The first stereoscopic video to appear was a trance-like high-speed shot.

This shot lasts about 30 seconds. At the beginning, it is a car driving at high speed. The car is driving on a vast grassland.

Then, a platoon of trucks came oncoming, exactly like an entire army, an astonishing number.The car goes head-on, drifts through the gaps in the truck, makes a series of extremely thrilling but adrenaline-pumping stimulating moves, and finally walks away.

And in this process, the movement of the car is so flexible that it is unreal, and what is even more unreal is that every time it passes through the car group, it almost passes by with a slight difference, and the driving skills are simply vivid.

Audiences who don't know may lament the driver's skillful skills, but Lin Shu, who knows the whole shooting process himself, understands that this thrilling scene has nothing to do with the driver's skills.

It's a clever use of technology.

Lin Shu stared at it for a while, then asked, "Is this a split and superimposed shot?"

The judge teacher nodded and said, "Yes. We are also amazed by the effects that stereoscopic projection and [-]D technology can create. If this kind of effect is created by special effects, the cost will be astonishing. But stereoscopic projection It has a unique advantage in this aspect. Using the technology of recording scenes and characters separately, although the cost of equipment and editing has increased, the investment in props and actors has decreased."

Stereoscopic projection is a combination of 3D dynamic modeling restoration and background separation technology. The actions of the characters are almost all recorded separately. There are no props that directly affect each other's actions, so it can be installed later. Not much post-correction is required.

This work can be said to maximize the cost advantage of special effects of stereoscopic projection.

The review teacher replayed the video of the work, paused several times, and pointed to specific video details to show Lin Shu: "Look at the windows of these trucks—they are all a little stained? Although the trucks are loaded with The movements and positions of the gangster actors have been disrupted, but when you look closely, you will find that they are all the same group of people, and their costumes are also of the same style, but after the order is disrupted, it looks like they are wearing similar clothes. same character."

How strong Lin Shu's memory is, and he confirmed the situation with a quick glance.

The reviewer said: "Their production method should be to perform a driving show in an unobstructed open space, and then shoot a lot of repeated truck shots, and stitch them together by matching dynamic video tracks. What looks like a big scene with a lot of vehicles is actually a very simple post-processing technique.”

Lin Shu nodded and said, "Basically, this video takes advantage of the advantages of stereoscopic photography."

But this is still the selected work after the ranking comparison.

Lin Shu then watched the other selected works together with the judges.The selected candidates are worthy of being strong players who have passed five levels and cut six generals. Because they are students and lack experience, there may be some flaws in their techniques, but their ideas are broad and their works have many highlights.

Each reviewer has his own preferences, and they cannot be the same in terms of preferences, professions, and standpoints.So this time the judging officials used a rather special mechanism, which is a bit similar to the scoring of the Olympic schedule, which may be a little more complicated.

Each judge will score the entries individually and then rank all ten entries based on their scores.In order to play a supervisory role and prevent judges from suppressing other competitive excellent works because of their favorite works, the final ranking and scoring results will be announced online together with the competition results.

After ranking, the final results are sorted by the sum of the rankings of all contestants, with the smallest sum being No.1 and the largest being No.10.If there are contestants with the same total rankings in the middle, their rankings will be re-examined.This review method is probably to repeat the previous steps, find the ranking order of the two works from the ranking list of all judges, and only re-rank the two works.

If the rankings are still the same after the second review, the scoring method for figure skating competitions will be adopted at this time, and all scores for the two works will be listed. The highest score will be removed and the lowest score will be removed. Among the remaining scores, the highest score will be ranked first. forward.

Xingze's current judging arrangement is four professors from the most influential film and television academy in China, four well-known domestic directors, plus two officials sent by the competition official, Tan Yuan represents Xing Gui, Lin Shu represents Xing Ze, review the works together.

Several directors will not be present, Lin Shu just passes things to the other party, and then let the other party judge and send back the result directly.Of course, he also encourages the other party to write some of their own thoughts on individual works.

Among these ten works, everyone has their own judgments after a period of review.In these works, there are high-speed lenses, long lenses, and a very special fixed-point lens.

Lin Shu was very concerned about this fixed-point shot.

This is a shot with a very large amount of rotation.The author mainly shoots a tango, the mystery of which is that in one direction, you can’t see the heroine’s frontal face, most of them can only see the side face and the back of the head, while in the other direction, all the time You can't even see the hero's face.

Ballroom dancing often rotates, and in this video, the male and female protagonists are always rotating, but in the view of the audience, they never move or turn during the rotation.

Because the background and surrounding environment replace them for displacement.

