Post-shadow Development Plan

The other is because there were no other similar movies in July 05, so it took advantage of it.

In terms of quality, the "Fantastic Four" movie has never been made well, and it is not a problem to classify it as mediocre.

This can be seen from the fiasco of the second part.

As for why everyone generally has a good impression of this version of "Fantastic Four", I can only say that the new version of "Fantastic Four" filmed in 15 years is terrible.

Not because the old one was any better, just because the new one is worse than shit.

This is probably what Qiye thinks about the several "Fantastic Four" in Fox's hands.

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pS: The third update, in class today, there should have been two updates.

It turned out that the update list of the code word competition was blown up, so Mi Jiang worked hard to code out a chapter.

Tomorrow, the basic chapter 3, whether chapter 4 can be added depends on the state of Mi Jiang. _(:з」∠)_

Chapter 212 Ziyuan: We do the distribution ourselves

"July 2005..."

Shion nodded.

"Fortunately, you set it in 2005. If it was 2004, it would be a bit troublesome."

"what happened?"

Qiye felt a little strange seeing Ziyuan's happy expression.

Ziyuan explained indifferently: "Because in 2004, the Jiufeng Publishing Company was probably just established, and it would probably be a rush to directly start such a big project."

"Establish a distribution company... You mean that Jiufeng will handle Fate's global distribution work?!"

Qiye's eyes widened, and the way he looked at Shion became a little strange.

Originally, Qiye thought that Jiufeng was just cooperating with Hollywood Seven to release, but she didn't expect Ziyuan to be even crazier than she thought.

"Are you crazy?!"

"No, I'm awake."

Qiye leaned on the table with both hands and asked: "Then how did an outsider from Jiufeng get the North American distribution channel?!"

"I have already convinced Sony that Eagle Peak and Columbia will acquire MGM together. Afterwards, I will get United Artists' distribution department. At that time, I will use this as the backbone to establish the North American and global distribution agencies of Eagle Peak Publishing Company."

As Nana who always pays attention to the North American film industry, he understood Ziyuan's plan after a little thought.

However, if you understand it, Qiye really has nothing to say about Ziyuan's plan.

So he stared at those red eyes for a long time, and finally choked out a sentence.

"You're...crazy."

"This is what you taught me, to cooperate vertically and horizontally, and win-win cooperation." Ziyuan smiled kindly, "It was just a small test with Dentsu before."

Qiye really has nothing to say about this.

Ziyuan's plan looks complicated, but in fact there is only one core of execution, which is to win United Artists' distribution channel in North America, which is also an entry ticket for outsiders to enter Hollywood.

There are tens of thousands of Hollywood film companies, but there are only seven giants that are truly recognized, which are often referred to as the Big Seven in Hollywood.

This saying has been around for a long time. Everyone knows that the Seven Great Powers are very strong, but they only have a vague concept.

Qiye is very clear about the real strength of the Seven Greats. The Seven Greats have three things in common: a huge library of film copyrights, global distribution channels, and members of the MPAA.

The first two are hard power, and the last one is soft power.

The huge film copyright is the cornerstone of these companies, which gives them a chance to make money no matter what kind of trough they are in.

For example, in Disney before 2000, although the newly produced movies were worse than the last one.

But they, who own a large number of animation film copyrights, have survived this difficult thing by relying on peripherals and various animation DVDs, and in 2010 they climbed to the top of Hollywood.

The same is true for Sony Columbia. As an outsider, although they were stabbed in the back several times by the Yankees, there was even news that Sony was going to sell Columbia.

But relying on the big IP of "Spider-Man", Columbia has always been injured and survived, as strong as Xiaoqiang.

Therefore, these film copyrights are the basis for the survival of these large companies and the source of blood production.

And a strong distribution channel is the key converter for them to realize these copyrights, and it is also an effective weapon for these companies to control small companies.

Those second-rate small companies may be able to get by in North America, but they lack global distribution channels and it is difficult for them to get their films out of Hollywood and expand their influence.

And if you want to go out, you can only choose to cooperate with the seven majors and accept their exploitation obediently.

As for the last MPAA, many people think that this is where the seven major confidence lies, but this is actually more of a manifestation of influence in the entertainment industry.

In Qiye's view, MPAA is more of a reflection of the seven major strengths.

It's not that you can become a top seven if you get the MPAA ticket, but you are eligible to enter the MPAA only after you have the same figure as the top seven.

The intuitive manifestation is Netflix in the future. After becoming the strongest streaming media platform in the world, he has the qualifications to enter the MPAA.

Having said so much, back to Jiufeng itself, as an outsider Jiufeng wants to enter the North American market, excluding the content copyright library, the first thing Jiufeng needs is a hair style channel.

Think about DreamWorks. At its peak, it was able to compete with the Big Seven, but in the end because of the lack of distribution channels, it was finally strangled to death by the Big Seven.