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Therefore, it is not the remuneration for magazine serialization that widens the income gap of JUMP cartoonists.

In fact, the remuneration given by the magazine is almost the same for the famous and the newcomers? It's just that the famous manga artist must be able to publish a booklet. After the booklet is sold out, the remuneration for the serialization is just a cloud.

Fukuda Mata complained: "The key is that after passing the serialization, it is not easy to sit back and relax! If the feedback from the reader questionnaire is very low, I'm sorry, after the immediate cut in half, except for the annuity, the treatment is the same as other pure newcomers Yes, - that's right! Probably, a professional cartoonist who hits the street is worse than a professional cartoonist who has not signed a professional contract! Because every manuscript of a professional cartoonist must be submitted to JUMP for approval before it will have a chance to be published, and the manuscript rejected by JUMP , as a non-professional cartoonist, you can also choose other platforms to contribute.

Professional cartoonists can only treat the manuscripts that JUMP does not accept as waste manuscripts and lock them in the cabinet forever.

And if you think about it, there are only a few professional cartoonists signed by JUMP every month, and only a few dozen people a year. These people are not selected from the hundreds of cartoonists who contribute? So those who have potential are generally selected. Once you pass the serialization, you have to sign a contract with a professional cartoonist, and you will be tied to it. Unless you are not popular all the time, then JUMP will lose the contract annuity.

If you become popular, you will never be able to get rid of JUMP!" Liu Xing couldn't help complaining:'"About the fact that most countries don't even have a platform for comic serials.

For example, a country with a population of several million to tens of millions, even a country with a developed economy can hardly support various cultural industries.

Can you imagine that cultural creators in most countries in the world cannot use their native language to create novels, comics, and music because the native language market is too small? "Really? Is there such a thing?" Makoto Fukuda I don’t pay much attention to the news, or even surf the Internet. I only care about the affairs in the JJUMP comic circle. Naturally, I will be like some Internet writers who don’t code all day and will be in water, dragons and empty forums. Big things are in the palm of your hand.

Because, the circle of cartoonists is very narrow, and they don't communicate much through the Internet.

Instead, the editor personally came to the door and kept in touch with the cartoonist.

Some cartoonists are worth wooing. The JUMP editorial department will specially let editors who have a good relationship with the cartoonists serve as editors for a long time, so as to bind them through friendship.

Of course, this is due to the creative environment. In other words, some Japanese online light novel writers will also be active on social networking platforms, and they are not inferior to Chinese online writers in terms of talking.

As for those countries that cannot rely on their mother tongue to create literary and artistic works, they are talking about many European countries, even small developed countries, but basically they cannot make movies in their mother tongue, but in foreign languages.

The game is also not for the domestic market, but for the foreign market.

The music industry also creates songs in English, not in the native language of the small European countries. Talented artists are all composed in foreign languages. Works composed in foreign languages ​​are popular internationally, and then exported to domestic sales and translated into their native languages.

This is the tragedy of many small European countries. The number of speakers of a language is small, and the mother tongue gradually loses its native language culture! In a small country with a population of only a few million native speakers, people want to see cartoonists and directors from their own country. For the works of game companies, first of all, you must learn a foreign language, such as English. If you want to have an audience for literary and artistic creation, you must first have a large number of native speakers. It is best to have 1 million native speakers, the more the better.

In addition, the native language market has consumption power, so that there will be local culture.

The rise of Japan's two-dimensional culture, led by animation, is essentially due to the take-off of the Japanese economy in the 60s and 80s.

In addition, the population of Japan is more than [-] million. Without the population, even if the economy takes off, the cultural industry will still not rise.

Undoubtedly, the peak of the Japanese cultural industry should be from the 60s to the mid-90s.

After that, the Japanese manga industry, music industry, and game industry often shouted pills year after year.

Year after year, it has been called a pill in the industry, and it is indeed going downhill.

But after all, the foundation accumulated in the past is still too huge. In addition, Japan’s local cultural consumption market can really occupy the top three. Unless such a market fails completely, how can the industry give up completely? As a result, pills 3 industry, although it has always been medicine, medicine, but it is still in the ongoing tense of Chekdun, not the past tense. Now I feel that the comic industry is bleak and rich, that is because-..you don’t know yet, the future will be Every year is getting worse.

