My Name is Kosaka Kyosuke but I Don't Want to Be Pushed Down by My Sister

Kurosawa Kazuta was very surprised, and even after a moment of stunned, he asked again in exclamation.

"Aren't you in a relationship with boyfriend and girlfriend? How can this be?! You still say that you don't care? It's only been a year that I know that you have changed three girlfriends. I don't know much about others. I am most familiar with black cats, they are very sensible and well-behaved, and they can also take care of people. It’s just that it’s a bit strange that they suffer from the second illness, but——

She's a good girl in general, don't let her down. "

"What are you talking about? How do you know that she and I are boyfriend and girlfriend? Please! Don't gossip, okay?"

"Oh? Isn't it? Then you are always so concerned about her affairs, and you always flirt with her!?"

"Things are not what you think, she and I are just ordinary friends...No! Why did you suddenly become such a slut today!? Keeping two comics serialized and you still being so leisurely?!"

"I... I... have a new comic card plot."

"Stuck in the plot?"

"Ah."

"It's only been updated for about three episodes, right? It's stuck in the plot!?"

"I think it's too boring to sell meat like that all the time, and it's too boring. If it continues like this, it will make readers bored, and I'm a bit messed up in terms of plot."

Now Kosaka Kyousuke understood that those words before the relationship were just looking for something to say.

"Well, the manga is yours and I can't give you much advice, but you have to keep in mind that the plot serves the characters."

"Serve the character? What kind of service method do you want?"

"It is to use the plot to show the charm of female characters, and use the entire plot to concentrate on portraying a character, um, yes! I have a good idea. Since the plot is already stuck, it is better to let yourself go and add some explosive material. Empty all the male characters, and draw comics about girls falling in love with girls! This will make it easier to sell meat and make the plot more explosive."

"Your material is too explosive! Can a manga work without a male lead?"

"Anyway, it's a test of the water selling meat manga, so it's convenient to sell meat! And there is another advantage of online serialization. If you think it's not good, you can change your vest and start again at any time."

"Okay then - just trust you this time."

Chapter 302 An industry that must be powered by love to maintain

Jump Weekly announced after the release of the new issue, and it will be closed for a week next week——

Not only that, there are a total of six comics released this week that have not been serialized.

Even Jump is like this. The situation of other manga magazines is worse than that of Jump Weekly. They also tacitly chose to suspend publication for a week. The fire ignited by Kyosuke Takasaka is not only burning in the manga industry, animation companies are also involved, and many animations are also involved. Due to the decrease in the number of original painters and the lack of progress, they were forced to stop for a week.

Even some game companies have extended the release time due to the decrease in the number of illustrators.

Because of this, Kosaka Kyosuke was completely framed on the Internet.

The same thing is still said, some people say that he has brought changes to the industry, and some people say that he has brought disaster to the industry.

In short, everyone recognizes that Kyosuke Kosaka has changed the industry environment.

The biggest beneficiary of this change is naturally Kosaka Kyosuke who stands in the most central area. The second beneficiary is those assistants and original artists who have been supporting the foundation of the industry with love power generation. Power generation has rescued the industry from burning itself out.

But it is precisely because of this that he completely broke the original balance of the industry.

Whether it's comics, animation, or games, they must rely on squeezing the most grassroots labor to ensure income.

The whole industry was like this before.

Every year, the monthly salary of all industries is almost increasing with the increase of prices. Only the basic professions such as original painters, assistants, and illustrators have less and less monthly salaries. They have been relying on a generation to burn themselves out and be hollowed out. After all love dedicated his most precious youth to love, he left the industry disheartened to find a new job for a living, and then the next generation will continue to repeat this cycle.

With the least salary and the greatest pressure, the harder you work, the harder it is to live.

This pressure comes from society's discrimination against the industry, as well as the pressure from family and life. In the end, I was overwhelmed by the pressure of despair after I couldn't see my future, recognized my talents, and found that hard work required hard work.

Kosaka Kyosuke has seen such things happen more or less after working in the industry for a year, and even an assistant in the studio was crushed.

The reason for such a situation is not that someone made such a rule, but it developed naturally due to various reasons, such as assistants and cartoonists. On the surface, it seems that the cartoonists are squeezing the assistants, but in fact the cartoonists This kind of oppression is also helpless.

The salary of the assistant is too high. On average, the manga manuscript fee is all paid to the assistant, and it may even be necessary to pay for it by yourself.

Although it is said that the main income of cartoonists is not the manuscript fee, but the copyright fee earned by selling the booklet.

Can!

Not every comic can sell well in single volumes, and not every comic can last until the release of single volumes, so only cartoonists at the top of the pyramid can have a good and stable income, and most people’s income is not satisfactory , which led to a situation where cartoonists had to squeeze assistants.

The same is true for animation, which is expensive to produce, coupled with too much risk, and it is difficult to find investment.

Once you have the funds, you must spend the funds on production as much as possible, and find ways to make the animation better, which leads to a larger workload and more manpower.

And funds are limited!

In the end, the situation of squeezing the original artist had to be adopted.

Kosaka Kyosuke seems to have broken the balance of the entire industry now, but he understands in his heart that this situation is only temporary, not to mention that not everyone who wants to become a manga artist has the talent to rely on manga to support himself. After a long time, after realizing the reality, some people will still return to their original jobs, or completely give up comics to engage in other industries.

Just the new move taken by jump magazine, the continuous training of new assistants to enter the industry will be able to resolve the impact of Kyosuke Kosaka for a period of time.

Although he could see it, Kyosuke Kosaka had nothing to do.

After all, he can only change part of it, and it is simply unrealistic to completely change the entire industry.

And the industry has a way of getting better.

Without being squeezed, there is no grass-roots level that uses love to generate electricity, and the cartoonist’s manuscript fee will increase, so the weekly magazine has to increase the price. This will affect the sales of the magazine, and it is likely to pull the magazine into a vicious circle. The same is true for animation. If the salary of original painters increases, then the number of original painters must be reduced, or the cost must be increased.

The former will lead to a decline in the quality of the animation, which will also affect future sales, while increasing the cost will increase the investment risk, making those who want to invest unable to bear such risks. Companies with capital investment will naturally have better investment projects.