Rebirth of the interstellar actor

When they first met, the male lead and the wheelchair man got along with each other like one sitting in the shadows and eating crazily, his face covered with scum, while the other whistled as if no one else was there, and punched the air when he was interested, until Tired and exhausted.And if after he finishes boxing, the male protagonist is still eating like crazy, the wheelchair man will grab the male protagonist by his collar and scold him, making him tremble with fright, throwing away all his junk food with the wheels of his wheelchair Crushed, the male lead cried so much that his face was covered with tears and snot, and the wheelchair man continued to swear while rudely wiping it off for him.

After helping the male protagonist beat away a few scumbags who bullied him, the male protagonist protruded his tentacles from his snail shell for the first time, and he was no longer afraid of the wheelchair man. A lot of dependencies.

"Why don't you remove your scar?"

This is what the actor asked when he spoke to the wheelchair man for the first time.

The wheelchair man's scar is really terrible. It slides from the left temple to the corner of the eye, nose, and finally to the chin, as if being split in half by a ferocious centipede.With the current medical level, it only needs an operation to return to normal, but he let the scar exist, and he didn't care about others' ridicule.

"Because I like it, cool isn't it?" the wheelchair man laughed. "I like the way bitches get the shit out of it. It's a part of me, and if I get rid of it, it's because I want to get rid of it." It's gone, not because a bunch of hot chickens forced me to remove it. Get it idiot!"

"You're amazing," the hero muttered enviously, "They're afraid of you."

"You can also scare them," the wheelchair man squinted his eyes, "but you are too useless, a group of hot chickens who only bully the weak will make you cowardly."

The male protagonist told the wheelchair man about what he experienced from childhood to adulthood.

He flinched, thinking that he was the "bad" one, and concluded: "So I have to eat a little fatter, and they won't come to me when I get fatter."

The man in the wheelchair was silent for a moment, then suddenly changed his face, went over and held down the man, and while he was screaming and crying, he touched his whole body mercilessly.The male protagonist was on the verge of collapse under his strong suppression. He convulsed and twitched, shaking like chaff with his head covered.

From the beginning to the end, the wheelchair man looked at him cruelly, until the actor calmed down, he said: "It feels good, so you want to burn your skin?"

The male protagonist is full of fat, but his skin is delicate and fair, and it really feels good to the touch.

"It's not you who's wrong," the wheelchair man maneuvered the wheelchair and slowly approached the hero, "You didn't do anything wrong, those who hurt you were wrong. Either you continue to slump here, slumped into a lump of mud, and then face the indifference of others." Even die in excitement. Either..."

"Stand up and don't—dam—let me see your tears again!"

The hero lay on the ground as if dead, until the wheelchair man was about to leave in disappointment, when he suddenly shook violently.

The road to change is hard.

He no longer eats and drinks wildly. The long-term self-isolation makes his speech very chaotic, his eyes dodge when facing strangers, and rashes all over his body when he gets a little closer. He hardly resists anyone. screaming crying shaking...

The wheelchair man accompanied him.

Most of the time, he is a cruel tyrant, like a big dog driving a lamb, cold-blooded and ruthless, never compromise.

Obviously when standing with the hero, he is the one with the disabled body.

But as cowardly as the hero is, he is as strong as he is.

He is invincible.

It is more difficult to transform than turning from a chrysalis into a butterfly. The hero has become cheerful and confident unconsciously, and he is becoming more and more like a normal person.

"Do you want revenge?"

One day, the wheelchair man suddenly asked.

"...No," as if thinking of the hurt and helplessness that had lasted for more than ten years, the male protagonist's eyes were filled with fear again, "No. Forgiveness, forgiveness is the best virtue, isn't it?"

"Forgiveness is the best virtue," the wheelchair man nodded, and then continued in the relief of the hero, "but the forgiveness of the weak is not. The weak are not qualified to talk about forgiveness."

This is a revenge that started with persecution and ended with pleasure.

The wheelchair man will never allow the hero to have any retreat.

But he never interfered either.

Whether it's the hero who failed in revenge and was beaten to the ground, or the hero's revenge plan is so lame that it makes people laugh...

He just watched him from a distance, to see if he could get up again.

The male protagonist will often look back at him, as if the wheelchair man is the source of his strength, he envies him and worships him, he doesn't want to be lingering with his eyes looking at hot chickens, he wants to see him give him a thumbs up and say: that's it , not a bad job.

The fear and weakness that had been imposed on me slowly disappeared like this.

The leading actor has won the love of more and more people.

Only then did he discover that the world could still be like this.