A few days later, after all the review results were sent back, the group won No.1.Lin Shu memorized the name of the young man who was responsible for the director of the main creative group.The other party happened to have the same surname as him, Lin Zewen.

After that, it took a lot of time to present various awards and show the award-winning works. After Xing Gui and Lin Zewen signed the contract, Lin Shu was greatly surprised when he suddenly handed over a script to Convenience.

This guy obviously came prepared.

Lin Zewen is a graduate of Yanying this year. For him, Xinggui's match can be said to be just at the right time, an unusual coincidence and luck.

After the new script is submitted, it has to go through the double review of his school and Xinggui, but Lin Zewen should have some energy in the school. Yanying gave him the green light almost at the same time, saying that his script has been passed by the school and only needs Xinggui. Ze can enter the preliminary preparation if he can pass the review.

After the script was submitted, Lin Shu also spent a little time reading it through.He found out that it was a psychologically suspenseful ghost film called "Afterimage of Death".The story is about a pair of twin sisters. After one of them dies in an accident, the other twin begins to have frequent horrific visions.

She always fell into strange hallucinations, thinking that her sister was still around, and felt that there was some conspiracy behind her death, and hoped that she could help uncover and avenge her.Because of the frequent hallucinations, the heroine began to nervously and secretly investigate her sister's death. During this process, supernatural events happened frequently. The heroine and her sisters' boyfriends, their father and stepmother, and various other people were involved. In it, the heroine encountered danger several times, and her stepmother was killed because of this. Her boyfriend wanted to stop her from continuing to investigate, but unexpectedly, he was almost killed by the heroine who was possessed by her sister.

The ending is a big reversal.

The boyfriend finally made up his mind to kill his sister, and wanted to suppress her sister's resentment in this way.He prepared the weapon consecrated by the Buddhist temple, invited the heroine to a place alone, and wanted to kill her, but when he killed her, his sister suddenly appeared, killed him, and rescued her.

It turned out that my sister was not dead.In an accident, she discovered that her sister's boyfriend had committed adultery with her stepmother, and found out that her father's death was actually a conspiracy between the two, but at this time the family was already under the control of the stepmother, and her sister was almost killed.The elder sister, who is a well-known movie prop maker, felt uneasy because of the tacit understanding between the twins. She appeared in time to save her younger sister, and then used some special props and drugs to feign death to deceive everyone.Afterwards, the younger sister hid in her older sister's room for a long time, and the two wore the same clothes. When she was discovered, the younger sister pretended to be the older sister to deceive everyone, while the older sister began to pretend to be crazy and foolish, using ghosts to hide the unreasonable situation of having two "heroines" in the family. And in every conspiracy against him, he united with his sister to fight back.

Lin Zewen has marked some numbers in many important scenes of the script, and these numbers have analysis diagrams of some important scenes.At the beginning of this stack of documents, he took some time to explain the shooting concept of the whole film and some relatively innovative techniques.

Among them is the concept of a one-way lens.

During the shooting process, all scenes will center on the heroine, and it is mainly the scene that moves rather than the protagonist.This kind of following camera is also very common in flat movies, but Lin Zewen thinks that it can be used more thoroughly in three-dimensional movies.

This kind of thoroughness means that whenever the scene changes, as long as the heroine turns, the camera will also turn.In this way, no matter what, the audience in one direction will always only see the back of the heroine, while the audience in the other direction will always see the front.

Lin Zewen called this extremely novel and innovative shooting technique a one-way lens, or a subjective lens.Because in the subjective shots, the audience is watching from the perspective of the protagonist most of the time. They cannot observe the expressions and movements of the protagonist, but they can see the perspective of the heroine.

This kind of lens is actually very suitable for horror films because of its sense of substitution.

And this sense of substitution is especially suitable for the script of "Afterimage of Death", because there will be a lot of mirror shots in the story.With the analysis diagram in Lin Shu's hand, Lin Zewen analyzed in detail the principle of the mirror lens.

The author has something to say: Regarding the shot of the car passing through the truck, the 21st time of truck photography: Director: Stupid!This time the trucks are in the row on the left, and the route of travel is outflanking to the right. Why are you yelling at the right all the time! ?The hero's car is behind you!

Actor (weakly): Can you take a break?I have played the same role 21 times, and you still ask to show a different character each time... It's almost time for schizophrenia to split 21 times.

Director (thinking for a while): ...Then let's replay the previous 21 personalities again.

Actor: _(:з"∠)_.

Photographer: Boss, I think you will make a fortune soon after graduation. (It will save money too.)

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