JUMP will definitely envy the current circulation in the future.

In fact, this is not only the case in the Japanese industry, but also in the manga industry all over the world.

As far as Hong Kong comics, a niche comic market is concerned, in the 80s and 90s, Huang Yulang and Ma Rongcheng, who relied on comics in the 21s and 9s, relied on comics to make a fortune after entering the 20st century? Real estate appreciation makes a fortune! In the [-]s and [-]s, the Hong Kong comic industry once thought that the sales volume of [-] to [-] was the top.

Later, I felt that the sales volume of [-] to [-] issues was already a dream K.

Later, serialized Hong Kong comics that sold two to three thousand copies each issue were reluctant to stop publishing, because if the old ones sold two to three thousand copies, and then opened a new Hong Kong manga, there is a high probability that they want to 1000 copies sold in each issue, you have to gamble on your character.

In the Hong Kong comics of the 21st century, the best-selling comics in the 1+ era can sell more than [-] yuan, but they have shrunk to [-] to [-] yuan per issue, but they still occupy the top of the pyramid.

For the newly created manga, there really isn't enough popularity to support its long-term serialization.

In this case, most of the former Hong Kong manga bigwigs were selling sentimental adaptations of P, and the growth of their personal worth was even more in the era when comics made money. Most of the net worth of Huang Yulang and Ma Rongcheng came from buying properties. added value.

Rather than, the comics are drawn well, the company is run well, and so on.

Other comic companies that have not been able to save money to scale their buildings, such as Ocean Department.

The publishing company that is synonymous with the "magnetic field rotation" synonymous with the strong in Hong Kong, even if the magnetic field rotates 100 million horses and can restart the universe, it will feel its own insignificance in front of property prices.

Chapter 116 Laoganma is usually bundled with Ma Yinglong for sale

"Your bamboo noodles!" Miyoko Kitajo served the dashi bamboo noodles.

"Thank you!" Shinta Fukuda picked up the chopsticks, blew on the noodles, then took a sip of the soup, warmed up his body, and said with his fingers up, "It's really good! No wonder, the former new wife Eiji teacher, It has been praised many times! However, I still think that the spicy taste is better.

"That... the spicy taste can't be eaten every day. If you eat it every day, it may be too irritating, for example, if you have a sore or something.

"Liu Xing said that cartoonists who sit for a long time are more likely to make hemorrhoids worse.

"Stay tape, as a tough guy, my body has always been great!" Fukuda Shinta said.

"But that's only now, if the hemorrhoids strike it's too late.

"Liu Xing said, "Whether hemorrhoids flare up or not has nothing to do with whether the body is strong or not. More metaphysics! Even a macho man will inevitably get hemorrhoids!" Supporting exports of Laoganma Chili Sauce and Mayinglong Ruanyin. First spicy out hemorrhoids, and then buy sore ointment or something.

"Fukuda Shinta said, "Or, when I have hemorrhoids, you sell me Ma Yinglong or something.

"Medicine is huge profits, and channel control is very strict. How can I make this money!" said Liu Xing. , are wandering between the gaps in the law.

It is difficult to make money as a profession with a small amount of purchasing agents.

And a large number, on behalf of... buddy. Come with me, you are suspected of smuggling! In any country and region in the world, the most strictly regulated industry is the well-known profiteering industry.

For example, alcohol and tobacco have been regarded as profiteering since ancient times, so they are controlled by governments of all countries.

In recent decades, the way to control tobacco all over the world is to persuade you to quit smoking, which is harmful to your health, but the real purpose is not to consider the health of smokers, but to consolidate the real monopoly.

These publicity strategies of persuading people to quit smoking first appeared in the United Kingdom and the United States. The early tobacco companies tried to use brutal means to gain market share, and aimed at confronting all kinds of behaviors that promote the harmfulness of tobacco.

But later, tobacco companies continued to think of ways to promote that smoking is harmful to health, and the society is against smoking, thus establishing their own weak image, and consolidating the monopoly position and huge profits of tobacco by retreating.