Post-shadow Development Plan

And this involves the third way, which is recommended.

Either way, make connections with well-known writers, directors, producers, and studio executives, and submit your script to them for approval.

Qiye also took this path back then, his ability was recognized by his teacher and he was given a chance.

After all, Hollywood is a closed system.

No, it should be said that entertainment circles in all countries have this virtue.

Don't look at Lao Xu who advertised as a talented newcomer when he debuted, this guy has been eating this bowl of rice for generations.

His grandfather was the reasoning writer Otsubo Sando, who was once called "Five Men of the Post-war School" by Edogawa Ranpo, and his father Wada Zhou was also a playwright.

Otherwise, why did this guy get the chance to write a game script and sign it before he became famous?

This also explains why Ai Lei can't get into the screenwriting circle in Japan. She is not from the circle of her own, and she has no experience as a tool screenwriter for many years, so she naturally runs into walls everywhere.

Originally, Ailei had planned to work as a screenwriter tool under a well-known female screenwriter—she didn't dare to find a man, for fear of messing with herself.

It's just that after learning about his own sister's situation, Rin directly blew pillow wind at Qiye.

After reading the scripts and novels written by Ai Lei, Qiye waved her hand and asked Ai Lei to work with her in the name of an intern screenwriter.

At the beginning, Ailei was full of vigilance about Qiye's behavior, and even brought a buzzer alarm when she came to report.

"Brother-in-law, are you planning to play Ehuang Nvying? I won't let you succeed."

"Go, you girl have learned something messy! I want to discuss your education with your sister!"

When Qiye said this, she looked warily at Ai Lei's little finger that hooked the buzzer alarm switch.

If this is a bad one, if my blond sister-in-law shakes her hand, then mud will fall into her crotch, either [beep——] or [beep——].

Of course, Qiye didn't pull Elle into the fz crew to throw her and Rin on the bed together, and let him become the one in the middle of the word "Chuan".

With the expansion of the fate project, Qiye needs more queen screenwriters to escort his project.

It doesn't mean that Lao Xu will tell all the stories, right?

Although this guy himself would be very happy, but should the audience still live?

Qiye doesn't want to mention fate in the future. The first impression in the audience's mind is that love and blood fly together. Such an overly flavorful development is really not suitable for a well-known IP.

But Qiye didn't want to rely entirely on Hollywood screenwriters.

It's not that Qiye thinks that these screenwriters will not write stories well, but that there is a big gap between these Hollywood screenwriters and Qiye's philosophy.

They are accustomed to Hollywood's traditional genre film routines, and the stories they write are far from what Qiye requires.

Because they will subconsciously satisfy the tastes of North American audiences first, and then take into account other markets around the world.

But Qiye and Jiufeng are not traditional Hollywood companies. Although the box office of the fate series is in North America, it has always been a global IP.

In other words, it can't be too American, not even Japanese.

Maybe one or two stories in Xingyue can focus on highlighting a certain cultural characteristic, but its entire IP must be globalized.

Especially after the screenwriter cooperation between fz and hf this time, Qiye became more determined in this way of thinking.

Hollywood screenwriters can serve as auxiliary screenwriters, but they must not be mainstream.

The core of the story is provided by him, Kiryu Nanaya, and the core screenwriter of the [Two Que] department builds the skeleton, and finally the Hollywood screenwriter checks for omissions and fills in the gaps that may exist in the script.

That last step is very important, after all, non-Hollywood screenwriters are likely to be caught in the details.

It's just that no matter how important these people are, they are auxiliary positions and cannot affect the core part of the whole story.

Ai Lei is the sharpening stone of Qiye's plan. If it succeeds, Qiye will train more direct-line screenwriters of the [Er Que] line.

Qiye has read Ai Lei's writing results. Although the writing style is still very immature, the style is very delicate, especially the emotional drama is also very good.

From Qiye's point of view, Ai Lei has a lot of room for improvement, and she is a man who can be made no matter what.

Besides, Ai Lei is her sister-in-law after all, she is her own.

If he didn't help his sister-in-law, who else would Qiye help?

Could it be that they are the two cosplayers following behind Lao Xu like a follower?

"Ailey..."

With his hands behind his back, Qiye looked at the busy set and asked pretendingly: "You have been on the set for a while, how do you feel?"

Ai Lei squinted her eyes and replied, "Well... brother-in-law, do you want me to praise you? If so, then brother-in-law, you are awesome."

Qiye had asked everyone in the crew to call him the director, and Ai Lei was no exception.

It's just that although Ai Lei will call herself director when outsiders are present, as long as she is in private, she calls herself brother-in-law.

Fortunately, Ai Lei didn't use 【义理のお兄さん】 (the official name of brother-in-law in Japanese), but called herself 【哥哥（あに）】 just like Lily.

huh?

Thinking of this, Qiye couldn't help thinking about it, and he suddenly found that something seemed wrong.

∡⑨⑧316354

pS: By the way, does anyone still remember that Lily asked Qiye to write [brother-in-law] and pronounce it [brother]? _(:з」∠)_