Even if Jiang Xin takes back the porcelain, Jiang Weiguo will not feel happy again.

In addition to feeling betrayed emotionally, Jiang Weiguo also felt that his dignity was trampled, his self-esteem was humiliated, and because the antiques he wanted to leave to his grandson were taken away, he also felt ashamed to face Jiang Xin.

All these emotions were intertwined, making Jiang Weiguo ashamed to go out for a long time, depressed.

What Jiang Pingkang did embarrass Jiang Weiguo's dignity as an elder.But again, Jiang Pingkang is still his son, no matter how angry he is, he doesn't want to see his grandson and Jiang Pingkang fight because of this matter.

Jiang Weiguo personally said to Jiang Xin, let's forget about this matter, just treat him as blind, give up those things and see the true face of his second son, and never have any contact with him from now on.

On the surface, Jiang Xin's agreement was just to comfort her grandfather, and it was simply impossible for him to suppress this and let Jiang Pingkang go.

Jiang Xin knew that Jiang Weiguo was hurt by Jiang Pingkang, and if he used open channels to deal with Jiang Pingkang, it would only deepen Jiang Weiguo's scars, so he could only plan slowly.

The complicated situation of the Jiang family spread to the outside world, and it was not pleasant to say. Instead of waiting for Xu Jiuzhao to hear from others, it is better for him to tell the other party himself.

After hearing this, Xu Jiuzhao despised Jiang Pingkang's character even more in his heart: "Don't worry, since I know what he is like, I just don't want to associate with him in the future."

Jiang Xin nodded lightly, then he looked at Xu Jiuzhao strangely and said, "What period movie have you watched recently, and what you say has a classic flavor."

Xu Jiuzhao was slightly startled, and then recalled that he had unconsciously spoken in the previous tone just now.

He lowered his eyes pretending to be embarrassed and said, "I didn't watch TV, but I read some ancient books designated by the teacher, and I was a little bit brainwashed."

Jiang Xin smiled and said: "You are also very good, and you can read those ancient books." Then he changed the subject and said: "So, I also have a lot of books on ceramics at home, all of which belong to my grandfather. Favorites. Like Xu Jing's "Xuanhe Envoy Koryo Tujing", Cai Xiang's "Tea Record", Lu You's "Laoxuean Notebook", and the book "Yuan Dynasty Jiang Xin" that my grandfather used to name me. Tao Ji."

Xu Jiuzhao was surprised when he heard this, and said, "Why did Mr. Jiang use this name to name you?"

Jiang Xin nodded and said: "Yes, it's a wonderful thing. My grandfather said that this "Tao Ji" written by this person with the same name as me is not only the first book in Chinese history to record the history of ceramics, but also the first book in the world. The world's first record of ceramic production."

Xu Jiuzhao sighed: "Mr. Jiang really likes to study these historical materials."

The two stayed in Boguxuan for a while, and then returned to the small western building.Because of the prior instructions, Xu Jiuzhao didn't say a word about meeting Mr. Jiang Er.

Jiang Xin played with him for a few days, and accumulated a lot of things that he had to deal with.

In two days, the results of the joint exhibition's evaluation will be released. Xu Jiuzhao, Zou Hengxin and Liu Xinhua, the organizer of the national joint exhibition, rushed to the exhibition hall together.

Liu Xinhua is not young anymore, in his forties, with a refined appearance and a pair of gold-rimmed glasses.

Xu Jiuzhao thought he was not easy to get along with, but in fact Liu Xinhua had been famous for this talented young student of his teacher for a long time, so he was very kind to him.

He even said humorously: "You can just call me Senior Brother Liu, don't call me Second Senior Brother."

Although Xu Jiuzhao didn't understand the point of the joke at all, he called out meticulously: "Senior brother Liu." It left Liu Xinhua with the wrong impression that the younger brother was serious and lacked humor (or maybe not).

He is an official responsible for managing the activities of the Artists Association all over the country, and he is in charge of the joint exhibition organizer.

Liu Xinhua's secretary had called before, and the atmosphere of this joint exhibition suddenly changed. Those people who obviously came to mess with their qualifications but were wasted because of Zou Hengxin's meddling, and then came to mess around without giving up, disappeared immediately.

Zou Hengxin is here today to perform his duties as a judge.The registration for the joint exhibition has ended, and the works can be reviewed from now on.

Zou Hengxin walked into the exhibition hall, but found that the ceramics group was noisy. Zou Hengxin frowned, looking displeased at those people who turned the supposedly quiet exhibition hall into a noisy vegetable market.

Liu Xinhua looked at the teacher's face and said in a low voice, "Teacher, I'll go and have a look."

Zou Hengxin responded lightly, and stood here without moving his feet. He didn't want to be crowded with those people.

As long as Xu Jiuzhao is here to accompany the teacher as a matter of course, Zou Hengxin turned his head and said to him: "You go around the exhibition hall and see how other people's works are. It is also good to absorb some design ideas."

