Riding and slashing the stars of empire civilization
186 Fiona Knights
If Ella's combat power is counted as 1, then the combat power of Attila and Lapland is approximately between 15 and 25.
This is a normal combat power calculation, not counting explosions or being possessed by another self.
Arthur, who was judged by Milin to be more powerful than Attila and Lapland, had a strength close to 60.
As for Pahlavi, I don’t know even if I haven’t beaten Milin.
However, from the moment Pahlavi and Arthur fought against each other, Milin knew that Pahlavi's strength was probably in the single digits.
Compared with Arthur, this strength can be said to be close to ten times the difference in combat effectiveness.
But with such a disparity in fighting power, the fight between Pahlavi and Arthur, this world's version of King Arthur, was back-and-forth and extremely exciting.
The guests attending the banquet did not have this vision, or in other words, this difference in strength was enough for Arthur to perform a well-matched battle.
The nobles and elders who thought this battle was extremely exciting would burst into applause or cheers from time to time.
All in all, it is very honorable to the Queen.
But as time went by, these applause or cheers, which were mainly done to give the Queen face, gradually stopped.
The guests who were enjoying the feast also stopped eating and looked at Arthur in the field with subtle eyes.
Although these nobles and elders who stayed in the imperial capital were all insignificant mascots, they still had some insights.
In particular, these aristocratic senators have changed from powerful nobles to mascots. Many of them are because of the "Neretses Folly" a few years ago.
They were even more impressed by the Battanians who caused all this.
"Did I read that correctly? Could it be that the gladiator was using the spear skills of the Fiona Knights of Batania?" A veteran whose figure was not completely out of shape and who could tell he had been in the army before asked in surprise.
To the Battanians, the old enemies of the Empire, the Battanian Fiona Warriors are almost equivalent to the Armored Knights to the Empire, the Khan's Guards to Kuset, the Banner Knights to Vlandia, and the Vanguard. Cavalry vs. Aserai, Varyag Guards vs. Sturgia.
It is the mainstay of a country's military system.
The combat effectiveness of these mainstays is directly proportional to the cost of training, so they are also called "noble soldiers"
It's not that only nobles from various countries can become such soldiers, but those who can hold this title can almost be counted among the nobles.
However, among all these noble arms, the Fiona Warriors of Batania are the only one who are not good at riding horses.
But even so, no one dares to underestimate this force.
There are not a few troops who have been turned into hedgehogs by these Fiona warriors.
It is precisely because the longbow of the Fiona warriors is so powerful that it masks the strengths of this noble arm in other weapons.
Those who can be chosen as Fianna Champions, especially Fianna Champions, are good at almost every weapon except riding.
What he is best at is two-handed swords and spears.
Those who thought that the Fiona warriors could go up and take advantage after finishing shooting their quivers, countless people were cut down or pierced by barrels.
But for these imperial nobles who were beheaded by the Battanians in the battle of "Neretses Folly", they still know this very well.
So now the question is, why did Queen Gaia let a Battanian Fiona warrior fight her adopted son during the banquet?
Is it to use this kind of show to save the face of the empire's defeat, or is it to express his intention to go to Batania?
It's easier to say if it's the former, but if it's the latter.
No matter how dissatisfied the other two emperors are, it is impossible for Queen Gaia to stumble on something that is absolutely ZZZQ for the empire... At least on the surface they will not stumble, and they will even support and support her. The behavior of Queen Gaia.
"Interesting..." While these noble elders were speculating on why Queen Gaia did this, Milin had a subtle smile on his face.
"What's wrong?" As the representative of Milin's subordinate Zhan Wuzha, Aila only thought that the battle between Arthur and Pahlavi was exciting.
"It's just a little weird to hear someone think of Arthur as a Fianna warrior." Milin picked up the wine glass and saluted Ella.
Seeing Milin's action, Ella picked up the wine glass and clinked it, but did not drink it immediately and said:
"What's so strange about this? The legend of King Arthur originally drew on many Celtic legends. In the first few books, those knights of the Round Table were the Fiona warriors."
"Could Cu Chulainn and Diomudo also be considered Knights of the Round Table?" Milin felt even more strange.
"...Of course the name has been changed." Ella said a little surprised that Milin could name a somewhat famous heroic character in Celtic legends.
It's obvious that Milin's history level is that of a street stall.
"...Is it just a matter of changing the name?" Milin said, sensing what Ella was complaining about.
"Yes, they are all folk stories anyway. Since Admiral, you know a little bit about Celtic mythology, don't you think, Admiral, that Queen Maeve in Celtic mythology and Queen Morgan in the legend of King Arthur are very similar? Where?" Ella explained.
"They are not similar at all..." Milin curled his lips and said in a tone as subtle as his expression.
All painters are different, okay?
"...Admiral, have you seen them?" Ella was slightly surprised when she heard some of the meaning in Milin's words.
"Yeah, I've seen it." Milin nodded.
"..." Ella blinked, a little curious as to how Milin had met those two people.
"If I remember correctly, don't the Fiona Knights all use guns? Why did King Arthur's Knights of the Round Table use swords?" Milin brought the topic back to him smoothly.
"Times are progressing, Admiral, even folk tales will keep pace with the times."
Regarding Milin's question, Ella first gave an answer that was very consistent with the materialist dialectical view of history and then explained:
"When the Celtic legends appeared, those Celts did not have the craftsmanship to make two-handed swords. By the time the Arthurian legends appeared, the forging technology had become much more mature."
"In addition, the legend of King Arthur also borrowed some elements from the Germanic Nibelung epic. It is only natural that the knights who were supposed to use guns turned into knights with swords."
"The Nibelung stories were originally spread among the Norwegians who came south to live on the Rhine River. Many stories have shadows of Nordic mythology."
“As for many of the stories in the Arthurian legend itself, such as those of the expedition to Rome, in the original story, they were completely copied from Charlemagne’s Lombard conquests.”
"So the so-called legend of King Arthur is actually just the Stitch Monster from legends and histories across Europe."
"...stop, stop, stop..." Although he knew that Ella's answer was objective, Milin still interrupted the other party's explanation.
Once you look at history with a materialist dialectical view of history, especially when analyzing these historical stories, all romance is gone.
Just like if the Greeks knew that the returning lightning they were thinking about was actually one who abandoned the city and fled, they would be very sad.
"Admiral, are you thinking of something impolite?" Ella asked, moistening her throat with the wine she had not drank just now.
"No, I just think you might get beaten up by them if King Arthur hears it."
Milin said to Ella seriously.
"Them? Does King Arthur have many?" Ella was stunned for a moment and said.
"Well... there are quite a few. For example, don't we have one in front of us right now?" Milin once again changed the subject smoothly.
Although she was a little confused, Ella, who knew that Milin did not intend to explain too much, ended the historical topic that was not romantic at all and turned her attention to the two people in the battle again.
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