Record of Chaos

　　 (682 sharpening the blade to seek immortality, crazy kendo forgotten longevity)

　　 In the spring of Kunyuan thirty-sixth year, Houchou Dynasty Tongzhou Jindeyuan Lunjiantang.

　　 said it was a hall. In fact, this is a huge bamboo shed, round, hundreds of steps square. The top cover is like a hat, which is densely bundled and covered by countless split bamboos. There are no walls around, only the thickness of the mouth of the bowl. The thick and straight bamboo, which is three feet high and unbelievably straight, supports the dome, making it feel like being in a sparse bamboo forest.

　　Under the bamboo forest, it looks like different areas are covered with stones of different colors. In fact, these are monks one by one, but they are all neatly sitting on the futon, no one is talking, no one is whispering, everyone is dignified and nervously staring at the open space in the middle of the bamboo forest. Except for a hint of envy in their eyes from time to time in tension, most people have no other expressions.

　　 Most of these monks wore white and gray robes. But most of them have different colors. Among them, silver-white is more common, accounting for about one-third of the audience. Red, black, cyan, and yellow are also uncommon, and together they account for half of the remaining. They are naturally the five courtyards of Jinde, Huode, Shuide, Mude, and Tude with the largest number of the Five Elements Sect.

　　 The remaining people are dressed in disorderly fashion. There are some special disciples of the Five Elements Sect and many disciples of the Lower Sect. Cuiyu Palace also has a group of inner disciples among them. Most of them wore grey robes with spirit swords on their backs, with jasper jade on the hilt of the sword; they had cyan silk ribbons around their waists, and hung a wooden sign of different colors with the words "Jade Palace" on the sign.

　　 At this time, the cold light flickered and sword energy was on the open space fifty steps in the middle. A monk in a silver-white vest is fighting with a female nun in a black dress to get you to and from me.

　　The man in the silver vest is the disciple of Jindeokin’s Feijiantang. Although they were named "Flying Sword Hall", the swords of the two of them were always held firmly in their hands, and no "Flying Sword" shot. Even the disciples of the Flying Sword Hall of the Five Elements Zong, there are not many disciples who can truly guard the sword with their hearts. Among the more than three hundred disciples, fewer than a hundred people can kill with flying swords at will.

　　 Most people in the Five Elements Sect are practitioners. The characteristic of Dharma cultivation is to emphasize understanding of external laws and neglect internal cultivation. Unlike Qi cultivation, which starts from cultivating the true Qi in one's own body, Dharma cultivation involves comprehending the external laws, manipulating magic weapons, and the power of external objects to promote changes in one's own physical body, thereby achieving the ascent to the upper realm.

　　 For them, manipulating magic weapons to kill people in the air is easy, starting from the foundation monks. But very few people made magic weapons into a sword shape, and then went to the volley to kill people posing as flying swords. Because magic weapons rely on the power of magic weapons to kill people, not swordsmanship. It's like an arrow shot out. Although arrows can take their lives in the air, they are still not flying swords with swordsmanship.

　　 The disciples of Feijiantang really practice swordsmanship. Although Feijian's volley swordsmanship is not exactly the same as the swordsmanship of holding a sword in his hand, Swordsmanship doesn't care about these at all. As long as the swordsmanship is practiced to the extreme and human swords are connected, swords will produce sword spirits, and they can naturally fly swords in the air. Otherwise, even if you add the escape technique to force the sword, it will be nothing but physical.

　　 The male disciple on the field was named Kong Yu, and he worshipped the inner disciple of the Five Elements Sect in Feijiantang. Unlike most men from Yushu who are facing the wind, he has a rather rough appearance, a burly figure, a sturdy face, sharp lines, a pair of thick eyebrows erected like a knife, and an angry stare. A sharp long sword in his hand, with a slot on the sword, extending from the grid to the tip of the sword, bright red, as if filled with blood. This sword is named Blood Rainbow after this name.

　　 Although he is an inner disciple who worships Chen Ang, the master of Feijiantang, he is not personally passed on by Master Chen. In fact, half of Feijiantang's disciples are under Hall Master Chen. But most of them are ordinary disciples who were taught by senior brothers and sisters. The only way to become Master Chen's personal disciple is to win the first prize in this five-year gathering of "Feijiantang".

　　The Sword Club was indeed set up for Chen Ang, the master of swordsmanship, to choose his followers. But then it gradually became a swordsmanship competition held every five years in the Five Elements Sect. Regardless of whether it is a disciple of Feijiantang, or even the next sect of the Five Elements Sect, anyone who is an inner disciple can participate. In a pairwise battle, the loser is eliminated and the undefeated in the end wins the championship.

　　 The biggest feature of this competition is that you can't use any spells other than swordsmanship. It's a pure sword fighting. Neither escape, spirit, nor any spells other than swords can be used in the competition. Once used, it will be immediately declared negative. It is also forbidden to use sword aura or the art of controlling the sword with the heart in Feijiantang.

　　 Under this rule, neither the disciples of the Five Elements Sect nor the disciples of the Five Elements Sect's next sect are obviously opponents of Feijiantang disciples. Because the disciples of Feijiantang didn't practice any spells or even zhenqi at the beginning. What they know is to practice swords and swords constantly. Until one day, a dead sword will be practiced alive and a sword spirit will be developed.

