger brother was born with a birthmark and was rejected by the superstitious father. After failing to kill the son, he was even deprived of his dignity and educational opportunities as the son of a nobleman.

However, the younger brother has a talent that is as dazzling as the sun and cannot be ignored by the world. This makes Mu Qiang, the head of the martial arts family, feel attracted to him.

The above plot only appears in the wedge part of "Sun, Moon and Stardust".

Because the essence of this book lies in the 'stardust'.

Whether it is Ji Guo Yuan Shi, who is as dazzling as the sun, or Ji Guo Yan Sheng, who is as noble as the moon, their talents are far beyond ordinary people.

They are born with beautiful jade, eye-catching.

More people are rough stones, gravel, dust, unknown.

Talented Ji Guoyuan Ten chose to help other swordsmen to polish himself. Ji Guoyansheng, who received traditional aristocratic education since childhood, disagreed with the publicity of swordsmanship. The two brothers had an ideological dispute, but they were still brothers. We will get together every year and festival.

——The above is Tsujino Ruzuru's changes to the content of the dream. She, who has a deep hatred with Guibu, dreamed about the experiences of Jiguo's brothers, and couldn't help but feel sad for Gao Jie's Jiguo Yuanshi. He attaches great importance to his brother's feelings, and she She also saw the remorse of Ji Guoyansheng before she died, so the brothers in her writing parted ways but agreed.

Their ideological dispute was limited by Tsujino Tsururu to differences in kendo inheritance, schools and methods of teaching disciples, but they were still relatives.

The disciples they teach are "star dust", some disciples are very talented and are "star talents", but in the end they are mediocre and become mediocre; Through the tempering of life, swordsmanship and personality shine with unique light like stars.

"Sun, Moon and Stardust" ten books, the bright line is the disagreement and reconciliation of the sun and moon brothers, revealing the multi-faceted personalities of the two swordsmanship masters - Ji Guoyuan, who is as strong as the swordsman master, is also not good at handling interpersonal relationships , Just as Ji Guoyansheng will also be afraid and jealous of himself under the shadow of his genius brother, which makes them more real and vivid.

But what really made this book popular, and it was the growth process of the disciples of the dark line that was touched.

Tsujino Ruzuru not only watched the training of swordsmen in his dreams, but also went to check the information he saw in reality, and read the lives of masters and losers of various schools.

What do the winners think, and what do the losers think? Mindset?

In short, there is no easy life for those who are serious about seeking the Tao. Each has his own struggles and pains. A large number of details about life in the Warring States Period and kendo make the novel full of reality, and readers are thrilled when they read it.

It seems that I have also become a role in it, and the author pinches the back of fate's neck.

"Animation...?"

Tsujino Ruhe was a little surprised, she had received a request to adapt a TV series before.

Now that the editor has changed, even the copyright adaptation situation has changed?

When it comes to work, the well-prepared Oshima Masao is full of confidence and explains for her.

The previous editor in charge of Tsujino Rutsuru has a lot of qualifications, but unfortunately, he has a poisonous mind. He points fingers at Tsujino Rutsuru's writing, and he is very disrespectful to young women.

Tsujino Tsururu recorded evidence of his sexuality, harassment, and harassment, and directly called the police. Later, he was charged with bribing congressmen, extortion and other crimes, and let him stay in prison until his old age.

This? And why? At first Masao Oshima thought she was difficult to get along with, but it was because of her bad reputation.

"Yes, I? After accepting your copyright affairs, I found that the company didn't pay much attention to the "Sun, Moon, and Stardust" project. It was rumored that they planned to delete the "Stardust" chapter after getting the copyright, and turn the "Sun, Moon, and Stardust" Make relatively large business changes.”

Tsujino Rutsuru took over? The film and television company's work collection introduced by Masao Oshima, I understand.

The so-called commercial adjustment of that company is to put some beautiful women and handsome men in the swordsman group portrait novel "Sun, Moon and Stardust", remove a few swordsman characters, and add love lines.

Or the female swordsman in the book was changed by demons, either? Turned into a love brain, or?

In short, the IP that this company took over broke the hearts of readers of the original book.

"... Then the animation is enough?"

Tsujino Rutsuru looked through the documents: "Kinoshita Group?" She was not familiar with Japanese business, so she took out her mobile phone and checked, and found that this company was quite big.

"But they haven't done it before? Film and animation business? Is it reliable?"

