A different director [entertainment circle]

Wang Changyong did not expect that the literary script he wrote would be selected by Qin Yan and become the film project of Huayan Company this time.

In fact, the script of No. 5 was revised only recently.The previous version was too realistic and lacked a sense of ups and downs.But today's "Born in Silt", while maintaining the integrity of the story, has also increased the plot tension.

Of course, Wang Changyong is also excited, who doesn't want their works to be put on the big screen?

What's more, this script has extraordinary significance to Wang Changyong. It is not the realization of personal value, but Wang Changyong's long-standing belief.

After a short period of excitement, Wang Changyong, who has experienced the ups and downs of his life, quickly calmed down again.

He knew that since the film and television company wanted to establish a project, the most important and priority issue was to find a suitable director. But now, can Huayan company find a suitable director?

Not to mention Qin Yan, who doesn't know that Qin Yan is best at making commercial films.Do you want to leave a blockbuster movie worth hundreds of millions of dollars, and come back to make a little-known literary film?

Now who doesn't know Qin Yan's worth?Qin Yan is now filming "Earth Fortress", and the direct box office revenue can reach hundreds of millions, not counting its dv, peripherals, ip and other income.

No one would think that Qin Yan would give up his commercial films in full swing and suddenly switch to literary films.

So Wang Changyong immediately removed Qin Yan from the list of directors.

There are only three young directors left in the company.

Although they have studied very hard, everyone is watching.

But if you can become a qualified director through study, there won't be so many bad movies in this world.

Let alone Li Weihao, who has been imitating Director Qin's style, he is good at commercial films.

Then there are two other young directors. Among them, Du Peng is good at pictures and art, and "Born in Silt", which is completely uncontrollable in narrative ability, is the biggest flaw for literary films.

Originally, the story of a literary film is profound, if it is still muddled, who would want to watch it?

As for Guo Zitao, who has a slightly more artistic approach, in Wang Changyong's view, he is still too immature, and more importantly, he doesn't understand the core of his script at all.

Wang Changyong had communicated with Guo Zitao in private, and he was a child who went smoothly since he was a child.Guo Zitao had no way to empathize with "Born in Silt" when he was reviewing the script.

Even the director doesn't like the script, it's impossible to make a good movie.

That is to say, my own "Born in the Silt" is very likely to go outside to find other directors to shoot, which seems to be the only feasible way at the moment.

In fact, this is also the production model of most film and television companies, except that like Friendship Films, there are well-known directors who can be absolutely trusted and are already in the management, and can maintain long-term and stable cooperation.

The vast majority of other film and television companies are looking for a suitable director after they need to make a movie, and the movie has even been approved.

Don't think that only actors will be abandoned by the capital market after poor box office these days, and the same is true for directors.

Many well-known big directors, as long as they make a movie that is not welcomed by the market, they will immediately become abandoned by the entire capital market, and no one will take a second look at you.

Wang Changyong began to fantasize about his own work again, which director would take the shot.

Soon Wang Changyong realized that he had become a little worried about gains and losses. He didn't like this kind of himself, so he took the initiative to put this matter aside and didn't think about it again.

What's more, when Qin Yan collected the script, he had already said that if the approved script was a literary film, he had to wait until the director and actors were roughly confirmed before shooting.

So my own script is likely to be temporarily stranded, so don't expect it.

Just when Wang Changyong finally calmed down and waited, he was bombarded with news one after another, making him a little dizzy, because the other two scripts had been successfully approved and entered the stage of team formation.

No one expected that Qin Yan would act so resolutely. Although the film project has not been announced to the public, the screenwriters in the study class have mutual contact information, and they already have a general idea of ​​Hua Yan's recent movements.

The first script to be approved for the project was of course "New New Era" written by Li Weicheng. This is a classic commercial drama script that everyone is optimistic about.

Another very important reason for the rush to shoot "New New Era" is that this kind of commercial comedy has a very short timeliness for laughs.

If we don't shoot quickly, maybe the character in this year's script is still using a certain chat communication tool, and the company has closed down when we shoot.

When it was released in the cinema, the plot completely collapsed, making people incomprehensible.

Some of the classic plots and conflicts in the script will gradually fade over time.

So on the second day after Qin Yan announced the results, the company took the initiative to find Li Weicheng, and then signed a contract with Li Weicheng. The most important director and funds have been confirmed.

And as everyone has guessed, the director of "New New Era" will be Li Weihao, one of the new directors.

