"Because comics on the Internet can be interactive—whether it's complaints about the plot or comments on comics, these are not the advantages that comic magazines can have..." At this point, Kyosuke Kosaka paused and thought of a question , "Is the top management trying to solve the problem of high assistant salaries by opening up new resources in this way?"

"Yes."

"This plan is feasible, but in terms of details, you still need to communicate with the company. I'm just a shopkeeper and don't interfere much with these issues."

"With what you said, it's fine, but to be honest, compared to drawing manga, I think it's time for you to start a business... Well, it seems that students at your age should be your main job."

"Compared to starting a business, I am better at drawing books."

"..."

Chapter 315 You Are Already a Monster Among Monsters

After hanging up the phone, Kyosuke Kosaka continued to be busy.

The popularity of manga has been steadily increasing, driven by the two vests of slam dunk and Yuanzhikong, which he invested in and produced, and he has completely confirmed his reputation as an evil manga artist.The content of comics is not mainstream. Others rely on stories to determine the outcome, but he relies on a series of appearance factors to increase his popularity.

But even with the popularity of the manga, he still couldn't squeeze into the top ten picks, stuck at the No.11 position.

The top ten comics all look like monsters.

But it won’t take long to get into the top ten, because one of the top ten comics has a plot collapsed recently, and the ranking directly fell from No.6 to No.10 within two weeks. In fact, it can’t be called a painting. It collapsed, Kyosuke Kosaka could see that the other party wanted to increase the depth of the story, but he didn't grasp the scale well.

(After using so many means, I still have to rely on other people's mistakes if I want to squeeze into the top ten.)

Kyosuke Kosaka couldn't help but smiled wryly.

Kurosawa Kazuda noticed the wry smile on Kyosuke Kosaka's face, and was a little confused. Kyosuke Kosaka's performance in every manga was enviable, and he also had various talents, whether it was drawing books or starting a business, he was very successful , is also popular with girls, and is a complete winner in life. I really don't understand why Kyosuke Kosaka is so distressed.

"what happened?"

"With so many means, I couldn't make it into the top ten. The only hope of getting into the top ten is that someone else made a mistake."

"Isn't Slam Dunk always hovering in the top five? Oh, by the way, you mean another manga, it's already No. 11, which is pretty good." Compared with Kyosuke Kosaka's first manga, Kurosawa, like most people, prefers Slam Dunk, and the story structure of the other manga is a little too monotonous, especially the villains are almost completely based on the same template.

After a pause, Kurosawa Kazuta finally came to his senses.

Was it because there was a manga that didn't dare to make it into the top ten?This is really an enviable distress.

"This result is already very good. Many comics, even the top ten comics on the rankings, are mostly slowly accumulating popularity, or the cartoonists themselves have very high popularity, really like a slam dunk. There is no such thing as a work that breaks into the top ten just by relying on the story in one go, no, even if you get the same score as your other manga, you can't do it.

Now you are the only new cartoonist on Jump, and the rest are veteran cartoonists, which is enough to prove your talent.

As for your so-called means, they are not actually means. After all, those veteran cartoonists have already accumulated a lot of popularity by relying on one or two works, and what you have done is only narrowing the gap between yourself and the rest. .Don't listen to Mr. Zang Kong's words, that guy is a well-known bad mouth among cartoonists.

He said that manga depends on the content of the manga to determine the outcome. He is just jealous that you can gain a foothold on Jump today.

Some time ago, his old work was just cut in half, and the rest of the authors on jpmp are old authors like him, but you are a newcomer, and you are so good and conspicuous that you will attract jealousy.

Don't be distracted by these trivial matters, draw cartoons well, and do your own things well. "

Kyosuke Kosaka shook his head.

"I'm not affected by his words, I just think... Forget it, let's not talk about it."

For him, the first work is the one that really belongs to him, and it has a special meaning. Otherwise, why would he have opened so many vests? Now he is just a little unwilling, and he has used so many methods other than comics to get rid of it. Still unable to enter the top ten, I am a little unwilling, but I don't know how to explain these things to Kurosawa.

In fact, he doesn't pay much attention to the order. What really makes him unhappy is that the topicality of the comics is not high.

Obviously ranked No.11, but few people will talk about their own works.

In terms of topicality, it is not as good as those works that rank lower than myself.

Kurosawa Kazuda really didn't understand what Kyosuke Kosaka was worrying about, so he naturally didn't know how to comfort Kyosuke Kosaka, after all his biggest worry was that he couldn't support himself with manga, and Kyosuke Kosaka was already making a living for the manga. I am distressed because I really have no say in comics.

However, he is still a little worried about Kyosuke Kosaka's current mentality.

"By the way, have you noticed that a rookie group has appeared on Jump, and it's called Yacheng Mumengye's newcomer."

"what?"

Kosaka Kyosuke was a little surprised.

In recent issues of Jump, he was only paying attention to the ranking of his works, and didn't pay attention to other things. He didn't expect that the two of them had already debuted.

Seeing Kosaka Kyosuke's reaction, Kurosawa knew that Kosaka Kyosuke didn't know about it, so he said: "This newcomer group is really strong. They both graduated from junior high school when they submitted the first work. After you, the next Two cartoonists who got the chance to be serialized as high school students, but unfortunately, if it wasn't because one of them was hospitalized due to illness, the work stopped for a long time, and the lack of popularity caused the re-serialization, so they were forced to cut it in half."

"That's really a pity."

"It's really a pity, the current jump serialization is not suitable for newcomers."

After a pause, Kurosawa Kazuta continued.

"Actually, I heard people say that Yacheng Mumengye's serialization this time is actually a test to see if there are newcomers who can copy your legend. It is serialized in today's Jpmp. The works of Yacheng Mumengye are just As far as rookies are concerned, it is definitely more than just being cut in half if they are placed on the jump before the revision. It is a pity that they have caught up with the golden age."

"The legend is too exaggerated."

"It's not an exaggeration at all. It's not an exaggeration at all to say that Jump is the strongest era today. No matter what period Jump is entangled with other weekly magazines, Jump now occupies almost the entire weekly magazine market. Let alone newcomers, even It’s those old-fashioned authors who have a hard time maintaining serialization in today’s Jump, and it can be said that cartoonists who can still maintain normal serialization in weekly magazines are definitely monsters in the comics world.”

After a pause, Kurosawa Kazuta continued.

"You can serialize two works in the weekly magazine at the same time as a newcomer, and you have also won No.11 and No. [-]. You are already a monster among monsters. The announcement is actually all from your hands, after the two comics are finished, it will not be difficult for the next comic to maintain the same quality even if it replaces the current hegemony jump."

When he said these words, Kurosawa Katada looked jealous.

That's right, jealousy.

Jealousy without any disguise.

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