I heard that I was a routine [entertainment circle]

Standing in Jiang Meng's musical instrument room, one can basically imagine Chu Xiao's study.

The tone of the whole room is log color, all furniture is wooden

Western musical instruments and traditional Chinese musical instruments are placed on the left and right sides of the entrance. Correspondingly, Chu Fengge remembers that the original foreign language books and traditional Chinese books are also placed in the same position in Chu Xiao’s study room. All books are arranged according to the musical instruments. Alphabetical order of English names.

In the words Chu Xiao told Chu Fengge: "Every time I pick up a book, I will think of what musical instrument is placed in the same position in Mengmeng's room, so that even if we don't do the same job, I always think about it. look at each other."

Although Jiang Meng is already the mother of two children, Chu Xiao still insists on calling her by her nickname, and never calls her "the mother of the children" or "my wife", because he knows how sensitive and self-respecting Jiang Meng is, And he valued her sensitive self-esteem, too.

It's really romantic and drunk. Although Jiang Meng smiled and snorted at Chu Xiao's words every time, Chu Fengge remembered the happiness in Jiang Meng's eyes.

The past happiness is gripping his present heart, but at the moment Chu Feng's eyes are full of those past happiness, which makes him feel suffocated.

Chu Fengge led Yue Qinghe through the spacious aisle, and came to a piano in the middle of the room. He felt as if his whole body had been thrown into a pressure cooker that was blowing air. He couldn't breathe, so he had to hold the piano and barely sit down.

The body of the piano is also made of wood, and the whole body is inlaid with water lilies using ink wash techniques, which Chu Xiao specially made for Jiang Meng.

Although no one has maintained it for seven years, but because the room is always clean, there is not much dust. It's just that Chu Fengge randomly knocked on the keys a few times, and found that the sound is somewhat loose and needs to be adjusted.

But Chu Fengge was not in a hurry to correct the sound, but pointed to the black and white keys with a wry smile and said: "When I saw this piano, I thought that there was an identical piano in the study opposite, but the keys on that one were all covered in black and white. Books, maybe you're right, designers really have obsessive-compulsive disorder in this regard."

Could love be actually a kind of obsessive-compulsive disorder, Chu Fengge thought while talking.

Yue Qinghe looked at the piano along Chu Fengge's fingers, remembering that Chu Fengge said before that this house was built by his father for a marriage proposal, so it seems that the designer is his father, so Yue Qinghe asked tentatively: "Your parents Love is like rubbing the other into your own bones. If one party betrays, what will happen to the other?"

Chu Fengge did not expect Yue Qinghe to say such a thing, he was silent for a long time before replying word by word: "Probably it will be like being punished with sandalwood."

He actually didn't know if there were other crueler punishments, so he had to say what he thought was the most appropriate, but after speaking, Chu Fengge realized that Yue Qing and the question were wrong, and immediately asked: "What are you implying?" ?”

This is a question that Yue Qinghe has prepared for a long time, but he didn't want to ask it before, but now seeing that Chu Fengge's mood didn't fluctuate much, he felt that maybe this was an opportunity, so he said: "I know your father He died in another country, how did he die?"

Although Chu Fengge felt that Yue Qinghe's question was sudden, but considering that this person seemed to say nothing that was not abrupt, he replied: "My mother said it was a car accident, but I don't know anything about it. And in order to protect him For the last dignity, my mother directly cremated my father's body before bringing it back."

Yue Qinghe knew about Chu Fengge's family background, but the information only said that his father died, and he never mentioned the car accident. Now that he got Chu Fengge's answer, Yue Qinghe became more suspicious.

"Have you ever wondered what kind of car accident is so bad that it needs to be cremated urgently, and such a car accident has not been reported in the news?"

Chu Fengge annoyed others with conspiracy theories the most, so hearing Yue Qinghe's words made him stop impatiently: "We are not going to write a song for a suspense mystery drama now, so let's stop this topic here."

Yue Qinghe knew from Chu Fengge's attitude that if he asked again, he would not be able to find out why, and it might irritate him again.

