Post-shadow Development Plan

The audience saw how Matthew and Romani met.

They learned that Matthew is not a normal human being, and at the same time they also understood that Romani and Matthew have a brother-sister relationship.

Then the timeline jumped again to the present.

The staff of Chaldea are making final preparations before departure from the Camelot singularity.

There are many small easter eggs buried here in Qiye.

For example, the audience saw the Shadow Border that appeared in "Daqin", as well as Gudazi and Musashi who finally returned to Chaldea.

Of course, there are other various Easter egg props in the entire inventory, clothes worn by Li Xiang's previous singularities, or used props.

These are all present in the shot.

In the movie, Matthew and Lixiang were standing in the distance chatting.

The scene just now is also the story that Matthew told Lixiang.

On the other hand, the audience also knew that Matthew had only one year left in his life, and they felt sorry for this flower-like girl just like Lixiang.

But Matthew herself didn't think so. She felt that her life was very wonderful, with Dr. Roman, Fufu and her seniors accompanying her.

Matthew feels that she has no regrets anymore, she just needs to continue to serve as the shield of her predecessors.

Just when Lixiang was moved by this good girl, Da Vinci came over and said that they were going to start the next singularity strategy.

At the same time, Da Vinci also informed the two of the danger of this singularity strategy.

In fact, this singularity was discovered earlier than the previous North American singularity, but it was temporarily shelved because it was too dangerous.

But now after such a long time, the sixth singularity has deteriorated a lot, and no one can guarantee what kind of danger they will encounter.

Of course, as the protagonist, Lixiang will definitely not give up just saying that there is danger. Both he and Matthew promise that they will successfully restore humanity.

After that, the two went to Camelot's singularity with Da Vinci for the Raiders.

So the group came to the desert in the Jerusalem area where the singularity is located.

As soon as they entered the singularity, they were attacked by the Sphinx, and then rescued Nitocris who was kidnapped by Hassans by coincidence.

And under the guidance of this woman with a peerless butt, he went to the territory of the king of ham sausages, La Er.

After a fight with La Er, Chaldea learned that this singularity had already been resolved under the battle of the Lion King, and now the singularity has been divided into three forces: Ra Er, Lion King and Hassan.

At the same time, La Er also asked Lixiang and others to go to the holy city where the Lion King is located, and then make their decision.

Then the movie began to enter the relatively old-fashioned part of the FGO movie, but it is a link that the audience likes very much-exploring the truth of the singularity.

Because there is a difference between the singularity and the real history, but the extent of the difference needs to be found out through exploration.

This kind of difference between looking for singularities and real history under the big framework of knowing the historical background has always given the audience the idea that "we are solving the case".

However, compared to the previous singularities that have traces to follow, Camelot appears to be more imaginative.

The audience even had the illusion that they were watching alternate history.

On the other hand, unlike the relatively slow-paced "Hundred Years' War", "Camero" has a larger plot, so the rhythm is undoubtedly more compact.

So the audience had to keep staring at the screen to ensure that they would not miss any wonderful details.

In fact, although "Camelo" has a lot of information, the overall plot is relatively clichéd.

Ingeniously, in order to make this simple story look complicated, Mushroom added various character reversals.

In the beginning, Hassan, who robbed the women of the people, was actually a good man. Originally, everyone thought that the noble knights of the round table were the biggest enemies that Chaldea had to face.

As for La Er, it is enough for him to be in charge hahahahaha.

It can be said that the story of "Camero" is the most suitable for filming among all FGO scripts, and it is also the story with the strongest sense of drama in the film.

When Qiye moved this story that was originally only in a still picture, the audience was naturally deeply attracted by this story.

Because the story is full of various moments that could be called romantic.

The badly injured hero drew his bow and arrow, and at the cost of his own life, counterattacked the holy spear falling from the sky with a meteor, a treasure, and finally successfully defended the village.

Even though Gawain and the Knights of the Round Table knew that the king in front of them was very different from the previous knight kings, they still knew the purpose of the Lion King.

But they still chose to follow the king in order to fulfill their loyalty.

Throughout the movie, Sanzang, who has always been a bit carefree, blasted him away with the "Five Elements Mountain? Sakyamuni Palm" during the battle of the holy capital.

Through acts of self-sacrifice like Arash to fulfill Chaldea's act of saving humanity.

The actions and feats of these heroes can naturally be called a kind of heroic romance.

This is especially true for Bedivere, the key character in this story.

After living for 1500 years, he decided to send his king to the other shore at all costs, which is even more a romantic act.

Of course, this romance is not a romance between lovers, but a personal heroism full of expectations and pursuits for the future, lofty ideals, and unwillingness to fall.

And what supports these heroes to make these romantic behaviors comes from their beliefs.

What is belief?This is something that cannot be explained specifically, but actually exists.

The whole story of "Camelo" describes the beliefs of the heroes and how the beliefs drive them to make their own choices.