Post-shadow Development Plan

But it was in this year's "Prologue" that we could really clarify these principles and make global simultaneous release a standard for blockbuster movies.

The reason is also very simple. Jiufeng Entertainment has taken over Fox's global distribution channels.

Although the previous "Madoka" and the previous FZ did achieve simultaneous global release.

However, the number of countries and regions where it is released is simply not comparable to what it is now.

And at that time, in order to achieve global synchronization, Jiufeng Entertainment's entire department almost vomited blood. How could it be so easy now.

Only when you really have the six major distribution channels can you feel the gap.

Fox's distribution advantages, which have been established through decades of development, are definitely not comparable to a newly emerged company like Jiufeng Entertainment.

From this point of view, Ziyuan is really thankful that she found a good time and successfully acquired a big six Hollywood company.

Although the legacy left by Fox is good, not all distribution channels of Jiufeng Entertainment were established by Fox.

For example, China's distribution channels are basically built by Jiufeng Entertainment itself.

Probably because the movie "Da Qin" has a relationship with China's participation in the investment.

Tianchao's attitude towards the Fate series is much better than before.

The "Hundred Years' War" hardly encountered any trouble during the review process, and entered the mainland without a single cut.

Of course, this is also related to the concept of making movies at Seven Nights.

He rarely touches on any sensitive topics in his films, especially those related to China.

Even if there is, it is basically flattery.

This philosophy naturally carried over to the entire collection.

In fact, it's not just FGO, Qiye will remind directors to pay attention to this aspect of all Jiufeng movies.

As a senior commercial film director, Peter Jackson certainly understands the way.

In fact, as long as you pay attention to the political content, action scenes and "action scenes" should not cross the line.

It is quite easy for Hollywood movies to be uncut.

In fact, the early Hollywood movies didn't know the way to do it and suffered a lot.

After a few years, basically most of Hollywood's large-scale special effects movies can be done without cutting.

It's just that most of the Tianchao movie fans don't understand this, and they hate the imported movie being cut.

Some radicals even believe that this is one of the reasons hindering the development of Chinese films.

Qiye had similar thoughts when he was young, but with his rich experience, he knew that these were pure nonsense.

Not to mention the internal film review of China, the introduction of movies for editing has never been the patent of China.

Hollywood does this kind of thing even more excessively.

When the first "Godzilla" was introduced to North America, it was cut in a mess.

Originally, the anti-war thoughts and core that director Eiji Tsuburaya wanted to express were completely cut out, and it was only shown in North American theaters as a simple monster special film.

Of course, this is just an extreme example, but it has always been the practice for Hollywood to do this kind of thing.

In foreign movies, some shots that have an influence on the United States are basically modified when they are imported.

Qiye has always felt that the audience of the Celestial Dynasty is too strict with its own review agency.

Whether it's Big Scissors or Movie Protection Month, similar things basically exist in countries all over the world.

As a film market without a rating system, Tianchao may not say that it is doing well, but at least it is not a hip.

At least, children in China can see the R-rated "The Matrix" in theaters at the age of 10.

Of course, Qiye doesn't think that there is nothing wrong with the review agency of the Celestial Dynasty.

only……

cough cough.

In short, in the 2011 Chinese film market.

Importing a movie without cutting it is an excellent publicity stunt.

So headlines such as ""The Hundred Years' War of the Evil Dragon" quickly passed the censorship, and it was confirmed to enter the mainland without cutting a knife", naturally appeared on the major film media.

In addition to the "uncut" hype, these media mentioned more about the evaluation of the film by North American colleagues.

"The Hundred Years' War of the Evil Dragon" held several trial screenings as early as September and October.

Almost all the media and audiences who have seen the movie are full of praise for this movie.

Because the director is Peter Fatty, and "Hundred Years' War" can also be classified in the category of magical epics.

So everyone subconsciously compares it to the "Lord of the Rings" trilogy.

Although the consensus is that "The Hundred Years' War" is definitely not as good as the "Lord of the Rings" trilogy, it's not much different.

The film's portrayal of the girl Joan of Arc is very real, even better than those facial makeup characters in "Lord of the Rings".

Hollywood's media can brag, but China's media also doesn't give in too much.