Although "New New Era" is only a commercial film, Hua Yan boldly gave a budget of 6 million.

If such a newcomer is directly appointed as theatrical film director, everyone will feel nervous.

Can a young director really control the 6 million funds?

Whether it is negotiating prices with actors and staff, or completely controlling the entire crew, it is not an easy task.

Between theory and practice, there is a gap that many directors cannot bridge in their lifetime.

But when the company's coping strategy was decided, everyone was relieved——

Qin Yan will serve as the producer of "New New Era".

Reasonable, yet unexpected.

Introducing such a film project to the outside world, not only Huayan Company will be nervous, but Qin Yan will also be nervous.

It's not that Qin Yan is worried that the movie will fail. Qin Yan really can't afford a 6 million movie.

What he was worried about was how much loss and pressure it would bring to the entire Hua Yan attack if Hua Yan's first film directed by other directors failed.

Now Huayan's growth momentum is indeed unstoppable, but once it is frustrated, it will be a sudden brake, and most of it is a situation where one person turns his back on his back.

And once Hua Yan stops growing, Qin Yan's future plans must also stop.

Qin Yan snatched the title of "producer" from Ding Chang without hesitation. Of course, Ding Chang was still responsible for the specific work of the producer.

To put it bluntly, Ding Chang, the big internal manager, is still in charge of the chores of funds, communication, and communication.

And Qin Yan mainly controls the crew and shooting of "New New Era", these tasks will directly determine the final quality of the film.

It seems that Qin Yan is talking about cultivating young people in name, but at the same time controlling them.

But everyone knew that this was the safest way, including Li Weihao himself, who didn't have any opinions.Even when Qin Yan asked him to hold the mirror independently, Li Weihao seriously shied away.

At that time, he said that he hoped that Qin Yan could be the director, and that it would be good for him to learn experience as an assistant director.

It's not that Li Weihao is not greedy for such an opportunity, he has also fantasized about himself taking up the director's tube countless times.

But after studying behind Qin Yan for more than a year, he understood that it is not so easy to be a director.

There is indeed an opportunity in front of him, but this opportunity weighs more than a thousand catties, and if he is not careful, he will die in Huangquan. Li Weihao asked himself, can he really take it?

How many people talk about going forward bravely and not being afraid of challenges, it is because they have never seen what a real challenge is, walking on thin ice and facing an abyss.

Director's work is still too unfamiliar to Li Weihao, so he was also in charge of part of the work in the crew of two promotional films, and he still had too much experience in human relations and crew management that he hadn't had time to learn.

Usually, Qin Yan seems to be a director who is determined to go his own way, refraining from oil and salt, and a very maverick director, but in fact, in Vanity Fair, Qin Yan's ability to do a job with ease and skill at dancing is something that young people like him can achieve. .

Qin Yan still chose to hand over the position of director to Li Weihao. On the one hand, Qin Yan really wanted to train Li Weihao, and on the other hand, it was because Qin Yan didn't have the energy to be a director.

Not to mention being a director, even being a half-producer is beyond the imagination of Wang Changyong and other people in the know.

Everyone knew that Qin Yan would definitely continue filming "Earth Fortress 3", and judging from Hua Yan's current preparations, the production would start by the end of this year at the latest.

Everyone knows how messy Qin Yan's filmmaking is and how much preliminary work he has done.

Under such circumstances, Qin Yan still has to act as a producer. Can it really be done?

More importantly, Qin Yan is required to be the producer of such a drama film with a high probability of success as "New Era", so Qin Yan can produce another "Hou Yi" with a greater investment and greater risk factor. let go?Does he dare to let go?

That's right, compared with the approval of "New Era", what really surprised all the screenwriters was the script "Hou Yi" written by Zhao Guangren.

To be honest, the establishment of the "Hou Yi" project was not at all what they expected.They have made a lot of assumptions, and there is absolutely no "Hou Yi" among them.

They admit that the script of "Hou Yi" is very good, and they all think that "Hou Yi" is not suitable for project approval now.

"Hou Yi" is a complete reinterpretation of classical mythology. It is no longer a hearty epic, but a devastated human nature.

The legend of "Hou Yi shooting the sun" is just the background of the script, and all this happened after Hou Yi successfully shot the sun.

Hou Yi, who shot down nine golden crows with great courage and offended the demon clan for the sake of mankind, should have been a hero.

However, the descendants of Hou Yi were hunted down by human beings all over the world.

