Post-shadow Development Plan
Page 280
With the results of Li Wenshu's submission this time, Qiye believes that he is fully capable of acting as the action director of FSN in the future.
For Lao Li himself, being able to serve as the action director of "Empty Realm" and FSN may become a key resume for him to be the president of Tsuburaya in the future.
Even if Li Wenshu finally gives up the election of President Tsuburaya, based on his past experience, he will at least become one of the best action directors in Japan.
"This part of the scene is like this." Qiye stopped the playback of the scene, and he was quite acceptable with this result.
At this time, Qiye and Li Wenshu are proofreading in Lin Bao's drawing room, and Qiye is reviewing the rough cut shots.
Because these shots have not yet added special effects, they look very simple, but under Qiye's editing, there is already a prototype of a finished film.
"Although it's not exactly what I thought, these can be solved with special effects."
Qiye pinched her chin and commented.
"I thought you were going to ask me to retake it."
Li Wenshu said jokingly.
"how come."
Qiye shook his head, he patted Li Wenshu's shoulder vigorously and said: "You have done a good job, leave it to me to solve it."
"Although you say so, the special effects part of the movie should be done by my team? Shouldn't I take over?"
A drop of cold sweat dripped from Li Wenshu's temples.
"It seems to be the same. Then, Lao Li, you can do your best! Haha!"
Seven nights laughed heartlessly.
When filming the pier scene before, Qiye found that both the actor and Li Wenshu's action director were in a very good state.
Coupled with the vacancy of other actors, Qiye simply revised the original shooting plan.
He finished shooting all the action scenes of the two films "Pain Residue" and "Contradictory Spiral" in advance.
Except for a small number of shots involving a lot of special effects, Qiye personally took part in the battle, most of the shots were shot by Li Wenshu.
What Qiye does is more about supervision and gatekeeping.
Although Qiye seemed to be lazy, the director's original position in the crew was to be the coordinator of the head.
If all the shots have to be shot by the director himself, why do all film awards have to separate the director award and the photography award?
As a director, it is more important for him to maximize the work efficiency of all members of the crew than to hold the camera to shoot the screen himself.
If he did everything by himself, Qiye estimated that he would be in the Mediterranean Sea before he was 40 years old.
So, for the sake of her hair, Qiye decided that she should try to let go.
The previous filming of "Overlooking the Landscape" and "Goblin Slayer" were almost all shot by Qiye himself, which made him almost die from overwork.
Therefore, Qiye felt that it would be better for him to try to learn to be lazy, so that he would not have to buy Zhangguang 50 before he was 101 years old.
What's more, filming an action scene itself is a very tiring thing, even if Qiye is not in charge of the camera, just coordinating this thing is a lot.
And because of the special nature of action scenes, all kinds of accidents are unavoidable.
Accidental injuries to stuntmen are unavoidable.
Even Liang Ri, who was the leading actor, sprained his foot because of losing his balance when shooting a running scene.
Fortunately, it was just a general sprain, and filming resumed after a two-day break.
If something big is going to happen, Qiye feels that Zhizhi will never let her go.
Of course, this is also related to the shooting schedule. In order to allow other actors in the film to catch up with the schedule of other projects, Qiye can only speed up his progress as much as possible.
Unlike Hollywood, because Japanese movies and TV dramas have strict schedules in the shooting schedule.
Coupled with the fact that the Japanese entertainment industry has almost paranoid requirements for credit, this has caused the shooting progress of Japanese movies and TV series to be very stuck.
The most notable difference is that if an actor is not in the right state, a shot won't feel right.
Hollywood directors usually use a tough attitude to make actors perform over and over again, until the end to grind out the feeling.
When Japanese directors encountered this situation, the first thing they thought of was to modify the plot and skip this paragraph.
What should I do if the actor is in a bad state?
Change the plot.
What should I do if there is a problem with the props?
Change the plot.
What about actors with facial paralysis?
Change the setting, this character is facial paralysis.
I heard that James Cameron was filming the banquet scene of "Titanic".
Just because the props lacked a logo of White Star Company, he was furious.
For this reason, he not only postponed the shooting of the banquet scene, but also spent 200 million to redo the tableware and props.
Although in the finished film of "Titanic", this sign did not appear at all.
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