Post-shadow Development Plan

But in any case, every generation of clowns is able to express the madness of the characters very well, and has been recognized by the audience.

Nanaya in Japan also asked Jiufeng Entertainment to conduct a large-scale audition, and conduct a large-scale audition for Matou Kariya, Tohsaka Tokiomi, and the young Kotomine Kirei.

Zouken Touken and Ryunosuke Amamura are two-pronged, conducting large-scale auditions from Europe, America and Japan respectively.

Although Master Chong said that he is white in the setting, but based on his appearance as Master Yoda when he appeared in the fz and hf lines, Qiye thinks that no one will entangle whether his actors are Japanese or European and American.

As for Ryunosuke Amamura, there is no need to set a specific race for this character.

After all, the background of the original work is different. Fuyuki City in the setting background of Nanaya is an international metropolis. In this case, tool characters like Ryunosuke Amamura don’t have to worry about race.

Apart from the actors, other parts of the fz and hf projects are also proceeding in an orderly manner.

Compared with fsn movies, Qiye's team is still very different this time.

First of all, the action director of the film has become a huge team, and the chief action director has also changed.

Because now is the critical period of Yuangu's recovery, Lao Li simply can't find time to make a movie for Qiye.

Moreover, Qiye and Ziyuan didn't want to distract Lao Li when Yuangu was just getting better, so Lao Li was unfortunately absent from the continuous shooting this time.

However, Lao Li still recommended his father Li Tongchen as the action director of fz and hf.

Although Qiye has a lot of criticisms about the life style of this old teacher who is comparable to her own teacher but can still control several girls at night.

But anyway, there is already a teddy dog ​​in the crew, and it would not be a big problem to have another humanoid self-propelled old cannon.

Of course, the reason why Qiye was so tolerant towards Master Li was that although the old man had a rough private life, he still had a good level of action direction.

Although the style is a bit biased towards old-age Hong Kong films, it also has its own understanding of short-shot editing.

In fact, the big reason why Master Li was squeezed out by his peers back then was that he proposed to use short-shot editing to highlight the intensity of the fight, instead of a fixed angle for martial arts actors to show off their tricks in front of the camera.

It's a pity that such a lens processing method is too time-consuming and labor-intensive, and the cost is too high.

Moreover, in the eyes of Wu Zhi at the time, such an approach could not reflect the actor's martial arts skills at all.

Therefore, for Master Li who proposed such a concept, everyone in the circle at that time regarded it as a heresy.

In the end, Master Li, who couldn't get along, had to leave Xiangjiang and come to Japan.

From a historical point of view, Master Li's ideas are undoubtedly correct, but his approach was indeed too radical in that era.

Half a step ahead is a genius, one step ahead is a madman.

So Li Tongchen, known as the "crazy man", became a loser.

But this time, the old man seemed to have found the feeling again. He was gearing up to do a big job, so that those old colleagues who looked down on him would know how powerful he is, Master Li.

"Kiryu boy, this time we must do it well, do it hard, do it hard, and we must make them (old enemies) unable to say a word!"

When meeting Qiye, Master Li patted Qiye on the shoulder while laughing loudly.

Qiye bared her teeth (pained by being photographed), and thought to herself: 【Is this the old version of '30 Years of Hedong'?But why is this statement so strange? 】

In addition to the changes in action guidance, the script team has also undergone great changes.

The movies that Qiye made before were written and shot by himself, so in many places, Qiye had an impression in his mind, and the scripts were very simple.

But this time, because of the addition of four seasons, in order to ensure the continuity of the shots, he needs a more detailed script than before.

So Qiye started a whole script team to arrange the scripts of fz and hf in more detail.

At present, Lao Xu and Siji have come to Hollywood from Japan, and have become members of the script team under the appointment of Qiye.

For this reason, Qiye also deliberately took two days to participate in the project script team's seminar.

This meeting was very high-standard. Besides Qiye, the producer and first director, there were also the second director of the project, Siji, the second-in-command of the script team, Lao Xu, and the action director Li Tongchen.

In addition, Seven Nights of Trouble Jiufeng and several screenwriters hired by Marvel who have been in Hollywood also participated in it.

Of course, in a meeting of this level, these screenwriters have no right to speak. All they have to do is to record the tasks assigned in the meeting and complete them.

Although the location of the story this time is still in Fuyuki City, and the main line and framework of the film have not changed much from fz and hf in Qiye's previous life.

However, compared to ubw, which is generally considered sunny, both HF and FZ have stronger dark style elements.

Without the sunshine that ubw Sergeant Lang yearns for as a "partner of justice", all fz and hf have is cruel reality and cold killings.

Therefore, the naive plot of ubw Zhongshilang persuading Shen Er to change his evil ways does not exist.

Any naive idea will be spoiled in these two cruel wars, and eventually become one of the causes of tragedy.

This style change is so huge that Qiye doesn't know if he can control it.

In particular, Qiye still has concerns about whether the mainstream audience in North America can adapt to such a style.

You must know that no matter how dark Hollywood movies are, they will operate in accordance with the basic Hollywood law. Although fsn is a bit anti-law, it is not too much.

However, although Lao Xu's script with strong despair will definitely gain a group of diehard fans who especially love Hei Shencan, Qi Ye is not sure whether it will be recognized by the majority of people.

This is also the main reason why Seven Nights hired these veteran Hollywood screenwriters. They need to put forward reasonable opinions on this story, so that fz's story can be naturally accepted by North American audiences, or it should be more westernized in terms of aesthetics.

As for the HF of the TV series, forget it, anyway, the audience of North American TV dramas even watched "Song of Killing and Fucking" so happily, so the story of HF with worms in the apple will not have too much problem.

Qiye looked at several people in the conference room, finally set his sights on Lao Xu, and said, "Old Xu, film production, novel writing and Galgame production are two completely different concepts, and I won't expect you to adapt to it immediately. Change, but I hope you can think more when writing the script, and don't bring your old bad habits. What we are making is a holy grail war with a global concept."

Lao Xu nodded. During this period of time, he had already produced the script outlines of hf and fz, but this can only be said to have planned the general direction of a story, but there is no way to show the story in any way. A lot.