Rebirth of the Tech Madman

After introducing the background setting of the Xiangjiang police in the theme of DreamWorks TV series, in addition to launching Xinzha Senior Brother, which revolves around personal struggles and grievances, it also created the 101 Arrest Warrant series around the story of the police solving the case. -79 Novels-

The widespread adoption of DNA identification is the general trend, and it is not a bad idea to play a soft advertisement in TV dramas first.

Perhaps it is easier to understand Tang Huan's intentions by using relatively well-known TVB TV series Winning Injustice and Forensic Pioneer in the original time and space as examples.

However, it has long since been impossible for him to have enough time to 'handle' large-scale works such as TV series and movies, so he occasionally dabbles in short and 'fine' music songs.

So, Tang Huan picked up a pen, and briefly described the ideas he came up with on the manuscript paper, and then put them into the file bag with the label Xiangjiang.

After doing some trivial work like this and taking a break, Tang Huan spent more than ten hours of traveling time and came to Tokyo, Japan.

Subordinates from Japanese Zheru, Epson, EA, Taito, Yamaha Musical Instruments... and other factions came to welcome them together.

Do they like flattery or want to show off the strength of the lineup? Of course not, the appreciation of the yen promoted by the Gein Square Agreement is actually equivalent to sending a windfall out of thin air. There was a fire in everyone's chest, and it was difficult to express the excitement in our hearts without finding a reason to get together.

Tang Huan naturally saw the eagerness of his subordinates, and immediately said according to the public opinion: Let's book a high-end place for dinner, and let's have fun together.

Yaskawa Hideaki and the others replied repeatedly: Get ready right away, and you will be satisfied.

Tang Huan laughed loudly, I am second, the key is everyone's satisfaction.

Because of the special cultural atmosphere, men in the Japanese workplace are actually 'quite' depressing, so this is a party where no distinction is made, drinking and chatting, and even having a 'wave'. very popular.

When Nakamori Nakamori and other artists under Warner Japan appeared on stage one after another, Tang Huan asked Taito's president Akio Nakanishi casually, How is the EA theme park?

In fact, because everyone attaches great importance to business, it works perfectly; on the contrary, it is those little things that are marginal but also have a unique role, and Tang Huan needs to pay special attention to them.

Akio Nakanishi straightened his waist, and solemnly replied: EA Theme Park is setting up a new Three Kingdoms themed project. With the popularity of the game Three Kingdoms and Tomb Phantom 2: Eight Arrays during Christmas It will be released. It will definitely grab a lot of business from Disneyland.

Tang Huan nodded slightly, I heard that some of the props used in the filming of Phantom of the Tomb 2: Eight Arrays have already been transported to the EA theme park?

The Three Kingdoms area that EA theme park will open, in addition to echoing the game Three Kingdoms as usual, is also closely related to the movie Phantom of the Tomb 2: Eight Arrays. Some elements involved in it, such as Zhuge Liang's ride Four-wheeled vehicles, Kongming lanterns, wooden cows, horses, Zhuge crossbows, eight formations, etc., EA theme park also need to quote, so some props are specially shipped. Akio Nakanishi explained carefully.

Then I'll go and have a look tomorrow. Tang Huan said curiously.

In line with shooting a big-budget movie. To drive the idea of ​​economic development, Phantom of the Tomb 2: Eight Arrays was mainly filmed in the Yucheng area in Southwest China.

In order to create an epic sense, in addition to conventional props such as armor and weapons, DreamWorks also manufactured some special props including wooden cows and horses and Zhuge crossbows according to folklore. Of course, these things are actually closer to toys, but it doesn't appear in the movie.

According to the plan, after the filming of Phantom of the Tomb 2: Eight Arrays is completed. DreamWorks will use these props to build an amusement park in Yucheng. Unexpectedly, EA Theme Park asked for a batch of resources first.

Because Yucheng is far inland, when Tang Huan came to China this year, he didn't travel thousands of miles to visit the class, so the curiosity has accumulated to a strong enough level.