When the male protagonist is getting better and better, he has pulled himself out of the quagmire in which he was deeply trapped, avenged all those who should be revenged, and he can calmly smile at the world.

Looking back, he couldn't find the wheelchair man who had been with him all the time.

The man in the wheelchair with a loud voice and a heart of stone, but at the same time as warm as a ray of light, disappeared as abruptly as when he came.

……

In the last scene of the script, the male protagonist is sitting in a wheelchair, opening a page of the book in his hand, brushing the few lines of words with his slender fingers——

There are very few absolute bad guys and absolute good guys in the world, and most of the rest are in the gray area. To anyone, they are just a mirror for you to reflect yourself.

If you are strong and unyielding, full of fighting spirit, and in excellent condition, what is reflected in the mirror is the bright color of goodwill.This kindness will not be so dazzling, but it is enough to make your life warm and comfortable.

If you give up on yourself, are in a daze, and are in an extremely bad state, what is reflected in the mirror is the cold color of malice. to any redemption.

These silent majority don't care why you become what you are today, they will like you when you are good, and hate you when you are bad.

May you be the best you.

You are the best.

A drop of tear from the hero fell on the page, the wet marks slowly faded away, and he closed the book.

If this script is only read on the surface, it is a third-rate story of salvation and being rescued. The male protagonist is miserable, so what?The man in the wheelchair appeared inexplicably, why did he save the hero?Enough support?Why did he suddenly disappear?So lame and so boring.

But if you look carefully, you will find another truth in the clues.

There is no such thing as a wheelchair man. The wheelchair man is actually a split personality of the hero when he is most desperate and helpless.

He has to be a man.

The hero is afraid of men, but he thinks men are powerful.

But he must have no lower body.

The wheelchair man has strength and fearlessness that he doesn't have.

He is not afraid of anyone's ridicule. When faced with external pressure, he will firmly resist and beat those who bully him.

The wheelchair man is simply the opposite of the hero.

He longed to be him, and finally became him.

From the male protagonist's perspective, when he bravely took revenge on those scumbags, and the scumbags knelt down and begged for mercy, the male protagonist looked back, and the wheelchair man gave him a thumbs up.

But from the perspective of a bystander, there is actually no one there.

Except for the leading actor, no one has ever seen the wheelchair man.

He punched the air alone, was so tired that he vomited alone, collapsed and cried alone, and turned into a butterfly alone.

There is no savior.

He is his own savior.

—— "To the Best You"

Wang Zixiao and Mo Xingzhi finished the script and fell silent together.

This script actually picked a very unique angle.

To put it bluntly, its core is actually very cruel-don't expect any savior, no one will empathize with your suffering, and the only one who can save yourself is yourself.

The male protagonist's parents are hot chickens, the first male neighbor who molested him is hot chickens, the jerk teachers in the school are hot chickens, the bully classmates who enjoy bullying the weak and are keen to ravage and humiliate are hot chickens, even Those passers-by who watched him fall and struggle but chose to stand on the sidelines were also hot chickens for him.

There is nothing wrong with you, they ruined you, and in turn, it is your fault.

Is it ridiculous?

There are too many such ridiculous things in reality, so many that you have begun to learn to turn a blind eye.

So if you are the one who has been hurt, if you want to exile yourself, you still have to learn to be brave and resist loudly: I am not wrong!

...Yes, resist, because you who resist are so beautiful, don't wait for some savior, be your own savior, that is the best you.

Underneath the cruel core, it is the best love letter to all the victims who are struggling in pain.

Because the angle of entry of the script is very unique, if this movie is to be shot well, it requires the director to have very high shooting skills.

Actors also need to have high performance skills.

Whether it's the cowardly male protagonist or the violent wheelchair male.

They are actually one person.

Throughout the story, there must be a sense of coordination of the grass snake gray line, but the audience must not be aware of it in advance.

When the final ending was reversed, the audience suddenly realized, thinking of the foreshadowing before, and felt that the reversal was logical and not abrupt at all.

And the most important thing is the spirit that the movie needs to convey to the audience.

Can you draw strength from it?

Wang Zixiao and Mo Xingzhi had more and more urges to take over this drama. After contacting Wang Biao, the director of "To the Best You", Wang Biao was overjoyed, because he himself was not well-known and the investors were not familiar with him. Believe in his ability, some want to buy his script, but kick him away, some don't even bother to read the script, which film company doesn't have a huge amount of scripts to squeeze, you are a nobody, how cool is it Just wait and go.

Wang Biao didn't expect that he just tried to send a copy to Wang Zixiao and Mo Xingzhi, and the actors and investors worked together.