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As soon as Mo Yin finished speaking, he saw Zhao and An froze.

The other party took a deep look at him, his hand just paused, and then smiled and said: "That's right, it seems that I should discuss it with Director Zhou myself later. Come, come, eat vegetables, eat vegetables."

As he spoke, he gave Mo Yin and Zhao Peiling a few chopsticks dishes with enthusiasm, and sat down to continue eating.

Zhao Hean acted so nonchalantly, Mo Yin naturally wouldn't continue the topic just now.

The three of them lowered their heads and continued to eat. Zhao and An ordered a table of dishes. Although the taste of Yang Hetang's dishes was not good, they were barely passable.

A table of people can be regarded as a feast for the guests and the host.

After lunch, Zhao Hean personally drove Zhao Peiling and Mo Yin back to the set.

As for Zhao Peiling's car, Zhao He'an naturally found someone to help drive it.

It was still early when Mo Yin and Zhao Peiling arrived at the set, but around 4 pm.It seemed that the crew had just returned from dinner, and they were sitting at the door of the house chatting together.

Director Zhou was not there.

Mo Yin and Zhao Peiling couldn't help being a little strange when they saw each other.

Zhao Peiling got on well with the girls in the group. Seeing this, she leaned over and asked strangely: "What's the matter? Why are you all sitting outside the door? Didn't you say that the house will be tidied up this afternoon? I came back early on purpose."

The girls were sitting around eating desserts, and after hearing her words, they all laughed and said, "A group of people came suddenly in the afternoon, and they said they were cleaning staff paid for by someone, and the house had already been cleaned when we arrived. It's almost there. Here, I brought dessert over."

As he spoke, he raised the dessert in his hand and gestured to Zhao Peiling: "It tastes good, do you want to try it?"

Zhao Peiling took a look, and was taken aback when he saw the familiar logo on the dessert bag.It's a famous dessert shop nearby, and Zhao Peiling went to taste it before.

Zhao Peiling shook his head: "No need, I just finished eating, and I can't eat now. Where's Director Zhou?"

"It's inside the house. Director Zhou said he was worried, so he insisted on watching inside." The girls said while licking their desserts.

Mo Yin and Zhao Peiling were both taken aback, looked at each other, and walked towards the house.

Director Zhou later rented a rather large house with a small garden. It looked like a good house, but it was very dilapidated.This is the case with such a big house. Originally, if the film crew had to clean it up by themselves, I don't know when it would take to clean it up.

But now, Mo Yin and Zhao Peiling took a look at the clean and tidy house and the cleaning staff in uniform who came in and out of the house—so many were hired to clean it up!

Zhao Peiling frowned, and before he could find Director Zhou, a door next to him suddenly opened.

That room was a lobby-like room, and it was the largest room in the whole house.

A woman in an emerald green cheongsam came out of the room.The woman has a charming face, slender fingers, exquisite nails, and loose hair. From time to time, she raises her snow-white arms to wipe the sweat from her forehead, and at the same time tells the people beside her: "These things are all It should be put away according to Director Zhou's request, and the movement should be gentle, and it will not be easy to pay for it if it is broken."

Those people in uniforms were respectful and busy with their movements very quickly.

Mo Yin was stunned when he saw the man, and couldn't help but asked Zhao Peiling beside him in a low voice: "Why is Boss Wen here? What exactly is your brother trying to do, making such a big show?"

Zhao Peiling also looked dazed, shaking her head and said, "I don't know, I've never inquired about the family's business. It's not that I haven't found a relationship before, but this... is the first time I've seen it."

Zhao's family has a big business, no matter how big the business is in the eyes of others, it may be nothing more than usual in their eyes.Although there is attention, but to achieve this...

Zhao Peiling frowned, walked to Wen Jinge and said, "Boss Wen? Why are you here? My brother asked you to come? Just find someone to do this kind of thing, how can you come in person?"

Wen Jinge has been with Zhao He'an for a long time, and after such a long time, even if he is a "mistress", his status is different.Although it is impossible for Wen Jinge to be called a "sister-in-law" by Zhao Peiling, she is also a pampered master on weekdays. Apart from the matter of the villa, how can there be other things that she needs to worry about personally?

Now Zhao He'an actually asked her to personally direct the "cleaning work"?

It's so unreasonable, no wonder Zhao Peiling was surprised.

Wen Jinge seemed to be busy, and when he heard Zhao Peiling's words, he looked back, with a surprised expression on his face: "It's Miss Peiling? Brother Mo is back too? It's nothing, I don't have anything to do recently, just come here to help Miss Peiling's work, your brother naturally cares about your work environment, so he let me come here."

Wen Jinge's clever mouth, what she didn't want to say, no matter what, it was impossible for others to pry it out of her.After being caught by her in a few words, the topic changed.