According to legend, the reason why Hou Yi was able to shoot the sun successfully was not because of his own strength, but because of the longbow he owned, which had the power to burn the sky and boil the sea, and split the mountains and the earth.

Therefore, human beings began to hunt and kill the descendants of Hou Yi on the grounds that "Hou Yi provoked the war between the human and demon races, which is an unforgivable crime".

Think the story is only that simple?

No, in Zhao Guangren's script, there are demon clan conspiracy, the truth about shooting the sun, and the final ending beyond everyone's expectations!

"Hou Yi" is based on the myths and legends of Huaguo, but it writes a darker, more exciting and exciting story.

This script is indeed a good script, but it is also a very difficult script.

This is a myth. It involves human/demon races. There are a lot of gods, monsters and supernatural battles. If you want to shoot well, you must use special effects, and there are a lot of special effects!

This is not the era when you could fool the audience with clouds, dry ice, and explosions more than ten years ago.

With the development of modern visual technology, the audience knows how much sensory stimulation good special effects can bring to people.

Coupled with the fact that Qin Yan's "Earth Fortress" is in the forefront, "Hou Yi" cannot perfuse the audience no matter what.

Other people's film companies make special effects movies, and the special effects can pass with a score of 60.However, if the Huayan company shoots "Hou Yi", if the score is lower than 80, the audience will be disappointed.

The special effects are all made with money, and there is no tricky way.

So Qin Yan really approved 6 million US dollars to shoot "Hou Yi"!

Moreover, the director in charge of "Hou Yi" is also a new director of Hua Yan, and he is also Du Peng, who has the weakest camera skills!

But it is impossible to make such a bold decision for any company.

Really think 6 million dollars is not money, right?Exchanged into coins, it is enough to kill people!

Only Hua Yan, such an unlisted company, a company where Qin Yan has the absolute right to speak, can make such a crazy decision.

But after careful consideration, among Hua Yan's existing directors, only Du Peng is the most suitable for shooting "Hou Yi".

Du Peng's characteristic is that he has studied Chinese painting since he was a child, and his art skills are quite good. At the beginning, he conquered Qin Yan and other judges at the Qingying Film Festival with his own picture aesthetics.

It can be said that Du Peng has a good understanding of Chinese aesthetics, and his aesthetic skills are online.

This Huaguo fantasy special effects film will definitely involve a large number of characters, monsters, and scenery. Du Peng's artistic ability is indispensable.

But the problem is that Du Peng's narrative ability still needs to be improved. If such a director is completely allowed to make movies, it is very likely that the film will be an aesthetic propaganda film.

The picture of the movie is very beautiful, and you can even pause and take screenshots every second to become a beautiful picture.

But once the movie plays coherently, there is no way to tell a good story.

Qin Yan dared to invest, but it was impossible for him to joke around with the 6 million dollars.

To make "Hou Yi" a success, Qin Yan had to stand up and be the producer.

In addition, Qin Yan also took double insurance, that is, he chose the co-directing mode of two directors.In addition to Du Peng, Guo Zitao will also serve as director.

One will be mainly responsible for special effects, art and graphics, while the other will be responsible for plot structure and actors' acting skills.

In fact, this is a rather risky decision. You must know that co-directors are most afraid of disputes between directors. Once there is a disagreement, the crew will be the first to split.

Situations like this are all too common.

Not to mention that the directors who co-directed may have their own interests. When shooting a movie, once selfishness is at work, it will be open and secret fighting.

As far as the directors' different aesthetics and ideas are concerned, they may all think about how to make movies from their own perspectives, but they just disagree.

Knowing that each director has their own special abilities, but the industry still rarely uses the co-directing model.

Or in a unit movie, a movie is split into several small stories, which do not interfere with each other.

Either this movie has a super controller who can guarantee that the director will not have any selfishness during the filming, and that if there is a disagreement, it can be resolved immediately.

And "Hou Yi" is obviously the latter.

Only a powerful and dictatorial tyrant like Qin Yan can make Du Peng and Guo Zitao completely obey him.

The problem is that Qin Yan's workload directly exceeds that of a normal person.

Even if Qin Yan said more than once that he was really going to let the three new directors Li Weihao take the lead, he would not interfere too much.

But everyone knew that after the filming started, Qin Yan's intervention and guidance would be absolutely needed in various emergencies.

According to the internal information of Huayan Company, Qin Yan has already confirmed the shooting schedule of the two films, which will be in September and October this year.

The two films "New New Era" and "Hou Yi" looked like Qin Yan was filming with these new directors.