　　 The other Tangguchi and Xiazong are all good at it, and it is impossible for them to spend their energy on swordsmanship anyway. But swordsmanship is also one of the most important combat skills in each hall. Even if it is impossible to win the championship, the disciples and the disciples of Feijiantang have a rare opportunity to have a sword move. Therefore, there are always disciples of the Five Elements Sect outside the Feijian Hall, and it eventually becomes a swordsmanship competition for the Five Elements Sect and all the disciples of the next Sect.

　　 There are no prizes in this contest. But Chen Ang, the master of swordsmanship, will not refuse to accept any disciple who wins the first prize in the swordsmanship meeting as his own disciple. This is the personal promise of the hall master, which has not been changed for more than 20 years. And his direct disciples really only have four. According to Feijiantang's rules, the direct disciple of the hall master is directly the true disciple of the Five Elements Sect.

　　 Since the master has never accepted a disciple other than the disciple of Feijiantang, Kong Yu has actually already acquired the quota of this personal disciple. But this is also the most strange thing since Feijiantang Chen Ang used the sword to choose his followers. In the final battle of Feijiantang's Sword Forum, there was actually someone who was not a disciple of Feijiantang?

　　 This makes Kong Yu, who is known as the strongest young genius of Feijiantang in 30 years, feel ridiculous.

　　 He had been shocked by another "outsider" before, and that person was Tang Su. Tang Su has not always been a disciple of the Five Elements Sect. He was promoted from the next sect and joined Feijiantang because of his merits. This young man from the foreign surname Yao, with only one arm, is holding a purplish-red broad sword. His sword technique does not leak, and his momentum is amazing. It only takes half a move to pick him under the sword.

　　 Fortunately, he won after all. Tang Su's only flaw may be his left arm. His left arm was long gone, replaced by a weird beast claw. Although his left hand was not his sword-holding hand, the jerky left arm obviously dragged him down. Kong Yu found the opportunity to defeat him.

　　 Don't worry about Tang Su. Although he was born in the next sect, he is still an official disciple of Feijiantang. So what the **** was this person I met in the final?

　　 He has never seen a female cultivator like this. She wore a very out-of-the-ordinary black dress. She was also obese, and she was so round that she looked like a fat black eggplant. Such a figure can still participate in Feijiantang's sword meeting, and can also enter the final battle? And what irritated him even more was that this person, like Tang Su, came from the Jade Palace? Are there abnormalities under the gate of Jade Palace?

　　 Her chubby figure almost concealed the slender light blue sword in her hand. This is obviously an authentic jade palace magic sword, on which there is a blue spirit seed extending many veins, all over the sword. The sword is long and slender, like the wings of a thin damselfly.

　　The swords of Cuiyu Palace are all wooden swords. This sounds innocent, but it is not. The base material of these swords is black iron wood, which is originally as hard as black iron, and has a bit of wood toughness. More importantly, these woods are not dead, but alive! As long as the spirit seed is planted, it will be able to communicate with its master, and it will continue to grow as its master climbs the upper realm. The sharp sword in the hand of this obese woman faintly contains the air of thunder, which is extraordinary.

　　 But it doesn't matter. If she uses the spirit sword on the spirit sword to confront the enemy, she will be directly judged by the surrounding Feijiantang elders. Even if her sword is a living thing, it can only be used as a dead thing. Here, all tricks are useless, only swordsmanship is the only right way. The more powerful the opponent is, the less likely she is to devote her mind to swordsmanship, and she will definitely lose!

　　 It is a pity that not long after Kong Yu's sword was released, his confidence was ruthlessly shattered. Although the fat woman is fat, her movements are not clumsy. More importantly, any step of her movement is as accurate as if it has been calculated, removing all unnecessary movements and strength~www.readwn.com~ If only one finger can solve the problem, she will never move two. . If the sword can achieve the effect by half an inch, she will never make a sword.

　　 It looks as if his sword moves are like a storm, and the opponent is like a rock immovable in a huge wave. It only takes a few moves to block his fierce sword moves one by one. This is self-evident to others who are strong and weak. Although the judging elders would not determine the victory or defeat by this, it also made him anxious. Is he going to become the first Feijiantang disciple to be defeated by Xia Zongjian on the battlefield of the Lunjianhui decisive battle?

　　 No matter what kind of attack he uses, the opponent will resist it with textbook correct countermeasures. After dozens of moves, the obese woman didn't even move half a step, nor did she launch any counterattack. Even if her footsteps changed, it was purely to resist his sword moves. Her movements made Kong Yu quite familiar. Accurate without spirituality, just like the sword puppet he used to practice sword in Feijiantang.

　　 "Sword puppet?"

　　 Anxious, Kong Yu recovered a trace of calmness. He stopped attacking, and the other party stopped resisting, staring at him with indifferent eyes on his fat face. This woman didn't take the initiative to attack at all, and only resisted his sword moves, which was another humiliation to him. But being impatient is useless. He forced himself to calm down.

　　 What if the opponent is a sword puppet and not a human at all? The characteristic of the sword puppet is that the more precise you use swordsmanship, the more precise its response will be, giving you the illusion that it is almost invincible. But the more you forget those ancient swordsmanship and fight with your own mind, the easier it is to create some unimaginable situations. In some coincidental circumstances, these sword puppets will become stupid and be easily defeated!