Zhao Peiling no longer entangled with her about this, although she didn't believe what she meant - she had concealed her identity as an actress for many years, and she had been in even the most difficult environment. Although her brother felt sorry for her, she had never been like this - but she was her own brother , will never harm her.

Probably just some other reasons that I can't explain clearly.

Zhao Peiling nodded, and changed the subject: "Where's Director Zhou?"

Wen Jinge laughed and said, "It's inside, and it's directing the layout of the background."

Zhao Peiling nodded, bid farewell to Wen Jinge with Mo Yin, and walked inside.

Wen Jinge looked at the backs of the two of them, stretched out his hand to brush their hair, then looked at the cleaning staff and said, "The movements are quicker. When the work is finished, I will give each of you a big red envelope."

With extra bonuses, the cleaning staff is naturally happy, and their work enthusiasm is even higher for a while.

When Zhao Peiling and Mo Yin found Director Zhou, she was sitting in the innermost courtyard of the house, directing the staff to make arrangements, while looking at the notebook in her hand and frowning, as if thinking about something.

Because the cleaning staff is in charge of the plot finishing work, the manpower in the logistics department seems less tense.

Everyone cooperated tacitly, and when Mo Yin and Zhao Peiling walked in, the general appearance of the background could already be seen.

Mo Yin: "Is the next scene going to be filming 'Immerse in the Cellar'?"

The script of "Peach Blossom Spring" is not so much a horror adventure movie, but a combined horror movie composed of many independent small stories.

In this movie, Director Zhou designed many separate independent stories, which were presented one by one in the form of adventure encounters between the hero and heroine.

There is a story of "people soaking in the cellar" in the script. Mo Yin was deeply impressed when he read the script for the first time.

The theme of the story of "Peach Blossom Spring" itself also has the shadow of ancient Chinese legends, and many small stories in it also borrowed from folklore.

The same is true of this "man in the cellar" story.

The hero and heroine Su Xue and Lin Fenghui left the room late at night, wanting to leave the Peach Blossom Spring, not wanting to encounter one after another and more and more terrible things while on the road.

During the day, the warm and friendly neighbors and friends seem to be different people at night, taking off their gentle and glamorous human skin one after another, and turning into some scary monsters.

The heroine was so frightened that she almost collapsed, but fortunately the hero was protecting her all the way, so she escaped from the hands of the neighbors.

In the early hours of the morning, the hero and heroine finally arrived at the edge of the Peach Blossom Spring.However, maybe because the night was too dark, they lost their way in the source, and they couldn't find the way out.

Seeing that the heroine is getting more and more frightened and emotionally broken, the hero has no choice but to drag her into a nearby abandoned manor to take refuge temporarily.

Unexpectedly, as soon as the two of them entered the manor, they saw the security guard who always liked to knock on the glass of other people's windows on the night shift, and put his face against the window and said "dry things, be careful of candles"...

It is said that when the security guard was young, his family was at a loss. He had a wife and son and lived a happy life.Unexpectedly, one night, a fire broke out at home, his wife was burned to death on the spot, and he himself was burned extensively.

And his son, who had just turned three years old, was never found again.

His wife and children were separated overnight, and the security guard went crazy at that time. Since then, he always likes to knock on people's windows on the night shift to remind people to "be careful of candles."

Director Zhou originally said that this scene should be filmed in advance, because this scene is more difficult, and there are many adjustments to be made if it is filmed earlier.

That's why Mo Yin found out that the staff didn't feel anything when setting up this scene. He just saw Director Zhou's serious face and found it strange, so he couldn't help asking.

Director Zhou looked up, only to find that Mo Yin and Zhao Peiling had returned.

She greeted the two of them, raised her hand and kneaded her brows, and said with some headache: "In this scene, I always feel that there is something wrong with the script. Mo Yin, come and help me see, how can I change it better?"

After all, Mo Yin is also an investor in the movie "Peach Blossom Spring". Director Zhou also believes in Mo Yin's ability, so he often consults with him when he has any problems.

Mo Yin didn't refuse, so she walked over and sat next to Director Zhou, and took the notebook in her hand to read.

In fact, Mo Yin has read the script of "Peach Blossom Spring" countless times, and he is very familiar with all the plots.

It's just that Director Zhou's notebook is a little different from theirs, it is densely filled with her thoughts and feelings.

Mo Yin watched it twice carefully, and understood why Director Zhou thought there was something wrong with this scene.

In fact, he had felt this way before.

This "dipping into the cellar" incident was planned on a large scale to five years ago, so almost most of the entire scene is the memory of the security guard.

In the original script, these memories are expressed in the words of security guards.

But there are too many verbal expressions, and the plot will inevitably appear protracted and lengthy, especially since the actor Director Zhou found to play the security guard is not actually a veteran with much acting experience.

