Post-shadow Development Plan

But Xinfang said that would be too cruel, "I can't give the audience the feeling of a blue-haired murderer" (Original words of the interview)

So the TV version should just teach two people a lesson.

From this we can see the gap between the new house style and the old virtual style.

However, Mi Jiang prefers the way the new house is handled. After all, how could Mi Jiang's favorite blue hair kill people?

This stupid girl will only let herself be ruined silently. (,,??ω?)ノ

Chapter 662 I'm here to accompany you, Sayaka [additional 14/40]

A witch and a magical girl are one.

When the filth in the soul gem of a magical girl reaches the limit, the original magical girl will become a new witch.

"What a clever way of telling the story! Although it has an oriental philosophy, it is easy to accept."

The mermaid witch that appeared on the big screen is completely different from Sayaka, but all the audience who see it now can clearly recognize that this is Sayaka Miki.

The black-purple crown gives people a feeling that the blue is polluted by black, and the peach-red bow, which is fresh and dark from time to time, seems to describe Sayaka's unstable mental state.

And that long sword, although the style has changed, everyone still recognizes that it is Sayaka's weapon.

Looking at the brand new witch who was tearing and roaring, Albert couldn't help sighing.

As a film critic who admires plot performance and art, he really doesn't like special effects movies.

Albert always felt that too many special effects would not only squeeze the performance space of the actors, but even affect the narrative rhythm of the movie.

This is not Albert's prejudice, but most special effects movies really are like this.

For example, Michael Bay, his least favorite director, is the most typical example.

In order to show gorgeous pyrotechnic special effects, the long-faced director generally compresses the plots of his movies to be extremely simple, and sometimes even the basic stories are not clear.

Albert hated this kind of movie, and he didn't like the director who made it.

However, Kiryu Nanaya's "Madoka" is different.

On the one hand, the acting skills of the actors are indeed superb, and the five leading actors have reached the limit that can be achieved in the basic setting.

Among them, the acting skills of the two actors, Yumi Sakuzuki and Rin Tohsaka, are not inferior to some of the art movies he likes.

Of course, there must be a gap with those top art films, but the age of these actors cannot be ignored.

After all, not every actress is as gifted as Jodie Foster, who can perform her best plays in her best years.

On the other hand, Kiryu Nanaya is also very particular about the use of special effects.

Different from other methods of using special effects to shock the audience, the special effects in the "Madoka" movie exist entirely to serve the plot.

Although you can see some cool special effects shots that serve the audience.

But these battles are of plot significance, not the kind of showing off skills for the sake of showing off skills.

This made Albert have to look at him with admiration.

In fact, there are similar situations in Kiryu's films in the past, and special effects have always been his means of storytelling.

However, this director's past works really put too much emphasis on commercial achievements, so in many cases there will still be special effects that backfire the plot.

"Madoka" is a complete exception, which makes Albert obviously feel a kind of progress

[Perhaps, special effects are not something that is completely worthless. 】

Albert believes that if traditional film production methods are used, it is definitely impossible for him to see such a wonderful story.

Not to mention the dazzling 3D stereoscopic effect, but those witches can't achieve that kind of realism without CG.

[Special effects are not the poison of movies, but they need to go through the hands of masters to make satisfactory dishes. 】

The Pulitzer Prize-winning film critic thought to himself.

[However, this requires those directors to have the ability to tell stories like Kiryu Nanaya. Michael Bay is that rubbish, he will never understand this in his life. 】

Roger Ebert once again dissed his least favorite director.

However, people like Roger Ebert who can still keep thinking are a minority after all.

Most of the audience in the screening hall have been completely shocked by the tragedy shown in front of the screen.

Especially when Miki Sayaka completely turned into a witch, it shocked many people.

Of course, it's not because of the shocking special effects of the transition, but because of the plot of this episode.

Like our Miss Lily Wetting.

At this moment, the blond girl with a single ponytail was already slumped limply on the seat.

It took her a lot of effort to keep herself from crying.

It's not that Lily is sentimental, or that she has a low tear point.

Because the other audience members on the side also performed similarly, many female audience members were already crying.

They seem to have seen the self who silently paid for the person they liked in the past, but lost everything in the end.

But Lily felt that other people could do it, and she would embarrass her brother-in-law by doing so.