Post-shadow Development Plan

However, it is impossible to continue working during the New Year, so Qiye only gave the crew a symbolic three-day holiday in the end.

It’s okay for the crew members whose hometown is near Hyogo Prefecture, but those who are a little further away can only stay in Kobe City obediently.

"Tch, it's only three days off, there is no Chinese New Year atmosphere at all."

Erlang sat on the chair on the set, crossed his legs and said boringly.

"What else do you want? Didn't I take you to eat Kobe beef? That's better than the bitter buckwheat noodles that your family eats on New Year's Eve, right?"

Nanaya replied while adjusting the IMAX camera.

"But... Anyway, this year's Chinese New Year is so boring..." Liang Ri waved his fists, "Except for eating Kobe beef once, I only played Shuang Liu (Japanese Monopoly). What kind of Chinese New Year is this!"

"You..." Qiye shook his head helplessly, "How about this, how about I take you on a trip next year?"

"real?!"

Immediately, the fuss stopped.

"fake."

Weave a hand knife and hit Shiki on the head.

"Don't just cause trouble for senior...Anyway, every year is passed, so it's no big deal if you miss one time, right?"

Zhizhi taught his sister a lesson in a tone of hatred for iron and steel.

"Forget it."

Qiye signaled Zhizhi not to embarrass his sister anymore.

"If there are no accidents, next year's Chinese New Year should be relatively empty. Then I will take everyone to have a good time. It will be considered as a wrap-up tour."

"Does that mean everyone can go?"

Rin and Sakura are also interested.

Qiye didn't let go of the two of them's thoughts: "Yes, but you must finish the movie first before talking about it."

Word of this immediately spread throughout the crew, and everyone was delighted with the director's generosity.

But those grassroots crew members have basically heard about it, and they won’t have their own share of such a good thing. Everyone should work honestly and get paid.

"Director, everything is done here."

A staff member of the set crew shouted to Nanaya.

"Let me see."

Qiye hurriedly checked the scene that was about to be used.

The set team built a corridor in the warehouse used as a studio, and the scene was almost exactly the same as the interior of the teaching building of Tainan High School. They even restored the stairs and the two classrooms on the side.

It's just that the walls, floor and ceiling of the whole scene have a strange red pattern-this is the scene after the scene team restored Miss R's use of the Blood Temple.

In the original UBW plot, Shen Er had almost no fighting scenes after ordering R sister to launch the blood temple.

Shirou summoned Saber, but Rider was eliminated by Group C first. The whole plot felt a bit anticlimactic.

This is definitely not in line with the audience's expectations for the plot in commercial movies.

So Nanaya changed this scene into a three-way melee between Saber, Rider and Caster.

Although the result of the battle was still the same with the Caster team defeating Miss R and then retreating, the process was completely different.

Even this battle was set by Qiye as the main action scene in the middle of the first half of UBW's movie.

For such an important scene, Qiye certainly would not be stingy with the use of IMAX cameras.

At the request of Qiye, the staff of IMAX company set up the camera in the corridor with the set.

As I said before, IMAX cameras are several times larger than the current mainstream commercial movie cameras in terms of size and weight.

The increase in weight and volume brings with it the cumbersome and inconvenient operation of the IMAX camera.

Add to that the narrow constraints of the corridor scene.

Qiye can only fix the camera on two tracks with different angles, so that the lens only has two fixed-angle translation switches.

This means that many actions that could have used doubles require actors to perform in person.

It's just that Qiye encountered far more problems than these.

"It's probably going to be troublesome."

Weaving observed several shots of Qiye's trial shooting, and he saw the problems in it because he had directing experience.

"Yeah, the angle is dead, it doesn't match the picture I expected at all."

Qiye knocked on the monitor screen and said: "The IMAX cameras should be very impactful and wonderful shots, but this is not possible at all."

These test shots made Qiye feel that if he went on like this, what he would get was nothing more than ordinary action shots shot with IMAX cameras.

This made the arrogant Qiye a little unacceptable.

"It's already the most flexible outcome we can do."

Uncle Mediterranean from IMAX explained helplessly to Qiye.