To be honest, his acting skills may not be able to support this scene with words alone.

However, it was impossible for Director Zhou to change people now, so he was confused.

Mo Yin studied the script carefully, tapped the script with his fingers, and said, "Director Zhou, what do you think... How about changing the expression of this scene?"

Director Zhou: "How did it change?"

Mo Yin: "Why use words to recall? Isn't it enough to just let the scene be performed in front of the audience?"

Director Zhou: "You mean...? But this happened five years ago, and the security guards have become like that, no good... If you use the flashback method, it will seem a bit..."

It is true that this scene can directly use pictures instead of verbal memories, but Director Zhou doesn't like that method very much. It is a bit incompatible with the way the whole play is expressed, and it will make the audience feel awkward when shooting this way.

Mo Yin: "No, no, just use some of your memories... The past cannot be changed, but the time of discovery can be slightly changed."

Director Zhou was taken aback for a moment, and then his eyes lit up: "You mean...?! Yes! That's fine too! But... In this case, you need to find an extra actor. Where can you find one at a time like this..."

Mo Yin smiled after hearing this: "Director Zhou is worried about what to do, isn't there one ready-made?"

Director Zhou was taken aback: "...?"

Zhao Peiling:? ? ?

Wen Jinge just pushed open the door and walked over: "...what are you all looking at me?"

Mo Yin::)

**************************

The story of "Man in the Cellar" was originally a folk horror story.

It is said that if a child sees a cellar in a strange place while playing at night, he must not go down.

There are weird monsters with scary faces who like to catch lonely children and soak them in a cellar full of stagnant water. After their skin becomes plump and transparent and can peel off at will, they peel off their skins and eat them with wine .

Adults always use this story to educate children, let them not play in strange and strange places at night, and go home early to avoid accidents.

Su Xue tightly grasped Lin Huifeng's sleeve beside her, trembling with fear.

In fact, the temperature in the summer night is quite high. She was wearing a white dress, and the thin fabric couldn't resist the night wind at all.Su Xue, who was cold and frightened, was so nervous that she almost collapsed.

Lin Huifeng took off his coat and put it on her, and comforted her softly, and helped Su Xue into the house ahead.

He was not familiar with this place, so he walked extremely carefully.

Su Xue trembled: "Feng, Fenghui, where is this place? Why is there no lamp? It's so dark, I'm afraid of Fenghui, let's get out of here, okay?"

Lin Fenghui, who was leading the way, gently touched her hand that was holding him tightly, and said, "But it's too cold outside now, and there's nothing there. We have to find a place to stay. It will be dawn soon, wait for it We can find the way out, and I will send you back when the time comes."

Su Xue: "You go back with me."

This place is too evil, she doesn't worry about leaving Lin Feng here alone.

Lin Feng listened back and smiled: "Well, I will go back with you."

The old house was towering with ancient trees, and it was dark at night. Lin Feng was really scared to see Su Xue, so he started talking to her about some trivial matters: "Xiaoxue, did you tell me last time that your family found someone for you and wanted you to go on a blind date?"

Su Xue knew that the other party wanted to divert her attention, so she also started chatting: "Yes, it is said that he is a policeman, and he said that the family conditions are good... I don't want to go on a blind date."

Lin Feng laughed when he heard it: "Well, it doesn't matter."

His voice was gentle and deep, Su Xue's ears turned red when she heard his words, she was so surprised that she no longer felt nervous.

The two walked in for another pause, Su Xue was about to continue to speak, but suddenly saw a figure appearing in front of her.

The figure was a little stooped, wearing a worn-out dress that was worn several years ago, and holding a kerosene lamp in his hand.

Who still uses kerosene lamps these days?Even in a place as isolated from the world as Taohuayuan, kerosene lamps have long since disappeared in the past five years.

The only one still using it now is...

Su Xue screamed, and the man slowly turned around, his face was ugly, and there were burn marks on his face one by one.

The man was holding a kerosene lamp in one hand, and a long stick-like thing in the other, like a baton.

It was the security guard.

When he saw Su Xue, he grinned, and his terrifying face became even weirder. The scars on his face writhed like live maggots: "The weather is dry, be careful of the candles, late at night and early in the morning. Go home...go home early...if you don't go home, I'll burn you to charcoal hehehehehe."

The giggling laughter of the security guard was as terrifying as that of a bird at night.

Su Xue was so frightened that her face turned pale, her throat seemed to be blocked and she couldn't speak.

Only then did she realize that the long stick-like thing in the man's hand was nothing like a baton, it was a human leg!

Human legs that have been burned to carbon!

"Ah—" Su Xue finally couldn't help it, and screamed loudly in fright.

The screams startled several birds in the forest, and they all screamed and left.