The footsteps were getting closer, and the sound of metal objects rubbing against each other became clearer.
According to the requirements of the script, Su held his breath, quickly and silently moved to the other side of the long corridor, and in the process kicked an empty jar that was placed there in advance.
"Dang bang!"
The empty jar flew out in a whirl, jumping back and forth between the wall and the floor, making a series of crisp sounds.
Even though it was a bridge section arranged by the script, the voice still sounded extremely abrupt, and the young radio operator who was holding a boom microphone next to him even shivered slightly.It is conceivable that when the audience sees this scene in front of the screen, they can't help but scold "damn" for the protagonist.
Behind him, the killer who was prowling in the dark was startled.The footsteps suddenly accelerated, rushing towards Su's hiding place.
The sound of the chilly wind hit, and some kind of sharp weapon was raised high.A cold light flashed, and some viscous prop plasma dripped on Su's face.
At the critical moment, Su touched a flashlight in time.
Of course, this prop is also arranged.Although the film is about chasing and fleeing in the dark, it is not acceptable for the picture to remain completely dark, and the audience's attention will be reduced.Experienced directors and cinematographers know how to use horror shots to "refresh" at some key rhythm points, stimulate the nerves of the audience, and keep them motivated for this long chase scene.
Now is the rhythm point that should be "refreshing".Most audiences don't particularly care why the protagonist can touch one by his side when he needs a flashlight.
The flashlight was flicked on.A dazzling beam of light pierced through the darkness in an instant, shining directly on the killer's face.It was a bloody mask with two sharp holes for the eyes.
Illuminated by the sudden strong light, the killer hastily raised his arms to cover his eyes, slowing down the pace of chasing and killing the protagonist.In the next second, he raised the butcher knife in his hand again, and launched messy attacks on the protagonist again and again, like a bull enraged by the red cloth.However, due to the interference of the light, every attack he made was narrowly dodged by the protagonist.While confronting the killer, the protagonist seizes the opportunity to move towards the end of the corridor.There is a security door that leads to the stairwell.
In order to pursue an immersive sense of urgency and horror, the entire corridor chase scene was shot with a long shot without switching in the middle.After the protagonist escapes to the stairwell, this one can call cut to call it a day.
At this time, the light of the flashlight dimmed, and the power of the battery was not enough.After a few more seconds, it went out as expected.I have to say that the prop master is really good, and he can calculate the battery level so accurately.
At this time, the protagonist played by Su has successfully walked to the end of the corridor and stood in front of the security door.The killer is only one step away from him, and he must open this escape door as soon as possible.
The requirement of the plot in this place is that the protagonist opens the safety door at the same time as the opponent's butcher knife falls, escapes into the stairwell, and locks the killer on the other side of the door.
Because it is a long shot, there can be no ng in the middle, and every movement must be accurate to the second.This knife can neither be too early nor too late, it should be cut at the moment when the protagonist closes the door, and the blade will be caught in the middle of the door and cannot be pulled out.Therefore, the protagonist won a little breathing time for himself, and then found clues, revealing the killer's true identity step by step.
If it's too late, the knife won't be clamped, and the whole thing will have to be reshot.
If it is too early, and the protagonist has not retreated to a safe distance, it may be dangerous-although the knife is a prop, it is also hard.With proper force, it is enough to cause injury.Before the filming started, the two parties rehearsed several times, so that they knew each other well, so as to avoid accidents during the actual filming.
The dark and narrow space, the killer who is approaching every step of the way, the situation where life is hanging by a thread.There's a real horror to it all.
If Su was really a cat, then the fur on his tail must have exploded into a big tangle.
——Although this was acting, he received a real killing intent from somewhere on the scene!
Before filming started, Yao Jing said: The murderer is...
In fact, at that time Su heard the answer he said clearly.
He was talking about one of abcd in the script, but it seemed to mean something else.
What is even more unpredictable is Yao Jing's intentions.Why did he reveal the answer to the mystery before the filming of the most critical scene?
However, now is not the time to ponder this question.Su only blinked for a moment, and immediately concentrated on the plot in front of him.
According to his previous rehearsal experience, he turned the lock handle on the door at the calculated time.But as soon as he got started, he noticed that the lock seemed a little stagnant than it was during rehearsal.
This change is not very obvious, and ordinary people may not notice it.But now that Su has martial arts cultivation, the nuances in this kind of strength can be known immediately after getting started.
There was no time to hesitate, and the sound of prop knives piercing the air behind him had already been heard.Su slightly increased the strength on his fingers, unscrewed the lock handle, and quickly pushed the door open with the same strength.
As expected, it wasn't just the lock that had changed, even the handle of the door panel became heavy, as if something was stuffed under the door, and the friction force increased.As soon as the door was closed again from the outside, the bright blade protruded from the crack of the door with a click, and was fixed in front of him.
"Cut!" Director Hu shouted from a distance, his voice very satisfied. "Not bad, not bad! This shot is not bad, and it feels like it's basically come out. Wait and watch the replay, if there's no problem, we can call it a day and have dinner today."
The lights in the arena came back on.The staff at each position seemed to have experienced the same intense pursuit, and at this moment they relaxed, moved their legs, talked and laughed, and began to walk around.
"Director Hu, where to eat?"
"You choose a place!"
"Really? Can we choose anywhere? You said it!"
Su remained calm, and his eyes quickly passed over the faces of everyone present.Among all these faces, there must be one whose expression is subtly different from the others.