Xu Jiuzhao said hello, then looked at Zou Hengxin worriedly, Zou Hengxin smiled and made a gesture to chase him away, Xu Jiuzhao walked away to look around the exhibition hall.

The exhibition hall of this joint exhibition is quite large, and it is generally divided into four halls: East [-], East [-], West [-], West [-].

Four categories of exhibition halls are ceramics, painting, calligraphy and seal cutting, and sculpture.

Xu Jiuzhao first walked into the east hall of ceramics, and looked towards the booth, where various ceramic artworks with strange shapes were displayed on the booth.

Xu Jiuzhao was taken aback by looking at the square, round, flat, animal, humanoid, and geometric shapes of fired ceramic products.

He stood there speechless for a long time, no wonder Zou Hengxin always said that he couldn't let go of his thoughts, if compared with these people's ceramic fired products, he really couldn't let go, he would rather keep it!

Most of these porcelains are craft-shaped ornaments.

It is not unknown to him that ceramics gradually separated from daily necessities after the development and became a simple display and appreciation decoration, but he really didn't feel that he could appreciate such weird things!

These people no longer pay attention to the beauty of symmetry at all, and the whole shape of the vessel is distorted. Xu Jiuzhao looked down and saw the title of the work: Water Drop.

Xu Jiuzhao: Hehe.

Otherwise, it is a good porcelain, only half is ceramic and the other half is actually made of wood, and there are several holes in the body of the bottle, and the edge looks like the metal rim used for shoelaces.

Excluding these works that Xu Jiuzhao couldn't bear at all, there are still some display porcelain ornaments similar to traditional shapes, but Xu Jiuzhao feels hurt when he walks in.

The color is pink and beautiful, but the dazzling highlights on the porcelain surface, coupled with the reflection of the lights in the exhibition hall, Xu Jiuzhao felt that his eyes were going to be blinded.

Why have people pursued the kiln mouth works of firewood kilns in azure and cyan colors for thousands of years?

At that time, cyan completely represented the aesthetic taste of the scholar-bureaucrat class, low-key, reserved, and connotative.

Even if colored porcelain became popular later, although the color matching is delicate and lively, at least it looks interesting and vivid.

Even the brightly colored porcelain is calm and solemn, simple and elegant, so it will be safe to place in the room.

However, this thin bottle with light blue shoulders and ears, not to mention the color is too dazzling under the reflection of the glare on the glaze, even the color of the intarsia petals on the bottle is in conflict with that on the bottle. Nothing follows the traditional notion of complementarity.

Xu Jiuzhao's face turned pale from the impact of these modern ceramics. He closed his eyes, rubbed his forehead, and walked silently to the next booth.

Next to this thin vase is Xu Jiuzhao's bean green sunflower bowl.

Among all the blinding ceramic works, this precious and exquisite, as thin as jade, cute in color and elegant in shape, is not to mention washing your eyes too much.

Xu Jiuzhao didn't know what other people's aesthetics were like. Anyway, in his own opinion, even if his porcelain was fired more traditionally and conservatively, the porcelain body and glaze were outstanding, and the shape was not bad.

No rival can match.

Xu Jiuzhao felt relieved, this time the teacher should not be disappointed.

Xu Jiuzhao went to other exhibition halls to look at the exhibited works of other groups, and finally came to the conclusion that he still prefers classical art to modern art.

It has been an hour since he finished reading all of them. Xu Jiuzhao felt that he had been away for a long time, worried that Zou Hengxin would find him, so he walked quickly towards the central exhibition hall where the judges were.

When he got there, he unexpectedly found that there was still arguing about something, and Zou Hengxin, who was standing alone when he left, was now standing in the center of the crowd with a cold face.

Xu Jiuzhao frowned, but he didn't rush over rashly. He observed carefully, and these people were vaguely divided into two groups and stood.

When people are talking to each other, they always finish talking on one side, and the other group immediately picks up. The two sides will not give in to each other, and insist on their own ideas without giving in.

Liu Xinhua stood next to the center teacher with arms folded, but judging from his position, he was on the dividing line between the two groups.

"... I still say the same thing. This exhibition is held to provide a platform for young domestic artists to show themselves and improve the level of domestic ceramic art." A person standing on the left hand side of Zou Hengxin emphasized the word "domestic".

"You are egotistical, and you are suspected of favoritism." Ma Xiushan said slowly, "Anyway, the author of "Peach Blossom in March" is also a young artist in our country. He is also an out-and-out Chinese. Why is it inappropriate to award the gold medal to him?"

The person who spoke before said: "But in my opinion, in terms of the shape of the vessel and the glazed surface of the porcelain body, it is the bean green sunflower bowl that deserves the title as the gold medal."

Ma Xiushan smiled sarcastically and said: "According to what you mean, this work that won the best work award in international competitions was defeated by an unknown junior in our joint exhibition. Let the foreign media know about it and won't say you How about it, I will only say that our judging committee is shady!"

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