Post-shadow Development Plan

The bigger the company, the more terrified it is of an uncertain future.

Therefore, they will always adopt the safest way to lay out their company strategy.

And when it comes to FGO, this game is the current situation.

Fortunately, Qiye has the experience of his previous life, and his suggestion is undoubtedly the most accurate one in terms of the construction of Xingyue film and television universe.

After launching "Prologue", "Hundred Years of Evil Dragon's War" and "Xia Zongguo", the main script of the game that will be launched next by FGO mobile game is "Second Ending Four Seas", which is a warm-up for the online drama.

It can only be said that in Qiye's design status, the difference in treatment between web dramas and movies is really sky-high.

This difference is not only reflected in the gap in production costs, but also in the attitude towards the stories of the two.

Although the movie version is good, the web drama version is worth mentioning.

Both mainline chapters will be implemented in the game, but the treatment of the two is completely different.

The chapters of the movie are released first, and then the chapters are installed in the game.

But the web drama version is completely opposite. It is installed in the game first, and then launched on the [See Moon] website.

Of course, Qiye also has his own reasons for doing so.

After all, the audience of online dramas is relatively small. To achieve the greatest effect, it is necessary to cultivate a group of "original fans" to stir up topics.

It is precisely because of this strategy that when October came, the chapter "Unity as One" on the FGO mobile game was not released.

Just to match the promotion of the movie, Nightingale's card was actually installed.

This time, of course, Nan Ding's card vertical drawing will not be that ugly card face that explodes.

It can only be said that it is gratifying to congratulate, gratifying to congratulate.

The actor chosen by Qiye for Nanding is Sofia Boutella, the female blade warrior in "Kingsman".

Though the gymnast-turned-actress isn't as voluptuous as Nandin's in stature.

But the advantage is that she is tall and capable, and Yujie is full of taste.

Lao Wen even designed several more action scenes for her to show the angel in white on the battlefield.

And more than half of the film's early publicity was also focused on the role of Nightingale.

And another character that is emphasized in "Unity as One" is Rama,

He deservedly became the third protagonist in this movie besides Lixiang and Matthew, just like Joan of Arc in "Hundred Years' War".

Qiye's biggest impression of this "Unity as One" filmed by Lao Wen is that it is very similar to the "Sea King" he has seen in his previous life.

In addition to the epic sense of "United as One" and "Sea King" in the war scene, the other is the core of the story.

Although the background of "Multiple as One" is the mythical war between the Celtics and the "U.S. Army".

However, Lao Wen did not focus on this aspect of the story, but used this as the background to tell the story of a hero's growth from the perspective of Rama.

In order to rescue his wife Siddhar from the devil Cu Chulainn, the young Rama embarked on a journey to find his wife.

After a brief meeting with his wife and parting, he led the allied forces to attack the Demon King, and finally succeeded in killing the Demon King to save the world.

It can be said that this is a standard plot of Kingly Heroes.

Although doing this kind of made the story structure smaller, Qiye appreciated Lao Wen's approach very much.

What is the reason why the audience likes the big picture story?

I hope to see grand wars and gorgeous special effects scenes.

But if there are these, the story will not be able to penetrate the hearts of the people.

Starting from a character is more conducive to the director to tell the story completely, and makes the audience feel more empathetic.

As for the big war scenes that the audience wants to see, as Rama intervenes in the war between the "US military" and the Celts, the audience can naturally enjoy it.

This has created a very interesting phenomenon. Although the film is still dominated by mythological battles, the director Wen Ziren has successfully integrated what he is best at into it.

In addition, there is no mysterious plot in the movie, and the movie's wonderful action and war scenes.

At the end of the screening, the Chinese-American director who took over a major project for the first time won applause from the theater.

It is already the autumn of 2012, and traditional large-scale CG special effects are no longer something new to audiences in North America and even the world.

No matter how you look at it, "Multiple as One" cannot reach the level of "The Return of the King", "Avatar" and "Madoka".

But Wen Ziren is very smart, he is not eager to tell an epic story to the audience.

In terms of the story structure, Lao Wen's entry point is very small.

However, the action scenes he filmed have a very large pattern, and it is almost commonplace for the two armies to charge against each other.

The most commendable thing is that Lao Wen handled the transition between "big" and "small" very well, and the audience didn't feel abrupt at all.

It is also thanks to Wen Ziren's storytelling mode that the audience responded very well after the release of "Unity as One".

However, many film critics were not very satisfied with the film.

They felt that this movie did not bring out Wen Ziren's maximum value, and that the philosophical thought of the other party in "Chain Saw" disappeared in "Unity as One".

They felt that the whole "Unity as One" ended in too messy fighting and killing, and it was an out-and-out popcorn movie.