Mojin Office

The entire bronze door, including the gears, is carved with many complicated patterns.

At this moment, with the mutual operation of all the gears, those patterns are constantly changing. If you distinguish carefully, you can vaguely see that they seem to be some symbols, which should be oracle bone script.

Although I have already experienced the extraordinaryness of many ancient institutions, I have to admire them again this time.

It is estimated that the text combined by those patterns is the decoding of the mechanism.

When the gear finally stopped working, Gu Yi moved forward again, holding the turntable with both hands, turning left, right, and right. It seemed to turn completely irregularly, but every time he stopped, he could hear a clicking sound.

It took a total of twelve turns before it stopped, and then pressed the turntable hard.

Following this press, the gears on the bronze door also sank back, as if sinking into the huge groove in the door, and another side of bronze extended from top to bottom, directly covering those things.

This piece of bronze is just the same size as the door, and it is densely covered with stars. I don't know if it is an illusion caused by visual fatigue. It feels like those dense stars are constantly moving.

Gu Mu remembered that when the old man was studying Feng Shui, he had said that the ancients used the stars as their eyes and their hearts, and attributed everything in the world to the stars. Many things like to use the stars to operate.

As he was recalling, he saw Gu Yi raised his hand and tapped on several stars, and there was another rumbling sound in his ear, this time even the ground shook.

Gu Mu twitched the corner of his mouth, and after the heat induction, there was a touch screen decoding.

In other words, is there actually a man from the future who traveled to ancient times to develop technology first?

The bronze door slowly rises.

Suddenly, Gu Mu suddenly turned his head to look towards the side of the tomb, moved his ears, and frowned slightly.

Why did he seem to hear a scream just now?Illusion?

At this time, the bronze door has been partially raised.

Gu Mu looked down and saw that it turned out to be a thousand-jin gate, the thickness of the bottom was nearly one meter. No wonder the ground shook so violently. If the ancient tomb was not built tightly, it might be in danger of collapsing.

When the jack gate rises to about three meters, it stops.

Gu Mu looked up at the thickness, recalling that the Qianjin gate that has been recorded today seems to be the Qianjin gate of the Zhengyang Gate of the Forbidden City. It is said to weigh 1990 catties, and it is only covered with wood. It is cast in bronze, and its weight can be imagined.

It is said that in ancient times, there was a hero named Xiong Kuo Hai who used his own arms to prop up the thousand-jin gate to let his companions escape in a battle, but he himself died under the thousand-jin gate.

He estimated his arm strength, probably because of his natural supernatural strength, he also blocked the car with a mantis arm.

He was very curious about how such a heavy jack gate would work, and the tomb could hold it up.

Now Gu Yi was ready to go in, he quickly grabbed him and asked: "Should we wait a little longer, this place has been eroded by the years, and I don't know if it is stable or not."

"Nothing." Gu Yi replied firmly, and strode in directly.

He frowned and thought about it, but he could only follow in.

Surprisingly, behind the Qianjin gate is not a tomb, but a tomb passage paved with bluestone.

Every ten steps on both sides of the tomb passage, there will be a wall lamp, which is carved out of jade to form a lampshade. Inside is a night pearl, emitting a soft light, which also makes the tomb passage bright.

There are some stone reliefs under the wall lamp.

Probably because the ancient tombs are so well preserved, these stone carvings look very new, and the carvings on them are lifelike. It can be seen from this that the craftsmen at that time were very skilled.

There will be one or two lines of small oracle bone inscriptions next to each painting, which he can't understand at all.

He turned his head to ask Gu Yi, but was taken aback by the hostility and murderous intent in the other's red eyes.

Following the gaze of the other party, the embossed pattern on the top is a group of people in armor digging something.

He suddenly guessed that this might be a description of something in relief, so he looked down.

Sure enough, the following picture completely inherited the previous picture. In the picture, the group of people dug out many coffins, and inside one of the coffins was a child in a fine costume.

Looking at each of the following pictures, the organization is roughly that the child in the tomb came to life, and was later tricked into a palace by the tomb diggers, where he became a partner of a young emperor.

But one day, a courtier and a woman in Chinese clothes held the emperor hostage with knives and forced the child to dig out his heart and bleed.

But after the child dug out his heart and bled himself, the two obviously did not spare the young emperor, because the last painting depicts the young emperor and the child buried together in a tomb.

Combining what Gu Yi said before, he guessed that the child should be Yin Chen, and the courtier might be Wang Mang. As for the woman in Chinese clothes, he guessed it was the empress dowager or empress at that time.

However, the Han emperors and queens of that period changed quickly. Wang Mang can be said to have gone through many dynasties, and it is impossible to determine who it is, but according to historical records, Emperor Han Ping was poisoned to death by Wang Mang.

The content carved on the other wall should be the follow-up.

After the child was taken away, other coffins were also moved out, and the rest of the coffins also woke up one after another.

Gu Yi was the first to wake up. He seemed to find that the tomb had been destroyed and the child was missing. He killed those people and got some news from them.