Chu Fengge gave Yue Qinghe a blank look, and picked up a book of basic music theory for Yue Qinghe to read first, while he opened the script of "The Desire of Immortals and Ghosts".

After taking a nap before, Chu Fengge really figured it out a bit, and he can no longer be dominated by his fragility. Now he not only owes Mo Lingchuan money, but also owes a lot of debts of favor.

Although his loved family members are gone, there are still so many people who spare no effort to help him, he really has no right to feel sorry for himself.

Although it would still be sad, it would be a day if he could last a day, and he felt that such an exciting life was actually a bit interesting.

Thinking of this, Chu Fengge began to read the script seriously.

Chu Fengge prefers to read the script rather than watch the drama directly. Although the script of Tang Shuang's bad drama is not necessarily better than the film and television, at least he doesn't have to suffer from the actor's acting skills while complaining about the plot.

The script of "Immortal Dao and Ghost Desire" is the same as most dramas nowadays. It is adapted from popular online novels. Although it has been 2595 in the Chinese calendar, the romance drama is still Qiong Yao's routine.

This ancient-style fairy tale drama is like an ancient-style handbook collaged with ancient-style tapes.

Flipping through it casually, I think it looks good, but after all, it’s just a collection of polychloride. No matter how beautiful it is, it can’t cover up the traces of industrial assembly line production. It’s just that Tang Shuang’s demoulding is relatively successful, and audiences who don’t seek perfection can’t see it. The template is born with flaws.

Chu Fengge used to disdain this type of product. When his own artist had no choice but to act in this type of drama, Chu Fengge had to enlighten himself for a long time.

And the acting skills of all kinds of complaining artists, I hope they can turn their complaints into motivation and try to get rid of this kind of drama, but unfortunately, I didn't expect that Bai Qingchen, the only one who got rid of popular romance dramas, really got rid of it completely, and even The identity of an actor has been thrown away.

Having said that, this is the first time that Chu Fengge seriously examines popular culture. In the past, no matter what, he was not personally involved in the production process, and Li Yaosheng was the one who chose the script of the TV series.

Chu Fengge read the script from beginning to end, and began to understand a little bit why the audience loves to watch such things, and the so-called romantic drama, why do you have to have some life and death, you have to strengthen the sense of ritual, and you have to use the death of all living beings to bear support.

That's because there is no way to falsify the thing of "love", and there is no truth-seeking. In addition, due to the review problem, the criticality must be avoided.

Therefore, if it is necessary to show it to others, they have to find ways to perjure it, and must materialize it, so that people can understand that it is love, not other worldly feelings that are actually equally valuable, and what Chu Fengge thinks is true There is no way to show off your love.

Just like Jiang Meng and Chu Xiao, their sweetness and romance are very private things. As a family member, Chu Fengge is lucky to see a thing or two, but more often, what he sees is his parents killing each other. For kitchen and work.

Of course, there are also people who shoot ordinary people's love, but you must know that no matter what it is, it will be distorted once it is separated from the screen. As for himself, he has never believed in love too much.

Just as he was thinking, Yue Qinghe had already tuned the piano just right. He sat next to Chu Fengge and played a piece of well-tempered tune.

The most stringent rhythm is changeable, just like rhythm poetry, it is a dance in shackles, and it also reminds Chu Fengge of love.

While listening to Yueqing and playing, he said to himself: "I used to be full of inspiration for writing difficult pieces, but now I can't write a single note or a single lyrics."

Yue Qinghe realized that what Chu Fengge was struggling with was not that he was really uninspired. He stopped playing less than half of the piece, changed to a pop song and said: "It's not that you are uninspired, you just don't want to compromise with popular culture. .If you don’t want to, you really don’t have to.”

Chu Fengge's thoughts were cleared by Yue Qinghe. Although he had never watched Tang Shuangju, he understood all the routines.

In many of Tang Shuang's dramas, although the people who wrote the theme songs are different, the methods are all the same. It is nothing more than beautifying the scenes in the drama and turning them into lyrics. Sad for romance.