The richest man opened his mouth with an idea, waved a bunch of resources and established the project Phantom of the Tomb 2: Eight Diagrams. Hundreds of thousands of people are working hard for it, and the authority and achievements displayed in it can be imagined. No matter how indifferent Tang Huan is, he will inevitably worry about it. The Three Kingdoms area, which is being prepared by EA theme park, can just relieve this emotion .

...

The actual situation did not disappoint Tang Huan. Knowing more about Disneyland, he made a little comparison. I have come to a positive conclusion that my own EA theme park has many superior advantages.

After hearing the news, Dong Bao and other Japanese film companies also rushed over to make familiar faces in front of Tang Huan. People in the Gein circle have felt the menacing heat of the Three Kingdoms, and judging from the experience of Phantom of the Tomb: Wrath of the Dragon Emperor, there are also many Japanese artists participating in the sequel Phantom of the Tomb: Eight Arrays, The performance will definitely be even better, this is a business opportunity.

Tang Huan said in a joking tone: Dreamworks' Jing Wu Heroes has just won a box office of 40 million US dollars in the United States, which is considered to be a record. Why don't you use it to run it first? It’s a warm-up.”

The movie Jing Fu starring Bruce Lee was first shown in Japan. Tang Huan planned to make Jing Wu Heroes, which has the same theme, also come to Japan to toss and see what interesting reactions will happen.

After getting a preliminary understanding of the details of Jing Wu Heroes, Dongbao did not immediately express its position, but tentatively asked: How sure is The Forsaken that it will win the Oscar for Best Foreign Language Film?

I didn't open the Oscar, how dare I guarantee it 100%. ​​Tang Huan spread his hands, I can only say, let's work hard together.

The Academy Award for Best Foreign Language Film came into being in 1947 in order to increase the recognition of Oscar among audiences around the world.

In the first few years, it was directly awarded to some excellent foreign films, or to be precise, non-English films, in the form of Oscar Honorary Awards,

This state lasted for 9 years. Since 1956, the Academy Award for Best Foreign Language Film has become a competition unit, and the evaluation method has been formally formulated.

Generally speaking, Oscar awards are voted out by professional committees including actors committee, director committee, etc., to select the shortlist. Finally, the winners will be selected by voting by all members.

But the final selection for the Oscar for Best Foreign Language Film is slightly different from other Oscars. It is under the responsibility of a separate selection committee. First, a small number of judges select the shortlist, and then let members who have participated in foreign language film screenings select the winning films.

It can be said that compared to the majority of Oscars selected by the general public, the Oscar for Best Foreign Language Film selected by a small number of judges has more room for manipulation.

Like, for a long time. The American Academy of Film and Arts will only invite one feature film from each country to participate in the Oscar competition for the Best Foreign Language Film Award, thus forming the rule of one film per country. This caused a lot of criticism.

After all, prolific European countries such as France, Italy, and Spain often produce enough films to win several nominations, but because of this rule, they are limited to only one nomination at most.

Another grievous thing is that this system makes the films recommended by each country may be affected by politics or other aspects, such as failing to be recommended by the country due to political factors. Or the opportunity to sign up was obtained by a certain director or a certain studio with better connections.

Of course, those countries that benefit from the small film production are supporters of this system, because it can ensure that they are equal to the film-prolific countries.

In short, the general process is, from getting a recommendation opportunity to getting into the eyes of the judges. Eligible for nominations until an Oscar for Best Foreign Language Film is freshly out.

Judging from previous results, the winners belong to European countries with prolific films such as France and Italy. As for Japan, it was only in the honorary award stage of the Oscar for Best Foreign Language Film, with Rashomon in 1951, Gate of Hell in 1954, and Miyamoto Musashi in 1955.

If anything, Japan has come closest to winning the Oscar for Best Foreign Language Film. In 1975, Desu Uzala, co-produced by Japan and the Soviet Union, finally won.

In the past 30 years, although Japan has been nominated more than a dozen times, it has never been able to embrace the Oscar for Best Foreign Language Film, which was restructured into a competition.

It is not difficult to imagine that with the backing of strong economic strength, Japan's covetousness for the Oscar for Best Foreign Language Film is increasing day by day, but it is a pity that it always hits a wall. Americans don't buy it, don't mention how disappointed they are.