According to the requirements of the script, Su held his breath, quickly and silently moved to the other side of the long corridor, and in the process kicked an empty jar that was placed there in advance.
"Dang bang!"
The empty jar flew out in a whirl, jumping back and forth between the wall and the floor, making a series of crisp sounds.
Even though it was a bridge section arranged by the script, the voice still sounded extremely abrupt, and the young radio operator who was holding a boom microphone next to him even shivered slightly.It is conceivable that when the audience sees this scene in front of the screen, they can't help but scold "damn" for the protagonist.
Behind him, the killer who was prowling in the dark was startled.The footsteps suddenly accelerated, rushing towards Su's hiding place.
The sound of the chilly wind hit, and some kind of sharp weapon was raised high.A cold light flashed, and some viscous prop plasma dripped on Su's face.
At the critical moment, Su touched a flashlight in time.
Of course, this prop is also arranged.Although the film is about chasing and fleeing in the dark, it is not acceptable for the picture to remain completely dark, and the audience's attention will be reduced.Experienced directors and cinematographers know how to use horror shots to "refresh" at some key rhythm points, stimulate the nerves of the audience, and keep them motivated for this long chase scene.
Now is the rhythm point that should be "refreshing".Most audiences don't particularly care why the protagonist can touch one by his side when he needs a flashlight.
The flashlight was flicked on.A dazzling beam of light pierced through the darkness in an instant, shining directly on the killer's face.It was a bloody mask with two sharp holes for the eyes.
Illuminated by the sudden strong light, the killer hastily raised his arms to cover his eyes, slowing down the pace of chasing and killing the protagonist.In the next second, he raised the butcher knife in his hand again, and launched messy attacks on the protagonist again and again, like a bull enraged by the red cloth.However, due to the interference of the light, every attack he made was narrowly dodged by the protagonist.While confronting the killer, the protagonist seizes the opportunity to move towards the end of the corridor.There is a security door that leads to the stairwell.
In order to pursue an immersive sense of urgency and horror, the entire corridor chase scene was shot with a long shot without switching in the middle.After the protagonist escapes to the stairwell, this one can call cut to call it a day.
At this time, the light of the flashlight dimmed, and the power of the battery was not enough.After a few more seconds, it went out as expected.I have to say that the prop master is really good, and he can calculate the battery level so accurately.
At this time, the protagonist played by Su has successfully walked to the end of the corridor and stood in front of the security door.The killer is only one step away from him, and he must open this escape door as soon as possible.
The requirement of the plot in this place is that the protagonist opens the safety door at the same time as the opponent's butcher knife falls, escapes into the stairwell, and locks the killer on the other side of the door.
Because it is a long shot, there can be no ng in the middle, and every movement must be accurate to the second.This knife can neither be too early nor too late, it should be cut at the moment when the protagonist closes the door, and the blade will be caught in the middle of the door and cannot be pulled out.Therefore, the protagonist won a little breathing time for himself, and then found clues, revealing the killer's true identity step by step.
If it's too late, the knife won't be clamped, and the whole thing will have to be reshot.
If it is too early, and the protagonist has not retreated to a safe distance, it may be dangerous-although the knife is a prop, it is also hard.With proper force, it is enough to cause injury.Before the filming started, the two parties rehearsed several times, so that they knew each other well, so as to avoid accidents during the actual filming.
The dark and narrow space, the killer who is approaching every step of the way, the situation where life is hanging by a thread.There's a real horror to it all.
If Su was really a cat, then the fur on his tail must have exploded into a big tangle.
——Although this was acting, he received a real killing intent from somewhere on the scene!
Before filming started, Yao Jing said: The murderer is...
In fact, at that time Su heard the answer he said clearly.
He was talking about one of abcd in the script, but it seemed to mean something else.
What is even more unpredictable is Yao Jing's intentions.Why did he reveal the answer to the mystery before the filming of the most critical scene?
However, now is not the time to ponder this question.Su only blinked for a moment, and immediately concentrated on the plot in front of him.
According to his previous rehearsal experience, he turned the lock handle on the door at the calculated time.But as soon as he got started, he noticed that the lock seemed a little stagnant than it was during rehearsal.
This change is not very obvious, and ordinary people may not notice it.But now that Su has martial arts cultivation, the nuances in this kind of strength can be known immediately after getting started.
There was no time to hesitate, and the sound of prop knives piercing the air behind him had already been heard.Su slightly increased the strength on his fingers, unscrewed the lock handle, and quickly pushed the door open with the same strength.
As expected, it wasn't just the lock that had changed, even the handle of the door panel became heavy, as if something was stuffed under the door, and the friction force increased.As soon as the door was closed again from the outside, the bright blade protruded from the crack of the door with a click, and was fixed in front of him.
"Cut!" Director Hu shouted from a distance, his voice very satisfied. "Not bad, not bad! This shot is not bad, and it feels like it's basically come out. Wait and watch the replay, if there's no problem, we can call it a day and have dinner today."
The lights in the arena came back on.The staff at each position seemed to have experienced the same intense pursuit, and at this moment they relaxed, moved their legs, talked and laughed, and began to walk around.
"Director Hu, where to eat?"
"You choose a place!"
"Really? Can we choose anywhere? You said it!"
Su remained calm, and his eyes quickly passed over the faces of everyone present.Among all these faces, there must be one whose expression is subtly different from the others.
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