In fact, according to this idea, Chu Fengge can easily write works that are ten thousand times stronger than them, but just like Yue Qinghe said, he is unwilling to compromise with popular culture.

In the past, Chu Fengge might really have put down his burden and quit, but he is very contradictory. If someone held him with a knife and asked him to do it, he would probably wipe his own neck.

But like Yue Qinghe, instead of persuading him, he encouraged him to give up. To Chu Fengge, it sounded like he was questioning his ability, so he insisted on doing it.

It's the same with him now, he didn't think about it at all when his head was hot, in fact, Yue Qinghe had already understood him thoroughly, and he even tried his best to analyze it.

The soundtrack of Tang Shuang’s previous dramas was a kind of clamor. Love, hate, love and hatred are performed by the protagonist, so I have to sing it again in the background sound, as if I am afraid that the audience will not understand when they look at the screen again. Only when some thought-provoking lyrics come out can there be depth.

Chu Fengge thought it all over, although he really didn't like this kind of drama, but for the sake of Yue Qinghe, he decided to make music for it.

Since Tang Shuang has always had the title of icing sugar in the ratings, it is very easy to brainwash the audience by making reasonable use of the soundtrack to enhance his presence, coupled with Yueqing and his own strength.

Chu Fengge quickly thought of a strategy, wrote the opening and ending credits, no longer wrote other interludes, extended the prelude and interlude of the opening and ending credits, and then used the method of key change to make the interlude.

In this way, although the same song is used in all the pictures, because of the difference in singing style and rhythm, it can adapt to all changes without changing, which will not make the audience feel bored, but also focus on one or two songs to create a sense of presence.

Thinking of this, Chu Fengge suddenly asked Yue Qinghe who was still playing the piano: "Can you sing a whole song with a female voice? It's the female voice you practiced before, not the small voice of Peking Opera."

Yue Qinghe didn't answer his question directly, but stood up and sang a section, which was still the same song that Chu Fengge had written before, but sang it entirely with a female voice.

This is a lyrical song, the name of the song is "Wishing", the original singer is a female voice, the tune is not often written by Chu Fengge, and it is precisely because the accompaniment has no ups and downs, so the singer is required to play, how to make the repeated lines The lyrics are sung excitingly, which is the difficulty of this song.

In the past, many male voices sang this song, but the lyrics of this song were written purely from the perspective of women, and they are delicate and tangled.

So until now, apart from the unsatisfactory original singing, Chu Fengge has never heard a better version.

Ke Leqinghe sang completely without accompaniment, and Chu Fengge's heart was softened by the first sentence. He couldn't help but play the piano to encourage Yueqinghe to continue singing.

"...

dust rides wild horses

skirt shaking body

Every water I wade in will overflow

The city I love will be overthrown

I am the sultry warmth of May

I am the cold of the twelfth lunar month

but i wish i was nothing

better than i have to prove that i am

......"

The words are the words of the stream of consciousness, and the music is dull. Men do not have this position and experience. They sing about the wind, flowers, snow and moon. Women are wind, flowers, snow, and moon, but they are not human.

And some women sing about spring flowers and autumn fruits, and they themselves become spring flowers and autumn fruits, but they forget that they are human beings.

Only Yue Qinghe stood outside the door, neither knocking nor prying, neither tall nor short, singing only what he saw.

After Chu Fengge played the last syllable, he stood up excitedly and hugged Yue Qinghe, rubbing his head in his hands.

Yue Qinghe didn't resist at all, but embraced Chu Fengge's waist, and lifted him up with all his strength. Before Chu Fengge had time to be frightened, Yue Qinghe put him on the piano again. Holding Chu Fengge's face in his hands, he asked, "Can I kiss Teacher Catherine?"

Chu Fengge was glad that Yue Qinghe didn't want to kiss Vivian, and Yue Qinghe's lines made him feel impulsive.

He didn't know if he was controlled by the undead of love possessed by his parents on the piano for a moment, so that he sent himself to Yueqing and Zui without even thinking about it.