Wang Mang lured him to a fake tomb, and some alchemists used magic to suppress him in the fake tomb.

Probably afraid of Gu Yi's ability, Wang Mang ordered people to burn the rest of the coffin and the corpses inside.

But during this period, seven people woke up and escaped.

The seven people dispersed after escaping, probably looking for traces of Yin Chen and Gu Yi.

One of them pretended to be a soldier, became an officer through fighting, and entered the core of the new dynasty to inquire about news.

This person should be the personal guard of the Jian Gu Clan.

Because he later assisted the emperor of the Eastern Han Dynasty to overthrow Wang Mang's new dynasty, and then found the land sealed by Gu Yi, and built a house there.

However, the rest of the people did not appear on the screen after the seven people separated. I am afraid that the ancestors also lost news of those people during the period.

In the last painting, the ancestor took a black box and put it in the mouth of a giant turtle, and then left.

The end of the painting is also the end of the tomb passage.

Gu Yi seemed to have adjusted his mood, and silently opened the next gate. This time, it was not the tomb passage, but the tomb.

The scale of the tomb is huge, surrounded by rows of wall lamps.

Facing the gate all the way to the inside is a nine-story staircase, each of which is composed of nine steps. There are bronze Golden Crow Palace Lanterns on both sides of each staircase, and two jade pillar corridors next to it. A small bronze door with a height of one meter.

The tomb is surrounded by twelve red pillars carved with various Yang engraved patterns. Judging from the fragrance and appearance, it may be gloomy wood.

Gu Mu was surprised that the ancestor's financial resources exceeded his estimation.

Gloomy wood, also known as carbonized wood, is a kind of tree that has been buried underground for thousands of years due to accidents in natural changes. The wood of this kind of wood is very hard, resistant to moisture, insects, and fragrant. Dark wood is used to make coffins or furniture, so the value is very high.

In addition, there are many pillars and lighthouses made of bronze in the surrounding area. Just these, each of them is worth a lot.

Gu Yi didn't even look at these things, and strode up directly.

Gu Mu hurriedly followed, nine steps, nearly a hundred steps, each step was very high, and his feet were trembling when he climbed to the top.

The top edge is a semi-circular platform surrounded by carved galleries made of white jade. In the middle of each carved gallery there are two bronze tripod furnaces side by side. In the middle is a huge bronze tripod with many ancient carvings on the lid Beast, many characters are engraved around the body of the tripod.

Facing it and sticking to the wall behind it is a huge bronze Bixi. On the back of Bixi is a huge bronze stele about four meters inscribed with a row of oracle bone inscriptions.

Seeing this Bixi, Gu Mu was stunned for a moment, then suddenly remembered the last picture on the tomb passage, and immediately his eyes fell on Bixi's mouth.

Bi Xi opened his mouth, revealing bronze fangs, and sealed his mouth.

Gu Yi was groping for Bixi's head, and suddenly reached out to press Bixi's protruding eyes.

Hearing a click, Bi Xi's mouth moved with a click, opening up and down, and the fangs looked very sharp.

Watching Gu Yi brush his fangs and take out the black box, Gu Mu was afraid that the mechanism would not be stable. If his mouth suddenly closed, those fangs could pierce his hand.

However, the expected accident did not happen. Seeing that Gu Yi was holding the box, he leaned over to take a look, and found that this time there was only a piece of cloth with patterns drawn on it, as well as detailed oracle bone inscriptions, which he could not understand. I probably wouldn't give him a detailed explanation, so I said, "I want to look around, is there any untouchable or dangerous mechanism here?"

Gu Yi didn't raise his head, but just raised his hand and threw him the cloth in a black box, "If there is the above words, open it according to the heavenly stems and earthly branches."

Gu Mu took the cloth and unfolded it, on which were the oracle bone inscriptions he had seen at the time.However, when I opened the Qianjin gate before, some characters would appear when the patterns were combined. Could it be these inside?

He does understand the astronomical stems and earthly branches. The old man likes to study ancient tombs the most, so he will naturally study things like Fuxi, gossip, geomantic omen, etc. He knows a little bit about it.

But how do these connect with the heavenly stems and earthly branches?

He looked up at Gu Yi helplessly.

Gu Yi seemed to have just remembered that he didn't understand these words, and said: "In the position of the heavenly stem, the third from the left, the fifth from the right, and the eighth from the right, repeat three times."

He read it once, recalling the arrangement of heavenly stems, pondered for a while, vaguely found the pattern, immediately became excited, and impatiently took the cloth and walked towards the small bronze door on the next floor.

These small bronze gates are not as complicated as the Qianjin Gate. There are marked characters on them. According to the comparison in the cloth, and then use the heavenly stem ranking method to solve it, the bronze gates are opened smoothly.

But the door is too low, even if it goes all the way up, he needs to squat down to see clearly inside.

Inside is a large stone room, about two meters high, surrounded by many large boxes also made of gloomy wood, and there are hundreds of them stacked up.