Qin Yan will play the role of a teacher, and he has to tell Li Weihao why they want to make this film and how to improve.

Qin Yan is indeed arrogant when it comes to movies, but he is also first-class selfless and serious when teaching people.

Even if Qin Yanji wanted to give the shots to these three new directors as much as possible, in order to ensure the final quality of the movie, the effort and workload he needs to put in would probably not be less than that of taking the shots himself.

Every employee of Huayan, when they heard the news, lamented Qin Yan's desperation.

It's no wonder that the outside world will say that Qin Yan is a desperate Saburo in the director's world, and he deserves all his achievements.

This is also the reason why Wang Changyong felt that it was impossible for Qin Yan to shoot "Born in Silt".

Now Wang Changyong has also read it. He thinks it's a big deal to let his script wait for a while. He has been waiting for so many years, and now the project has been confirmed, but the director just doesn't have time.

What if Qin Yan finishes filming "Fortress Earth 3" next year and has time to film "Born in Silt"?

Even if Qin Yan suddenly contacted Wang Changyong for a meeting at this time, Wang Changyong was still heartbroken and calm.

Wang Changyong felt that he had seen through the key points of Hua Yan's next work. Either "Born in the Silt" would be handed over to other directors for shooting, or it would be temporarily shelved.

So when Wang Changyong came to the conference room today, he was actually quite calm. To his surprise, Wang Changyong saw that Xie Beiyang was also in Qin Yan's office.

But it was just a little accident.

He has already taught from other Huayan employees that Xie Beiyang and Qin Yan are best brothers.

Sometimes when Xie Beiyang came to Huayan, he would work directly in Qin Yan's office.

Seeing Wang Changyong's arrival, Qin Yan immediately got up and said:

"Teacher Wang Changyong, you are here, please sit down."

This teacher's voice is not only a respect for Wang Changyong, but also a description of Wang Changyong's profession.

Qin Yan took Wang Changyong directly to sit on the tea table in the office, and he took out the most precious tea leaves, while Xie Beiyang helped boil water and clean the tea sets.

Wang Changyong took the teacup with a smile and said:

"I'm just an ordinary teacher, how can I bear the title of Director Qin."

Qin Yan's expression was very sincere:

"If there is no such profession as a teacher in this world, human beings may still be stuck in the era of drinking blood."

Qin Yan didn't deliberately compliment Wang Changyong, he knew some personal information about Wang Changyong, and he really admired Wang Changyong.

The two chatted about Wang Changyong's work and the students in Wang Changyong's class.

"I told them before that I sold you the script. They also said that I was bragging and that I lost my old face. Later, you have to give me an autograph and let me take it back to annoy these bastards."

"Where is the signature enough? Let's take a photo together later. The students in your class really don't know Taishan. After the movie is released, they will know how good you are." Qin Yan also joked with a smile.

"That's right. I really hope that it will be released soon so that more people can see it." Wang Changyong's tone was full of sighs.

Now that we've got down to business, Qin Yan said directly:

"Mr. Wang Changyong, your script is written so realistically, I'm afraid you are posting it out of feeling."

Hearing Qin Yan's question, Wang Changyong's elated eyes immediately dimmed by two points, and he said:

"It's really a feeling. I hope this is all my fantasy. But real life is always more cruel than human phenomena."

"Director Qin, do you have time to listen to me, an old guy, talk about this script?"

Qin Yan nodded seriously: "I wish for it."

He respects Wang Changyong and the script "Born in Silt".

"These things are not secrets. They have been in my heart for many years. Not only has it not dimmed with time, but it has become heavier and heavier."

"Sometimes, I don't need others to ask me, I will take the initiative to tell them this story."

"In the end, they all thought I was the modern version of Mrs. Xianglin."

Perhaps because of recalling the past that he didn't want to face, Wang Changyong's voice trembled a little:

"The prototype of the protagonist of "Born in Mud" is actually a child I taught before, or it is the epitome of countless similar children I have taught before."

"I'm not his class teacher, I just taught his political class."

Wang Changyong briefly talked about a past event. In fact, this past event is also very simple. The big deal is that there was a child from a poor family back then, who was too poor to go to school.

"At that time, the country had just implemented nine-year compulsory education, and he was only in the third year of junior high school, so his family asked him to drop out of school."

"But the child really wants to study, really wants to learn, and he is also very smart. He is the first in age, and he can beat No.2 by more than ten points."

"But something happened to his family, and there is no adult labor force anymore."

