My players are all acting
References at this stage
The Divine Machine Trial is mainly based on the sword forging competition and the construction details of the Forbidden City.
The copy of "Eight Thousand Miles of Clouds and Moons" is mainly based on the events related to the Jingkang Incident, and the character prototypes have basically not changed much. Song Gaozong, Li Boxi was Li Gang, Han Fuyue was Yue Fei, and Qin Huizhi was Qin Hui.
The first phase of the military pawn trial took place in the Pingding Military Camp in Taihang Mountains. This is a military town where Yue Fei lived in the early days of his military career. The historical records are unknown at that time, but it is inferred that there should have been a bloody battle.
The content of general Deng Yuanjing's military training is basically from the "New Book of Ji Xiao". The king of Yun is Zhao Kai, the third son of Emperor Huizong of Song Dynasty. From the point of view of being able to win the number one scholar, he should have a higher IQ than the father and son of Emperor Huizong and Qinzong. If If he could really become the emperor, he might be better than these three wastes, but it's a pity that Jingkang Zhibian died in depression after being taken away.
Tong Daofu is Tong Guan, Zhong Pingyuan is Zhong Shi Dao and Zhong Shizhong, Zhang Deyuan is Zhang Jun, Wan Yan Sheng is Wan Yan Zongbi, and Meng Lin who launched a mutiny to kill Tian Shizhong is the grandfather of the later famous general Meng Gong and was once a member of Yue Fei's army. Will.
The story of the famous anti-golden general being pissed off is that Liu Kai was living in a posthouse in Jiankang to recuperate from his illness. As a result, Jin Chaoyi and envoys were coming, so he was sent to another hospital. He found "dung piled up", and became angry and became ill. Aggravated, hematemesis several liters and died.
Zhang Jingbang is Zhang Bangchang, and Wang Shiyong is Wang Shiyong and Xu Bingzhe. These two people searched the city and gave them to Jinren, and the people scolded them as "Golden Grandpa".
In fact, I originally planned to write Yue Fei, Li Hao, and King Yun of Jingkang as two separate copies, but considering that it might be a bit cumbersome, I combined them together. The timeline may be a bit messy if the three lines intersect, but overall It can be regarded as barely writing about the possibility of changing history, and it can be regarded as achieving the original goal.
But I want to tell you in advance that this book should not be very long, mainly because of the following reasons.
First, I should conclude that this book has written some good fragments, but overall it is not systematic, that is, it does not have a good continuity, and it is not dense and coherent enough. Of course, this is a structural problem. At the beginning, I wanted to write about different eras in this fragmented way. I thought it would be simple, but in fact I found that it is not simple. Instead, I have to check a lot of things in each era, and pay and benefits relatively low.
The structure of wasteland trial-ultimate trial-national war-literary works was good at first, but later I felt that it was a bit too cumbersome, and not every dungeon of national wars and literary works can be interesting, which is quite It hurts.
Second, I roughly tried what I imagined. Each copy was written with different content. The result of the experiment is of course good, and I have a solid understanding of various writing methods. But in the process of trying, I must have written a lot of not brilliant content. And then later, you will find that a lot of content has been repeated.
After all, history is often similar. I wrote about a great war before, and wrote about another dynasty’s great war later, but found that the similarity is extremely high, or I can’t write anything new in the same mode. This is quite painful. Write or not It's weird to write.
So in the future, I plan to skip and write some unique characters or events, and no longer strictly follow the rhythm of three copies of each dynasty. I may choose a few interesting content to write, try it, and I will almost finish the book. up.
Third, the setting of this magical history change is a bit embarrassing. In fact, at the beginning of the magical history change, on the one hand, I considered that I was not very professional, and I might make mistakes with real characters; on the other hand, I thought that sometimes different characters could be mixed together to facilitate the development of the plot.
As a result, I found that the roundness of the magic reform is a bit painful. For example, Yan and Chu in the setting, Yan should be against Qin, and Chu is against Han, and Yan is set as a very long dynasty. It turned out that the influence of Qin and Han on later generations was so great that it seemed strange whether the people here called themselves "Han people" or "Chu people"...
Of course, to sum up, this book is an experimental work. The structure of group portrait + copy makes it more difficult to write, and it is not refreshing enough to continue, so I will not write a long one, and learn from experience to lay a solid foundation for the future.
However, after more than a million words of practice, I feel that I have penetrated the runes! So rest assured, it should be better to write similar content in the future. The next book may try the anti-routine writing method of the richest man's story, and focus on the protagonist. However, there is still no word left. This book will take a while to write, and I will draw more materials by the way , probably so.
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