Post-shadow Development Plan

Ziyuan said with a smile.

"You guys...are you really that interested in my outfit change?"

Lily said wearily, although she didn't like being treated like a clothes hanger, she would still do a good job as a job.

This is the basic quality of an idol, and it's better than covering your face with cream and ink.

It's just that it's work, and she really doesn't have any interest in wearing these clothes.

If she really has clothes she likes, Lily usually buys them home.

But she seldom puts it on on her own initiative. She thinks changing clothes is too troublesome.

This is probably the shadow in my heart left by my sister's fanaticism when I was young.

"Well, I understand."

Qiye nodded in agreement and said, "Although I myself buy a lot of models out of interest, there are not many who can really unbox them."

"Director Qiye, you are completely wasting this..."

Lily rubbed her forehead and complained.

Shooting promotional videos and photobooks can only be regarded as a small episode for Qiye and the crew.

After finishing this period, the two elder sisters, Ziyuan and Ryan, returned to Tokyo contentedly, and went to their respective jobs.

It's just that this incident is far from the end, but a beginning.

And Qiye continued to start filming the film.

From Qiye's point of view, as long as he can restrain his expression a little bit, and don't show too exaggerated emotions.

With Nanaya's acting skills, it is not difficult to deal with the role of Matou Shinji.

After a few more days of filming, Nanaya finally finished Matou Shinji's role.

At this time, Zhirou also ended the dating scene of Rin and Shirou and returned to the church, and began to prepare for the remaining scenes.

In fact, Zhi finished the work 4 days earlier than Qiye, but after learning that Qiye's filming was stumbling, he somewhat saved Qiye some face.

It wasn't until Qiye was almost completed that he showed up with his own people.

Of course, Zhi Zhi and the others were not idle during the few days they were free. They dubbed the plots that had been filmed before, and returned to the warehouse to arrange other scenes in advance.

It can be regarded as slightly speeding up the progress of the later shooting.

After Qiye passed the scene of the priest and Shen Er, he moved to the basement of the church and began to film several confrontations between Group C and the protagonist team.

As I said before, Emiya Shiro's template for the role is to "learn [facts] from [lies]".

But this learning is a process. In each story, the protagonist needs to pay his own price for learning something.

For example, in "Spider-Man 1", Peter Parker lost his uncle. For example, in "Thor 1", Thor injured his friend because of his recklessness, and was deprived of his divine power by his father Odin.

This phase usually occurs in the second phase of a three-act play - [Challenged].

At this stage, the protagonist has left [the normal world] and entered his own adventure.

But at this time the protagonist still believes in his own [lie], and his standard of conduct is still based on his own [lie].

So in this strange environment, the protagonist will be driven by [lie] to achieve what he wants.

Such thoughts and behaviors actually stem from the conservative nature of life.

People try to stay the same, they don't do unnecessary things, they don't take unnecessary risks.

However, such behavior is obviously wrong, so the next protagonist will encounter a series of setbacks.

For Emiya Shiro, his credulous faith in Shinji put his school's teachers and students at risk.

And because he let Caster's plot succeed because of his naivety, he lost Saber.

In screenplay parlance, the protagonist is now caught between [the old lie] and the [new fact].

During this process, Emiya Shiro is constantly losing his own things, which will make him confused, remorseful and confused.

At this stage, Emiya Shiro has already noticed [lie] and [fact], he will move towards [fact], but he is still bound by [lie].

After this, the protagonist will come to the middle point of the story.

This middle point is not the protagonist's turning point, but the moment when he suffers the greatest blow.

For this intermediate point, there is a special term in academics-[Glorious Moment].

Ironically, this word carries "light", but it is the protagonist's darkest moment.

In layman's terms, this [Glorious Moment] is the darkness before dawn, the last straw that breaks the camel's back.

There is a moment where the main character truly realizes the error of his [lie].

In UBW, this moment is the moment when Archer's identity is exposed in front of everyone, telling his past self that he is "Shiro Emiya".

"At this moment, everything about Emiya Shirou has been denied, his ideals, his pursuits, and what he thinks are right."

On the set, Nanaya explained to Sugiyama: "You have to show Emiya Shirou's desperation and confusion when facing Archer, which is crucial to the whole play."

"I see."