"He frantically begged the teacher at school, and asked the teacher to find a way for him, saying that he wanted to continue studying, go to high school, go to university, and wanted to leave this small county."

"The school has also done a lot of work, but his parents refused to agree to it, thinking that our school just wants to make money."

"At that time, the nine-year compulsory education was not compulsory at all. It was said to be free, but the textbook fee was still charged."[1]

"The family asked him to go back to farming, marry a wife and have children in a few years. This is the inertia that has been formed in the countryside for thousands of years, and there is no way to resist it."

"I really can't help it."

To be honest, Wang Changyong has not seen a hundred children like this in his educational career, and there are dozens of them.

Accustomed to it, indifferent, and powerless.

After all, Wang Changyong is a teacher in an urban middle school, and there should not be too many children from the countryside to study.

According to the normal situation, Wang Changyong will completely forget about this person after another two or three years.

If we can say why Wang Changyong could remember this child at the beginning, it is because this child is really smart, and he is very kind and cheerful.

Even though Wang Changyong has taught for so many years and has so many students, this child's grades are outstanding among the students Wang Changyong has taught, and he is very sensible.

Really talented kid.

Before he dropped out of school, Wang Changyong went to him specifically and had a chat with him.

"I still remember that I told him at that time: As long as you work hard, the world will never treat you badly, and you will definitely have a chance to stand out."

"Now I still remember very clearly that after he listened to my words, he nodded to me seriously."

"I will definitely work hard. I must become a rich man, and then I will be able to study in school."

"This matter just passed away. There are too many similar students, and I can't remember it at all."

Until many years, many years later, Wang Changyong suddenly heard that a man in the local village had committed murder and robbery, and was finally sentenced to death, and was executed in their locality.

It was originally a small county, and the "big news" of the murderer immediately became known all over the city.

The newspapers at that time had no right to privacy at all, and immediately reported the whole story, and the boy's experience from childhood to adulthood was completely stripped away.

He even wrote about the child's experience of studying in their school, and even asked Wang Changyong for an interview.

Only then did Wang Changyong feel how absurd it was.

It was also an exchange with the reporter about how much pain Wang Changyong had endured since he was a child, how many times he was unwilling and struggling, and was finally knocked down by reality time and time again.

This incident became a knot in Wang Changyong's heart.

Up to now, Wang Changyong still remembers that the reporter's microphone was slapped on Wang Changyong's face like a slap in the face:

"Are you a teacher of the people? What have you done in this obviously avoidable tragedy?"

"Can a child who was born at the bottom of the society really go through his own struggle and bring his life to a better level?"

It was also after this incident that Wang Changyong became more and more determined that he must continue to work as a teacher, and he could no longer be as indifferent as before.

Since then, Wang Changyong has sponsored more than a dozen students who were about to drop out because they had no money.

This is why Qin Yan admires Wang Changyong so much.

In Wang Changyong's story, he described himself as a teacher without morality. Because of his negligence and indifference, he brought such a child to a tragic end.

In the words, everything is hatred towards oneself.

After finishing speaking, Wang Changyong also said something very apologetic:

"Hey, sorry, let you young people listen to me, an old man, complaining about the past again."

Qin Yanzhi picked up the teapot silently, filled Wang Changyong with tea carefully, and said:

"Mr. Wang, you have done a great job. There are some things we really can't change."

While Qin Yan said these words, he handed a tissue to Xie Beiyang next to him.

From the very beginning, Xie Beiyang sat by and listened to Wang Changyong tell the story.As he listened, Xie Beiyang couldn't control his emotions, and cried so hard.

Xie Beiyang's empathy ability is really outstanding, which also makes him particularly sensitive.

Although Xie Beiyang doesn't have a special understanding of the low-level life described in the story, a good story has an extremely powerful contagious ability, and it instantly brought Xie Beiyang into the mud that he couldn't break free from, making him helpless Hide your emotions.

Wang Changyong said very carefully:

"That's why I have to shoot Director Qin's script. I have always wanted to shoot it, and I want more people to know what happened."

"It's only to let more people know how miserable these children are. It's not that they want to become bad people, but that they have no chance to become good people at all!"

Qin Yan nodded seriously, and said in a tone close to promise:

"Mr. Wang, I promise you that this movie will definitely be made, but I'm afraid I have to wait for a while."

Wang Changyong already had expectations in his heart, and said:

"I know. But I still want to shoot it as soon as possible."

"After all, these things still require the joint efforts of the state and society to change the situation of these children."

