Post-shadow Development Plan

Looking at his very familiar but vague old face on the screen, Kiritsugu felt very depressed.

Although I know that the person in the movie is definitely me, but in the case where the facial features are not clear, as long as the other party is not him, there is nothing I can do.

After all, apart from this blurry scene, all other shots related to Emiya Kiritsugu did not show his whole body, either his back or only half of his face was shown, making it impossible for Kiritsugu to grasp the evidence.

In the picture, the father and son Kiritsugu and Shirou are walking on the road, and the camera is all focused on the backs of the two.

"The man who saved me from the fire adopted me."

Shirou Emiya's monologue continued.

"I swear in my heart that I will become the successor of this savior."

The picture gradually began to change. The middle-aged man who was holding the boy's hand disappeared, and the original boy became a teenager.

"Since then, I have vowed to be a [partner of justice] to save everyone from now on."

The sound of metal hitting began to come from the background sound of the screen, as if someone was fighting with cold weapons.

"This is,"

The knocking sound became louder, as if the scene of the fight was right next to him.

"The way Emiya Shirou decided to live ten years ago."

The boy's face turned to the front, and the surrounding scene turned into a school building at night.

Bah!

After a loud noise, the boy was hit by a heavy blow and hit the wall.

"Damn it!"

Shirou wanted to fight back, but the cold light from the opposite side came too fast.

Before he could react, the red spear pierced Emiya Shirou's heart.

At the last moment before falling, the audience and Shirou had a clear view of the assailant's face.

It was a man in a blue tights with a face like a beast.

"Well..."

When his consciousness was blurred, Shirou opened his mouth and said in a soft voice:

"In the end, I still can't become [a partner of justice]. Kiritsugu..."

As Emiya Shirou closed his eyes, the huge screen also went dark.

Then a piece of high-pitched and tragic music sounded, the huge title of [Fate Stay Night] appeared on the screen, and the movie officially started.

In the prelude to the film, Nanaya did not use the prologue from Rin's perspective, nor did it use Kotomine Kirei's opening remarks of the Holy Grail that had been going on for ten years as the first act of the film.

Perhaps many movies like to tell the premise and background of their stories in a solemn tone in the first scene, but Qiye doesn't like this.

Just as "Goblin Slayer" used the adventure of a passerby team as the opening scene, Qiye did not tell the worldview setting at the beginning on Fate.

Instead, it started with the background story of the protagonist Emiya Shiro, and only mentioned disasters throughout the process, but did not develop any worldview related to the Xingyue world.

Qiye did this for a reason.

He thinks that it might be very convenient for film directors to adopt that kind of beginning, because these people can directly tell their own stories later, anyway, I have told you the audience about the setting.

This is certainly convenient for the director, but not for the audience.

Qiye has always felt that commercial films are essentially a kind of service, a process in which the production team pleases the serviced (audience) and thus obtains benefits.

Since it is the server and the served, when the server is convenient, the served will feel inconvenient.

So many background settings are thrown to the audience at the beginning, can the audience definitely accept them all?

Especially those audiences who lack background knowledge popularization settings will be confused at the beginning of the movie, and then only three philosophical questions about the development of the movie will be left.

When Qiye watched "The Lord of the Rings" for the first time in her previous life, even though Peter Jackson's opening speech was organized and simple enough to understand, Qiye didn't fully understand it at all when she watched it for the first time.

Although it has grasped the very important and evil characteristics of the Lord of the Rings, the subsequent viewing of the movie can be regarded as gnawed down.

But when he understood the cause and effect of all the events in the entire "Lord of the Rings" story, it was already several years later.

At that time, when he was in college, he bought a complete set of novels of "The Lord of the Rings" and read the novels from beginning to end in order to play the "Lord of the Rings" trilogy.

It is precisely because Qiye has such an experience that Qiye would rather work hard on her narrative skills, and does not want the audience to be confused about the story.

Therefore, in the nearly 3-minute opening scene, Nanaya only conveyed one key message to the audience-the protagonist Emiya Shiro, who yearns to become a "partner of justice".

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pS1: Mi Jiang has always believed that movies are actually a service for the audience by the producer, so it is necessary to consider consumers as much as possible, and tell the story of the movie so that the audience can understand it. This is the most basic requirement for commercial movies.

Mystery is of no benefit at all.

On the basis of telling the story clearly, and then adding your own characteristics to make the audience marvel at your technique, this is the style of a master.

As for those people who can't even walk and just want to start running, Mi Jiang thinks it's better to forget it. →_→

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pS2: Regarding the content of Fate, Mi Jiang has learned from the experience of "Brother Killing" and will not talk about every scene from the beginning to the end.