There is no drama where the protagonists look directly at each other, there is no careful temptation, there is only a kind of triumphant progress to achieve an accomplice.

Yue Qinghe was very speechless, it was the first time he saw Chu Fengge being so active, he didn't expect to come and go so fast, Chu Fengge, like his own silly son, slammed into a car with his head to mouth, and immediately Just bounce off.

So is this a bumper car kiss?The atmosphere was also exhausted, and Yue Qinghe realized that the initiative must be in his own hands.

After that, Chu Fengge began to immerse himself in writing the music, and he took Yueqing and recorded countless versions.

The three basic tunes used methods such as adding and subtracting different instruments and variations, and insisted on writing music that can be perfectly embedded in any segment of the TV series.

But when Chu Fengge finally finalized all the repertoires and packed all the materials in his hand to Tang Shuang's company, Tang Shuang almost knelt down in front of him and begged for forgiveness.

Because it was originally agreed that all the songs would be sung by Yueqing and one person, but a star TV heard that Tang Shuang’s drama had not been edited recently, so he asked Tang Shuang that the condition for the introduction was that the opening song must be Sing for the daughter of a leader in the stage.

Tang Shuang was very loyal at the beginning and prepared the lines of euphemistic rejection, but was told by the finance that this drama spent too much money on publicity and marketing, and it was a big production. She spent a lot of money to praise her own artists. It is the fastest way to recover the cost and sell the drama to the TV station.

Moreover, Tang Shuang also considered that if Shangxing Satellite TV suddenly withdraws this time, even though Yue Qiyun's C City Satellite TV is still supporting it, the media might hype it up, let alone reject it this time, and in the future and The cooperation of this station is also gone.

After thinking about it, she felt that it was impossible for Chu Fengge to make Yue Qinghe popular with just a few theme songs. This time, it was inhumane. At worst, she would let Yue Qinghe be the second male lead in the next filming, and she would personally bring him , as compensation.

Thinking of this, Tang Shuang turned to Chu Fengge with a stern face, hoping that he could help.

Chu Fengge returned from Tang Shuang's company so angry that he almost didn't order the house. He really didn't expect that one day he would mess up like this.

Yue Qinghe advised calmly, "I don't think singing to her is necessarily a bad thing."

Chu Fengge became even angrier when he heard it, and patted the table and said, "This is written especially for you, no one can do it except you. And you know, most of the interludes I recorded for you are female voices, who knows if it will be okay?" There will be people who don't have ears to mistake the original song."

Yue Qinghe cut out Chu Fengge's words in his mind, leaving only the sentence that no one can do it except you, so his expression became happier.

Chu Fengge was very dissatisfied with Yue Qinghe's attitude, bit his lower lip and asked fiercely: "How can you still laugh?"

Yueqing and Wenyan laughed even more happily. He walked up to Chu Fengge, knelt down and held Chu Fengge's hands and said slyly: "I see that the right to adapt is in your hands in the contract, and she can sing whatever she can sing." You decide, you only need to lower the key a few more times, and you don’t have to worry about the audience being confused.”

Chu Fengge was dumbfounded, what's the use of changing it at this time, it's not all sung by others, so he still said angrily: "Do you think the song I wrote is too high-key to embarrass her, and you want me to pity the fragrance and cherish the jade...?"

As Chu Fengge said, he looked at Yue Qinghe again, and suddenly understood that singing bass is Yue Qinghe's advantage. No matter how low a female voice is, it can't be as low as a male voice. Moreover, the treble is easy to tune, and the middle and low range are not easy to tune.

Chu Fengge finally understood Yue Qinghe's smile this time, and felt a chill down her spine. The girl might sing to the point of doubting her life.

There was still a period of time before the film was completely cut and broadcast, and Chu Fengge suddenly conceived another plan in his heart. Perhaps besides the traditional old three, there is a better way to show Yueqing and its charm.

The author has something to say:

It's over, it's over, if I die suddenly, you guys have to remember to love me