This is why Wang Changyong wanted to write the script "Born in Silt".He knows that a teacher like himself may be able to change the fate of a few children, but of course this is not enough for the whole society.

The car is full of water, and the gnat shakes the tree. The harder you work, the more desperate you become.

While insisting on his work as a teacher, Wang Changyong strives to become an author and screenwriter.

Because he is more and more able to understand why the great Huaguo author said: "Studying medicine can't save Huaguo people."

Studying medicine can only save a person's body, but what can be saved by thinking is the belief of a nation.

His persistence in school can only save one or two students, but movies can save more students!

What is art?What is literature?It is a work that can transcend time and space and spread ideas to more people.

If "Born in Mud" can be released, as long as it can be shot well, it can attract many audiences to watch it in cinemas, and make more people pay attention to these social issues.

Qin Yan suddenly made a decision, which he himself felt was too risky:

"Mr. Wang, do you have any thoughts on the shooting requirements of this film? I also want to chat with you."

"Actually, I'm just a small writer, and I'm just new to screenwriting, so I don't know much about movies."

"I just hope that there will be a more famous director and a few more famous actors who can join."

"To be honest, I don't particularly care whether this script can win an award in the end. What I care more about is whether it can be seen by more people."

"If I can keep the core of "Born in the Mud" and convey the same ideas, I don't care if it is made into a commercial comedy."

The only thing Wang Changyong cares about is to allow more people to have direct access to the sufferings of low-level children.

Some people make literary films for the sake of winning awards, for the so-called artistic achievements, while some people shoot art films just to convey some of their thoughts through art.

It is obvious that Wang Changyong is the latter, he hopes that more people will see "Born in the Mud" rather than gaining fame and boasting in the industry.

However, the reality is that not many people are interested in literary films at all. At this time, the appealing director and actors are the savior Wang Changyong is looking forward to.

After listening to Wang Changyong's expectations, Qin Yan's last hesitation was also dispelled:

"If you don't mind, I'm going to direct this movie myself."

Now Wang Changyong was stunned, he didn't expect that Qin Yan wanted to direct it himself.

He was too aware of how exaggerated Qin Yan was. Among other things, with Qin Yan's current fame alone, countless audiences were willing to buy tickets and enter the cinema.

As for Qin Yan, who has only made commercial films so far, Wang Changyong doesn't care much about whether he can make "Born in the Silt" well.

Wang Changyong showed a satisfied smile. He was so excited that he couldn't help holding Qin Yan's hands, then patted the back of Qin Yan's hand and said:

"Okay, that's great. Director Qin, if it were you, I'd like to wait a little longer. It doesn't matter, as long as more people can see this movie."

Wang Changyong was a little incoherent, he found that his dream was so close to him.

Of course, Qin Yan's question was not finished yet, he continued:

"The protagonist of "Born in Silt", do you have any ideas?"

Although the story Wang Changyong just told was the story of the child in school and when he dropped out of school.

But in fact, the story line of the script of "Born in Silt" was written after dropping out of school, an experience that Wang Changyong did not personally witness or participate in.

In fact, it is the various tragedies that happened to the male protagonist between the ages of 16 and 22. This is the protagonist who just walked out of school and immediately faced the cruel society.

But the problem is that actors at this stage are too difficult to find.

You say use child actors, after all, child actors have not received professional training, so there must be some flaws in their acting skills.Moreover, children in their teens are not so capable of acting like the protagonist is in his 20s.

Like in "Nobody Knows", the young actor who was able to directly win the Cannes Best Actor in his teens is not a Chinese cabbage, he can pick it up anywhere on the road.

If you choose to use older actors with certain performance experience, you may know the hardships of life, but they are too old-fashioned and too worldly.

The script of "Born in Mud" describes the protagonist in detail and delicately, and the language is beautiful and simple.

A child with unlimited hopes for the future, his spine was crushed step by step by reality, and finally had to fall back into the mud.

Every time I tried my best to jump, but every time I fell back to the pain of the mud.

If an actor over the age of 25 is replaced, no matter how good his acting skills are, he will not be suitable in terms of image.

After experiencing too many worldly things, people's temperament will really change.

Many TV dramas and movies will have characters with such a particularly large age span. The safest way is to have a juvenile version of the protagonist and an adult version of the protagonist.

However, "Born in the Mud" is not applicable. The protagonist's encounter, growth, and depravity are a gradual process that does not allow any jumps.

The choice of the leading actor in "Born in Silt" will directly determine the quality of the movie!