Post-shadow Development Plan

"Can you tell me a little bit more? I think..."

"Cough cough."

Ryan, who was standing behind Qiye, signaled his existence.

"Well, I'm afraid I can't say that."

Even without turning his back for Qiye, he could feel the fierce gaze of a certain woman.

"That's a pity."

Miss Arong sat back on her seat with a face of regret, it was hard to say what she was regretting.

"Let's reveal a little bit."

Seven nights pondered and said: "This will be a big project involving many movies. Because the project is too complicated, many contents have not been fully determined."

"Then I look forward to Director Kiryu's further announcement."

Arong is a very smart reporter, she knows where the bottom line of the interviewee is.

So when Qiye said these words, she gave up further questioning.

But she still asked one last question.

"May I know the core theme of the movie "Little Yuan"? Just now you only talked about the creative concept."

"How should I put it, the story of Madoka is very unique and complex. What is the theme of the film depends on how the audience views the film. Although it is a bit boastful to say this, the scale of the film It’s bigger than anyone imagined.”

With her arms crossed, Nanaya considered her words and said, "In traditional Japanese concepts, the stories of magical girls are simple justice against evil. The proposition of friendship and love will run through all the stories of magical girls. "

"The movie "Xiaoyuan" is no exception, but Lao Xu and I tried to make this story more in-depth and complicated, so that everyone can see a more real world."

The theme of magical girls has a very wide influence in Japan, and it can even be regarded as the cornerstone of the entire otaku culture.

This point can be known by taking a look at Rimeng's previous cute kings.

It's not a magical girl, it's a married woman.

what?

You said Mahjong crowd?

Isn't that gang of mahjong games magical enough?

Although the status of magical girls in the history of otaku development is unquestionable, it cannot change the fact that previous magical girls are children-oriented works.

Even the relatively adult-oriented "Cardcaptor Sakura" and "Magical Girl Nanoha", although the otaku attributes are off the charts, and many otaku elements have been added.

But it is still undeniable that these series still belong to the works of the younger age because they follow the previous settings of magical girls.

Otherwise, the opposing forces of the characters in the story would not be so clear. Even if the characters' positions are reversed, the character image is basically relatively single.

Of course, the premise is to remove the part of the transformation that is obviously a GHS edge ball.

However, as we all know, works for children are often very attractive to adults.

There's nothing to argue against that.

"It looks like a very bold attempt."

Arong nodded and said.

Hearing what the other party said, Qiye showed a simple smile: "As a successful director, I have a lot of space to make various bold attempts. Moreover, the story of "Madoka" is rich in content and has touching plots The scene, the massive battle, the breathtaking special effects, and the transformation of the characters' personality are amazing and so on."

"I have only one purpose - that is to make the movie popular with the audience."

Qiye summed up the interview with this sentence.

The entire interview took less than half an hour. Although Arong was still a little bit reluctant, she still bid farewell to Qiye.

Then I am going to try my luck with Cameron's crew to see if I can interview him.

Although Ah Rong did not apply for an interview with the other party's crew, the "Treasure of Movies" she is in is definitely not as good as the "New York Times" and other big media.

But "The Secret Treasure of Movies" is the most famous movie magazine in Japan anyway, and it is not an entertainment gossip magazine.

It is a rare opportunity to come to New Zealand. If you don’t even try it, Arong thinks you will regret it.

And Qiye returned to the set to continue filming. Today's shot is the scene of Sayaka frantically seeking to fight after breaking up in love.

Because Qiye will use montage techniques in this plot, the duration of each shot will not be too long.

Therefore, the shooting these days is often a case of setting for a few hours and filming for 5 minutes.

When the day's filming is over, Qiye returns to the crew's resident to do a simple wash first—this is what Ziyuan told Sister Sierra to urge, in order to prevent Qiye from becoming a New Zealand savage again.

At dinner, Qiye will have dinner with several core characters of the crew to discuss the crew's next work plan.

Then, like most of the time, I took my assistant for a walk on the set to sort out my thoughts.

After the end, Qiye will return to the studio to check the shooting results of her two cheap apprentices and comment on them.

After finishing all this, Qiye will go to bed.

"I feel like I'm no different from a [-]-to-[-] office worker now."

Walking on the street, Qiye complained to Ryan behind him.