Under such circumstances, Tang Huan went on to finance an independent film about Japanese orphans, Japanese nationals or Japanese Manchurian 'Mongol' settlers who were abandoned in mainland China during the retreat and repatriation of the Japanese Kwantung Army in 1945 , most of them belonged to the Japanese national policy immigration plan at that time.

You know, due to Japan's ambitions, the number of this group is quite considerable.

In 1950, the Japanese government counted 26,492 people stranded in Northeast China, and there were still 22,187 people in 1958.

In 1959, the Japanese government promulgated the Law on Special Measures Concerning Unreturned Persons, declaring those who have not had any news in China as wartime deaths, issued 30,000 yen condolence money to their families, and canceled their household registration.

To put it bluntly, the Japanese government has given up on these people.

After the normalization of diplomatic relations between China and Japan, the Japanese Ministry of Health, Labor and Welfare made a distinction. At the end of the Second World War, the Japanese army was adopted by the Chinese during the retreat and repatriation from the Chinese mainland, and they were under the age of 13. The Japanese are defined as orphans, and Japanese nationality and assistance are given to them to return to the country; while Japanese women over the age of 13 who are living or voluntarily joining a family in Northeast China are regarded as staying according to their own wishes. In the Northeast, those who cannot receive the above-mentioned treatment are regarded as residual 'women'.

In 1985, that is, in March of this year, the Japanese Ministry of Health, Labor and Welfare formulated a identity guarantor system for Japanese overseas Chinese who left China, stipulating that Japanese overseas Chinese who left China must obtain the consent of their Japanese relatives before they can live in Japan. However, due to various reasons, many people refuse to be identity guarantors.

It is only 40 years since the end of World War II, and a large number of parties are still alive, so this issue is still of great concern in Japanese society.

In addition, even if Japanese overseas Chinese who have left China can pass through the thresholds set by the Japanese government and return to Japan, it does not mean that they can live a life like heaven.

It is obvious that because of the long-term living in China, Japanese overseas Chinese have been separated from Japanese society, and their thoughts and values ​​have been affected. In addition, they cannot master the Japanese language and get used to Japanese life. Many of them lost their ability to work after returning to Japan.

At the same time, due to social discrimination and financial burden, they were not accepted by Japanese families, which also created a gap between Japanese overseas Chinese who left China and Japanese families.

In short, the Japanese who have returned to Japan, without assistance from Japanese families, can only receive relief funds from the government every month. They have a difficult livelihood, become the bottom of Japanese society, and even become members of gangs. members.

At the beginning, Japan encouraged its nationals to move to Northeast China for colonial rule; now, how ironic it is for these people to rely on them and procrastinate them.

Tang Huan very kindly planned to give Japan an Oscar for Best Foreign Language Film for free, in order to satisfy their vanity, which was rapidly inflated due to the prosperity of the economy, but this subject is about to expose the scars!

For this movie, Tang Huan made a lot of preparations, such as collecting materials in China.

In particular, filming needs to reflect deeply from the perspective of a Japanese, standing on the standpoint of a Japanese. This director candidate can be said to be painstaking, and finally chose a veteran Japanese film director-Masa Imai.

This person is a well-known figure of the Japanese left wing after World War II. He is good at anti-war, anti-militarism, and social realism and other film themes.

He once won the Silver Bear Award at the Berlin Film Festival for A Story of Pure Love in 1957, and later won the Golden Bear Award at the Berlin Film Festival for A Cruel Story of Bushido in 1963.

Masa Imai, who is over seventy years old, is not in good health. He just underwent gastric cancer surgery in 1982. To put it bluntly, the days to come are numbered.

Because of this, the old man didn't have so many scruples, and happily accepted the script, dragging his sick body, and showing his last artistic brilliance.

The selection of the Oscar for Best Foreign Language Film requires nominated films to be screened in the country or region where they are located from October to September of the following year.

Therefore, this Forgotten has been with the audience for almost a month, and it has won unstinting praise from the Japanese left-wing media represented by Asahi Shimbun. A slap in the face of the Japanese government.

This book is from l/17/17797/index.html