Post-shadow Development Plan

This is true whether it is the origin of this Joan of Arc, or the other party's figure that does not match the actor's reality.

Joan of Arc also began to explain her origins to Lixiang and the audience.

According to Joan's own explanation, she was summoned back by the Holy Grail as Ruler shortly after being burned at the stake.

However, even though this Joan of Arc bears the rank of Ruler, she has lost many of the privileges of Ruler's rank.

Not to mention controlling other servants, even the ability to perceive other servants is basically equivalent to no.

Therefore, even if she knew about another self's revenge against France, Joan could do nothing about it.

She doesn't have much strength, she is not another opponent at all, and she wants to help the people of France, but she is misunderstood because of her appearance.

At this time, Joan of Arc was in deep confusion.

As for how that figure that was completely different from Lily's came about, Joan of Arc of course didn't say a word.

After knowing that Joan of Arc is his own, Lixiang tried to enlighten the other party and hoped to get the other party's help.

However, Joan of Arc is hesitant about Rikka's invitation.

At a loss, she didn't know whether following Chaldea was the right choice.

At this time, Hei Zhen riding a giant dragon appeared in front of the three protagonists.

Hei Zhen despises Joan very much, and calls her something she has abandoned.

Then Hei Zhen let his servants surround the three of them, intending to kill them.

Matthew and Joan of Arc tried to fight several servants, but the opponents were far superior to their own in terms of quantity and quality.

The two auxiliary defensive servants were really treated as sandbags by those on the opposite side.

Just when Heizhen was going to deal with the three of Lixiang directly, a white carriage entered the battlefield and rescued the three of Lixiang.

The people who rescued Lixiang were naturally the followers on their side—Queen Mary, Mozart, and the little dragon lady Elizabeth.

Relying on Long Niang's "singing" attack, Li Xiang and the others temporarily got rid of Hei Zhen and his party.

But Hei Zhen refused to let it go, she sent followers to continue chasing Li Xiang and his party.

Chaldea is obviously at a disadvantage in the face of the servants who have been maddened by Heizhen.

Finally, at the critical moment, Lixiang signed a contract with Joan of Arc, successfully released the treasure and defeated Martha.

In order to highlight the change of Joan of Arc, the original set of blue-purple clothes became pure white armor.

This not only symbolizes Joan's transformation from a weak chicken to a fighting force, but also symbolizes the complete opposition between Bai Zhen and Hei Zhen.

Of course, Heizhen also noticed this situation, so after Martha was defeated, she directly recalled the other servants.

When she was dying, Martha temporarily regained her senses. She revealed to Jeanne the real name of the black virgin dragon, Fafnir, and the existence of her servant Siegfried.

Based on this new information, Tachika and Chaldea re-established their next action plan.

In order to solve Heizhen's mount Fafnir, everyone decided to go to Lyon to find the legendary dragon slayer.

Next, the movie entered a relatively soothing state.

Although the people on the road were not in much mood, Peter Jackson used the most beautiful shots to show the audience the beautiful scenery of medieval France.

But Qiye is very clear that these scenery were taken by Fatty Peter in New Zealand.

It can only be said that Peter Jackson deserves to be New Zealand's number one tourism promotion ambassador, and in this case, he did not forget to add drama to his hometown.

Of course, in addition to the beautiful scenery of France (New Zealand), Jackson also added a lot of interesting plots in the middle of this soothing plot.

For example, when camping at night, four girls, Mary, Elizabeth, Joan of Arc, and Matthew talked about love and gossip.

And the shot of Hei Zhen as the villain.

Compared with Xiao Qingqing on the protagonist group's side, Hei Zhen's side is much more serious.

Peter Jackson showed his violent side very well through several scenes of dialogue between Heizhen and his followers.

I don't know if it's a good thing, but the "Hundred Years War" under the lens of Peter Jackson has the same character creation style as "The Lord of the Rings".

That is, black and white, relatively facial characters.

Although the psychological state of the character will change, there is also a touching moment like Martha's confession before death.

However, the problem that the role positioning is too rigid has never been solved by movies.

Perhaps Fatty Peter didn't even think about solving it.

Every director has his own style, and his style of character creation is just that.

But Qiye knew that the audience would definitely not feel that the characters were made into faces.

Their eyes have long been attracted by Hei Zhen on the screen.

If it is said that when Heizhen appeared on the stage at the beginning, the armor outfit made people feel handsome.

And now the black cloak with nothing on in front of the screen is the naked black temptation.

The color difference between the pale skin and the black cloak made people have infinite reverie on the slender thighs.

At first everyone thought that black Saber was the ultimate expression of black temptation, but now they realize that they are really too young.