Let Go of That Blackened Heroine

Even if he is talented, Katsushika Oei has already surpassed countless painters. However, compared with Katsushika Hokusai, who stands at the pinnacle of ukiyo-e and has influenced countless people in the painting world, there is still an insurmountable gap.

The woman is crying.

She saw the miserable lives of Katsushika Hokusai and Katsushika Oei, and their pursuit of art.

Kaii Sera was also crying.

"Sure enough, is it wrong to choose to escape? I lost my name. I got rid of the shackles and gained freedom, but I also lost the meaning of existence."

"I always thought I was creating, but like you said, I was just running away."

"Escape can also create strength."

The ghost woman said.

The smoke turned into a black dragon, hovering in the gallery.

No matter how much Yato swung the soundtrack, it couldn't hurt at all.

"What's going on? Why are you cutting continuously? Is the old man's ability so strong? I didn't expect it at all." Yato was also surprised.

Although he had already prepared for the smelly old man to be a tall man, he didn't expect him to be so tall, and besides, he couldn't even get hurt.

The woman in the ghost reminded: "He is not a normal existence, but a painting. It is the last painting of Katsushika Hokusai, Fuji Yuelong Tu! That is his obsession, the obsession of wanting to become a real painter."

"If even this smelly old man is not a real painter, who else in the world can be a real painter!" Yato couldn't help but angrily said. "Is this guy's soul trapped in the picture of Fuji Yuelong? Or is it that the old man is so obsessed that he put all his efforts into the picture of Fuji Yuelong?"

Ye Dou looked up, but found that the dragon shadow was able to swim through the drawing paper in the exhibition.

"This guy is not just as simple as the obsession in the painting, it is not in the same world as us, it is more like a painting within a painting."

"Two-dimensional, a two-dimensional world, a false world, it is in the false world, the essence of Fuji Yuelong map is the combination of the real world and the imagined world. The white Mount Fuji is the real scene, and the Mount Fuji The flying black dragon is false, it is the painter's desire to climb the dragon, it is obsession, that is, its present existence."

The woman reminded.

……

"Is this the legendary picture of Fuji Yuelong?"

Hiyori of junior high school student.

Picked up the paintbrush.

The words of Huang Quan.

"It is said that the eyes cannot be added to the painting of a dragon. If the dragon drawn by the peerless painter has eyes, it will fly out of the painting."

pen to paper.

Ink dyed.

Gently tap on the black dragon's eyes.

Black Dragon opened his eyes.

Your name is.

Fuji Koshilong.

Chapter 951 The Enemy Meets

If it weren't for the artist girl who is obsessed with painting, it would be impossible for Yato to figure out the picture of Fuji Yuelong.

At most, I can only think that this is Fuji Yuelongtu absorbing the soul of Katsushika Hokusai.

However, the other party is just a picture of Fuji Yuelong, and even, it's just the dragon, the dragon in the painting.

The picture of Fuji Yuelong is a painting.

And the dragon is just a creature in the painting.

What's more, dragons are inherently false.

The essence of the Fuji Yuelong picture is that there are false dragons on the real Mount Fuji.

Katsushika Hokusai also drew a picture of climbing a dragon when he was young.

That is his inner sustenance.

It is the charm of Katsushika Hokusai's paintings that can continuously bring space to people's imagination.

Then, the imaginary things are manifested in the language of the underworld, turning the false into the real.

That is the painting maniac.

It's not Katsushika Hokusai, it can't even be said to be Katsushika Hokusai's painting, but Katsushika Hokusai in the painting.

However, it is not only the soul of Katsushika Hokusai's pursuit of the ultimate state of painting, but also other souls.

Or it can be said that it is the testimony of Katsushika Hokusai's life.

The painter's sister's attachment to painting attracted it, and that attachment is its strongest consciousness.

However, when Yato comforted the painter's girl, when the painter's girl began to feel that it was enough, when Mr. Dang Seliang felt that the painter's girl should become a Buddha as soon as possible.

The second layer in the picture of Fuji Yuelong began to explode.

Katsushika Hokusai's life, especially the era of Fuji Koshiryu, is the second half of his life, and it is also the life with his daughter.