Masao Oshima said sincerely: "The main reason is to give money generously. Kinoshita's offer is ten times that of others."

Flipping through the back of the document, Tsujino Rutsuru understood: "...Ha, it turns out that they really want to buy the copyright of "The Butterfly and the Knife."

Tsujino Liuhe seems to be smiling? Not smiling? This group has a lot of ambitions.

"Sun, Moon and Stardust" is Tsujino Rutsuru's famous work, but it is not her best work.

It is her tenth representative work: "Butterfly and the Knife" that established her reputation as a genius writer and allowed her to live a particularly happy life after breaking down the well-connected old editor.

The ten chapters tell the stories of four surgeons, and the core idea is that life is precious.

Butterflies have an image of death in literature. It is beautiful but fragile, just like human life.

The work of doctors treating diseases and saving lives is great and hard. They study hard and improve their skills, but they cannot save the lives of every ten or so people.The work of a surgeon is like dancing with butterflies, full of uncertainties. No matter how high the success rate of the operation is, it is not 100%.

The butterfly has the power to break the cocoon, the revived people bloom with vitality, and the doctor who has experienced setbacks regroups.

Some butterflies die, others flutter their wings, lifelines are vague yet clear, cruel yet miraculous.

Tsujino Rutsuru tells the story ten to ten with a calm brushwork. The precise text description and abundant emotion have broken the defense line of countless readers, making them cry and laugh at the same time.

In the year when "The Butterfly and the Knife" was released, it ranked first in the annual bestseller list with a terrifying sales volume of 300 million copies in less than a year, which is twice that of the second.Tsujino Ruzuru earned hundreds of millions in royalties, and won the big prize under the envy and jealousy of countless peers.

The success of "The Butterfly and the Knife" even contributed to the upsurge of Japanese doctor-themed novels. After three years, its sales have not declined. .

But Tsujino Ruzuru never agreed.

The Kinoshita Group is very smart. They want to win the copyright of "Sun, Moon and Stardust" first, and complete the first cooperation with her, and then it will be much easier to discuss the copyright cooperation of "Butterfly and Sword".

"What do you think?" Masao Oshima asked her, placing herself relatively low.

Tsujino Rutsuru pointed to some documents, but instead praised Masao Oshima's work. She is a writer with a keen mind and good rhetoric.

For the first ten times, Masao Oshima was highly recognized for his work value, and his face flushed with joy.

After initially building her self-confidence, Tsujino Rutsuru said the answer to the Kinoshita Group's contract: "Wait another ten weeks."

"Why??"

"Wait for the "Psyche Under the Storm" movie prize draw and box office statistics."

"Hollywood movies? The ten most popular films in the United States recently, produced at a small cost of several million dollars, now have a box office of more than one billion dollars in North America." Masao Oshima immediately stated relevant information about it, showing a solid working ability.

She was puzzled: "Does this have something to do with "The Butterfly and the Knife"?"

"Oshima-kun is amazing! He is very sensitive to hot spots and very professional!" Tsujino Rutsuru sincerely praised her, and then leaned back leisurely. She wanted to drink, and she could just come and smoke.

"Oh, nothing? I also wrote the original novel "Psyche Under the Storm" with the same name as the movie."

Oshima Masao coughed, "Na, Nani?!"

Tsujino Rutsuru shrugged his shoulders: "I? What am I? A peerless genius, how could it be possible to write a work like "Butterfly and the Sword" in one go?"

She used images of butterflies, life, women, knives, roses, dreams, etc. to write a lot of pen writing works. The ten best novellas refer to American values ​​of struggle, Greek love stories, and her good friend Kongtiao Xu. Lun's butterfly sense of sight, wrote "Psyche under the Storm" about a girl becoming a sea rescuer.

There is also a short story, "The Pillow Butterfly", which she wrote based on the allusion of Zhuang Zhou's dream of a butterfly in China and her own dream experience. Now she herself can't understand this?

Masao Oshima: "..."

The low-budget production of "Psyche Under the Storm" got a high box office, and someone has long analyzed the reason for its success-content wins.

The screenwriter will change, and the director will shoot.

The original story has won 3 novel awards.

Masao Oshima secretly took out his mobile phone to check "Pillow Butterfly".

Tsujino Tsuzuru was 2010 years old when he won the 14 American Manuel Chinese Literature Award-Junior Category. [1]

Masao Oshima: "..."

What did writer Tsujino just say? Come on?

This person... has a big mistake in his perception of himself!